Bøger i Arden Early Modern Drama serien

Play written by Middleton and formerly attributed to Tourneur.

Based on the true story of the murder of Thomas Arden by his wife, her lover and accomplices in 1551, Arden of Faversham is one of the earliest domestic tragedies and a play which has continued to thrill audiences since its first staging. This comprehensive edition situates the play in its social, cultural and political context while exploring its performance and critical history through a range of historical and contemporary productions, including William Poel's Lilies That Fester (1897) and the Royal Shakespeare Company's 2014 production. Throughout, the edition aims to reanimate the play's engagement with the material culture of domestic life, using little-known evidence for the objects and spaces implicated in the murder. The introduction also accounts for recent new thinking about the play's likely authorship, including claims that Shakespeare was a key co-author. The comprehensive, illustrated introduction combined with detailed on-page commentary notes and glosses make this an ideal edition for students and teachers.

This comprehensive edition situates the play in its political and social context while exploring its performance and critical history through a range of historical and contemporary productions. The introduction also accounts for recent new thinking about the play's likely authorship, including claims that Shakespeare was a key co-author. The illustrated introduction combined with detailed on-page commentary notes and glosses, make this an ideal edition for students and teachers.

'A farce of terribly serious, even savage comic humour' T.S Eliot The Jew of Malta was arguably the most popular play of the Elizabethan era. This new student edition is freshly revised to incorporate the latest stage history and critical interpretations of the play.

John Webster's revenge tragedy, The White Devil is a story of adultery, corruption and murder and explores how a corrupt person can depict themselves as good or 'white'. In this revised edition students will find a wealth of information to support their studies and the very latest critical interpretations and stage history.

A ground-breaking edition of an early modern play exploring of the clash of empire, religion and the battle for wealth and power.

Philaster is a tragicomedy by Beaumont and Fletcher which has much in common with Shakespeare's late plays such as The Winter's Tale. This edition provides a modernised text edited to the scholarly standards associated with all Arden editions and a detailed, illustrated introduction.

A Caroline-era stage play first published in 1652, this comedy is about four noble lovers who join the beggar community for a pastoral life of song and dance, only to find that that the reality of vagabond life is quite different from its literary depiction. This edition includes critical commentary as well as appendixes on the play's six songs, and on rogue literature and cant.

Play script, including biographical notes, textual details and information about the staging of the play.

The Duchess of Malfi is a macabre, tragic play which is often performed and studied at A level and university. This Arden edition brings all the scholarship and comprehensive analysis associated with the series and offers readers a deeper understanding of the play than competing editions.

The Tragedy of Mariam, the Fair Queen of Jewry is a Jacobean closet drama by Elizabeth Tanfield Cary. This edition includes the complete play script with notes beneath the text, as well as an extensive introduction, including biographical notes, textual details, and information about the staging of the play.

This Jacobean tragic-comedy by Philip Massinger explores the cultural conflict between Christian Europe and Muslim North Africa experienced when the two began to travel and trade in the early modern period.

Revenge plays became the most durable and commercially successful type of drama on the Elizabethan stage. The Spanish Tragedy brings to life the intrigues of the Spanish court, dramatically contrasting romantic passion with violent deaths and clandestine politics.

Ford's tragedy, originally printed in 1633, was the first major English play to take as its theme fulfilled incest between brother and sister.

A major new edition of this much studied play offering the standard, depth and range associated with all Arden editions. The on-page commentary notes explain the language, referenes and staging issues posed by the text while the lengthy, illustrated introduction offers a lively overview of the play's historical, performance and critical contexts. This is the ideal edition for study and performance.

Everyman and Mankind are morality plays that mark the turn of the medieval period to the early modern, with their focus on the individual. Both plays are modernised here with full on-page commentaries, a detailed, illustrated introduction and all the scholarly qualities associated with Arden editions

On 19 April 1621, a woman named Elizabeth Sawyer was hanged at Tyburn. Her story was on the bookstalls within days and within weeks was adapted for the stage as The Witch of Edmonton. The devil stalks Edmonton in the shape of a large black dog and, just as Elizabeth Sawyer makes her demonic pact, the newlywed Frank Thorney enters into his own dark bargain in the shape of a second, bigamous marriage. Torn between sympathy for Sawyer and Thorney and a clear-eyed assessment of their crimes, the play was the finest and most nuanced treatment of witchcraft that the stage would see for centuries. Lucy Munro's introduction provides students and scholars with a detailed understanding of this complex play.

On 19 April 1621, a woman named Elizabeth Sawyer was hanged at Tyburn. Her story was on the bookstalls within days and within weeks was adapted for the stage as The Witch of Edmonton. The devil stalks Edmonton in the shape of a large black dog and, just as Elizabeth Sawyer makes her demonic pact, the newlywed Frank Thorney enters into his own dark bargain in the shape of a second, bigamous marriage. Torn between sympathy for Sawyer and Thorney and a clear-eyed assessment of their crimes, the play was the finest and most nuanced treatment of witchcraft that the stage would see for centuries. Lucy Munro's introduction provides students and scholars with a detailed understanding of this complex play.