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1960 Nantarchi Samajik Sthiti Ani Sahityateel Nave Pravah - Anand Yadav - Bog

Bag om 1960 Nantarchi Samajik Sthiti Ani Sahityateel Nave Pravah

THERE WERE TREMENDOUS CHANGES SEEN IN THE SOCIAL, CULTURAL, CULTURAL, EDUCATIONAL, FINANCIAL, POLITICAL, INDUSTRIAL, TECHNOLOGICAL LIFE IN MAHARASHTRA DURING THE 50 YEARS POST INDEPENDENCE. THIS ALL NATURALLY AFFECTED THE LITERATURE, AS THE VIEWS OF THE LITTERATEUR CHANGED A LOT. NEW LINES AND FORMS OF LITERATURE CAME INTO PRACTICE. INITIALLY, THEY SUCCEEDED IN MAKING THE OLD APPEAR DULL, BUT WITH THE TIME, THEY ALSO LOST THEIR SPEED. ON THIS BACKGROUND, YADAV STANDS IN TO SEARCH THE MENTALITY CHANGED WITH THE TIME; HE TRIES TO UNDERSTAND THE DIFFERENT LINES AND FORMS OF LITERATURE, HE WORKS ON THEIR INITIATIVES, THEIR SIMILARITIES, THEIR DIFFERENCES, THEIR BACKGROUNDS WITH ALL HIS WIT AND WILL. HE HIMSELF IS A VERY SENSITIVE LITTERATEUR AND A CONTEMPLATIVE CRITIC.

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  • Sprog:
  • Marathisk
  • ISBN:
  • 9788177661019
  • Indbinding:
  • Paperback
  • Sideantal:
  • 214
  • Udgivet:
  • 1. marts 2001
  • Udgave:
  • Størrelse:
  • 216x140x11 mm.
  • Vægt:
  • 254 g.
  • 8-11 hverdage.
  • 12. december 2024
Forlænget returret til d. 31. januar 2025

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Beskrivelse af 1960 Nantarchi Samajik Sthiti Ani Sahityateel Nave Pravah

THERE WERE TREMENDOUS CHANGES SEEN IN THE SOCIAL, CULTURAL, CULTURAL, EDUCATIONAL, FINANCIAL, POLITICAL, INDUSTRIAL, TECHNOLOGICAL LIFE IN MAHARASHTRA DURING THE 50 YEARS POST INDEPENDENCE. THIS ALL NATURALLY AFFECTED THE LITERATURE, AS THE VIEWS OF THE LITTERATEUR CHANGED A LOT. NEW LINES AND FORMS OF LITERATURE CAME INTO PRACTICE. INITIALLY, THEY SUCCEEDED IN MAKING THE OLD APPEAR DULL, BUT WITH THE TIME, THEY ALSO LOST THEIR SPEED. ON THIS BACKGROUND, YADAV STANDS IN TO SEARCH THE MENTALITY CHANGED WITH THE TIME; HE TRIES TO UNDERSTAND THE DIFFERENT LINES AND FORMS OF LITERATURE, HE WORKS ON THEIR INITIATIVES, THEIR SIMILARITIES, THEIR DIFFERENCES, THEIR BACKGROUNDS WITH ALL HIS WIT AND WILL. HE HIMSELF IS A VERY SENSITIVE LITTERATEUR AND A CONTEMPLATIVE CRITIC.

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