Bøger i American Poets Continuum serien

Witty, intriguing, and self-effacing poems that pick up overheard conversations and the accidental encounters of everyday life.

Poems of life and death rendered in darkly beautiful language.

"In his twentieth book, most of which was first composed on the backs of medical forms while on break as a third-shift medical technician, Sean Thomas Dougherty brings us a memoir-like prose sequence reflecting on disability, chronic illness, addiction, survival, love, and parenthood"--

"Consumed with the accumulation of lost time and unfulfilled longing, Desire Museum by Danielle Deulen is an intricate exploration of things left unfinished or unsatisfied"--

"Grounded in protest and solidarity, Subhaga Crystal Bacon's Isabella Garder Award-winning Transitory is a collection of elegies memorializing 46 transgender and gender-nonconforming people murdered in the US and Puerto Rico in 2020"--

"Through a lens simultaneously historical and political, Mahtem Shiferraw attends to personal and collective experiences of migration, motherhood, and immigration's complicated notions of home. In Nomenclatures of Invisibility, Shiferraw calls us to carve out space for the multitudes of selves we carry when we migrate across boundaries of body, language, and state. Through a decolonial poetics, giving name to everything in her path from the Italian colonization of Eritrea (and failure to colonize Ethiopia) to her beloved eucalyptus tree, she blurs physical and temporal borders, paying homage to ancestors past, present, and future. Shiferraw writes unapologetically against erasure, against invisibility, instead creating a space that holds grief lovingly, that can tend to the wounds held and held in the endlessly-traveling body. Brilliant with abundance and texture, Shiferraw's poems dismantle the empire's sterility of language, both historical and present. In Nomenclatures of Invisibility, Mahtem Shiferraw builds a home within her poems, attentively naming those who exist within them out of invisibility and into the radiant light: "We walk in unison too: our backs bending at once,/ our arms breaking, our abdomens kicked into silence, thighs bleeding. Through this I ask; am I still lit? And they, again...what else would you be-""

"Against a constellation of solar weather events and evolving pandemic, Jeannine Hall Gailey's Flare, Corona paints a self-portrait of the layered ways that we prevail and persevere through illness and natural disaster. Gailey deftly juxtaposes odd solar and weather events with the medical disasters occurring inside her own brain and body- we follow her through a false-alarm terminal cancer diagnosis, a real diagnosis of MS, and finally the onset of the coronavirus pandemic. The solar flare and corona of an eclipse becomes the neural lesions in her own personal "flare," which she probes with both honesty and humor. While the collection features harbingers of calamity, visitations of wolves, blood moons, apocalypses, and plagues, at the center of it all are the poet's attempts to navigate a fraught medical system, dealing with a series of challenging medical revelations, some of which are mirages and others that are all too real. In Flare, Corona, Jeannine Hall Gailey is incandescent and tender-hearted, gracefully insistent on teaching us all of the ways that we can live, all of the ways in which we can refuse to do anything but to brilliantly and stubbornly survive"--

"Comprised of four heroic crowns of sonnets, Alicia Mountain's Four in Hand is both formal and experimental, ranging from lyric romantic and familial narratives to blank verses of reconfigured found text pulled from financial newsletter emails. Language and white space equally captivate with their sparsity and abundance as Mountain pursues the implications of national political identity with intersectional awareness. These poems interrogate our collective complicity in late-stage capitalism, drone warfare, the election of Donald Trump, environmental degradation, mental health crises, and the dawn of Covid-19 through the lens of gay poetic lineage, regionalism, and familial kinships structures"--

Selected by Aracelis Girmay, A Tinderbox in Three Acts is at once elegy and exegesis, fact and invention. In her fourth poetry collection, Cynthia Dewi Oka performs a lyric accounting of the anti-Communist genocide of 1965, which, led by the Indonesian military and with American assistance, erased and devastated millions of lives in Indonesia. Under the New Order dictatorship that ruled by terror for over three decades in the aftermath, perpetrators of the killings were celebrated as national heroes while survivors were systemically silenced. Drawing on US state documents that were only declassified in recent years, Oka gives form and voice to the ghosts that continue to haunt subsequent generations despite decades of state-produced amnesia and disinformation.In service of recovering what must not be remembered, A Tinderbox in Three Acts repurposes the sanitized lexicon of official discourse, imagines an emotional syntax for the unthinkable, and employs synesthetic modes of perception to convey that which exceeds language. Here, the boundary between singular and collective consciousness is blurred. Here, history as an artifact of the powerful is trumped by the halting memory of the people whom power sought to destroy. Where memory fails, here is poetry to honor the dishonored, the betrayed, the lost and still-awaited.

Theophobia continues Beasley's postmodern spiritual meditations in the tradition of John Donne, George Herbert, Emily Dickinson, and T.S. Eliot.

A year of epistolary writing culminating in one of the most extensive collaboration books in the history of American poetry.

A lyric narrative that celebrates the struggles, the joys, and the dignity of working-class life in the Rust Belt cities.

This highly anticipated second collection is the winner of the 2011 Isabella Gardner Poetry Award.