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In his many years as a Commissario, Guido Brunetti has seen all manner of crime and known intuitively how to navigate the various pathways in his native Venice to discover the person responsible.

Granted leave from the Questura, Commissario Guido Brunetti decides to finally take a well-earned break and visit Sant'Erasmo, one of the largest islands in the Venetian laguna.

When several valuable antiquarian books go missing from a prestigious library in the heart of Venice, Commissario Brunetti is immediately called to the scene. The staff suspect an American researcher has stolen them, but for Brunetti something doesn't quite add up.

A suspicious accident draws Brunetti into Venice's underworld - with unintended, disturbing consequences... A few weeks later, Tullio Gasparini, the woman's husband, is found unconscious with a serious head injury at the foot of a bridge, and Brunetti is drawn to pursue a possible connection to the boy's behaviour.

'The climax is nothing less than a trip - across the laguna - into the heart of darkness ... Leon's special skill is to splice glimpses of la dolce vita with acute analysis of moral and ethical dilemmas ... The series that has shadowed Brunetti for three decades is an epic achievement.' The TimesChosen as Star Pick in the Sunday Times Crime Club__________________________________In his many years as a Commissario, Guido Brunetti has seen all manner of crime and known intuitively how to navigate the various pathways in his native Venice to discover the person responsible. Now, in the thirtieth novel in Donna Leon's masterful series, he faces a heinous crime committed outside his jurisdiction. He is drawn in innocently enough: two young American women have been badly injured in a boating accident, joy riding in the Laguna with two young Italians. However, Brunetti's curiosity is aroused by the behaviour of the young men, who abandoned the victims after taking them to the hospital. If the injuries were the result of an accident, why did they want to avoid association with it?As Brunetti and his colleague, Claudia Griffoni, investigate the incident, they discover that one of the young men works for a man rumoured to be involved in more sinister night-time activities in the Laguna. To get to the bottom of what proves to be a gut-wrenching case, Brunetti needs to enlist the help of both the Carabinieri and the Guardia di Costiera. Determining how much trust he and Griffoni can put in these unfamiliar colleagues adds to the difficulty of solving a peculiarly horrible crime whose perpetrators are technologically brilliant and ruthlessly organised.Donna Leon's thirtieth Brunetti novel is as powerful as any she has written, testing Brunetti to his limits, forcing him to listen very carefully for the truth.

When Anna Maria Giusti returns from holiday to find her elderly neighbour Constanza Altavilla dead, with blood on the floor near her head, she immediately alerts the police. Commissario Brunetti is called to the scene and it seems the woman has suffered a fatal heart attack.

Twenty-one years ago, when a conductor was poisoned and the Questura sent a man to investigate, readers first met Commissario Guido Brunetti. Since 1992's Death at La Fenice, Donna Leon and her shrewd, sophisticated, and compassionate investigator have been delighting readers around the world.

As Venice experiences a debilitating heatwave, Commissario Brunetti escapes the city to spend time with his family. Intrigued, Brunetti asks Signorina Elettra to find out what she can while he's away. When news reaches Brunetti that the usher from the Courthouse has been viciously murdered, he returns to investigate.

For Commissario Guido Brunetti it began with an early morning phone call. A sudden act of vandalism has just been committed in the chill Venetian dawn, a rock thrown in anger through the window of a building in the deserted city. But soon Brunetti finds out that the perpetrator is no petty criminal intent on some annoying anonymous act.

In Death at La Fenice, Donna Leon s first novel in the Commissario Brunetti series, readers were introduced to the glamorous and cut-throat world of opera and to one of Italy s finest living sopranos, Flavia Petrelli then a suspect in the poisoning of a renowned German conductor. Now, many years after Brunetti cleared her name, Flavia has returned to the illustrious La Fenice to sing the lead in Tosca.As an opera superstar, Flavia is well acquainted with attention from adoring fans and aspiring singers. But when one anonymous admirer inundates her with bouquets of yellow roses on stage, in her dressing room and even inside her locked apartment it becomes clear that this fan has become a potentially dangerous stalker. Distraught, Flavia turns to an old friend for help. Familiar with Flavia s melodramatic temperament, Commissario Brunetti is at first unperturbed by her story, but when another young opera singer is attacked he begins to think Flavia s fears may be justified. In order to keep his friend out of danger, Brunetti must enter the psyche of an obsessive fan and find the culprit before anyone comes to harm.

Neither Commissario Brunetti nor his wife Paola have ever had much sympathy for the Italian armed forces, so when a young cadet is found hanged, at Venice's elite military academy, Brunetti's emotions are complex. But as Brunetti - and the indispensable Signorina Elettra - investigate further, no one seems willing to talk.

Then something very incriminating is discovered in the dead man's flat - something which points to the existence of a high-level cabal - and Brunetti becomes convinced that somebody, somewhere, is taking great pains to provide a ready-made solution to the crime ...

In The Waters of Eternal Youth, the twenty-fifth instalment in the bestselling Brunetti series, our Commissario finds himself drawn into a case that may not be a crime at all.

SHORTLISTED FOR THE GOLD DAGGER AWARDThe latest bestselling Venice crime novel from celebrated author Donna LeonAs a favour to his wealthy father-in-law, the Count Falier, Commissario Guido Brunetti agrees to investigate the seemingly innocent wish of the Count's best friend, the elderly and childless Gonzalo, to adopt a younger man as his son.

In Death at La Fenice, Donna Leon's first novel in the Commissario Brunetti series, readers were introduced to the glamorous and cut-throat world of opera and to one of Italy's finest living sopranos, Flavia Petrelli - then a suspect in the poisoning of a renowned German conductor.

He's charmed - perhaps too charmed, suggests his wife Paola - by her love of Virgil and Cicero, but shocked by her appearance. He believes the man's death is connected to the illegal transportation of refuse - and more sinister material - in his company's trucks.

When a wealthy Venetian woman is found brutally murdered, the prime suspect is her Romanian maid, who has fled the city. Commissario Brunetti decides - unofficially - to take on the case himself.

When Commissario Brunetti is visited by a young bureaucrat investigating the lack of official approval for the building of his apartment years before, his first reaction, like any other Venetian, is to think of whom he knows who might bring pressure to bear on the relevant local government department.

As Commissario Guido Brunetti watches his mother buried, he takes some solace in the cloud dappled sky, and the tops of the Venretian cypress trees, moving gently in the spring breeze.

When one of his wife Paola's students comes to visit him, with a strange and vague interest in investigating the possibility of a pardon for a crime committed by her grandfather many years ago, Commissario Brunetti thinks little of it, beyond being intrigued and attracted by the girl's intelligence and moral seriousness.

On a cold Venetian night shortly before Christmas, a man is killed in a scuffle in Campo San Stefano. As Brunetti starts to investigate the murky subculture of the Venetian underworld, he discovers that life is cheap in the immigrant community and something of much greater value is at stake.

When a body is found floating in a canal, strangely disfigured and with multiple stab wounds, Commissario Brunetti is called to investigate and is convinced he recognises the man from somewhere.

When Commissario Brunetti is summoned to the hospital bedside of a senior paediatrician whose skull has been brutally fractured, he is confronted with more questions than answers.

The murder of two clam fishermen off the island of Pellestrina, south of the Lido on the Venetian lagoon, draws Commissario Brunetti into the close-knit community of the island, bound together by a code of loyalty and a suspicion of outsiders worthy of the Mafia.