Bøger i Aris & Phillips Hispanic Classics serien

Federico Garcia Lorca was born near Granada in 1898. Initially set on studying music in Paris, after his piano teacher died in 1916 he became involved in a literary and artistic group, including H G Wells and Rudyard Kipling. This move towards a more literary life eventually paid off.

This volume brings together a generous selection of Aliaga's prose poems, the majority previously unseen in English, as well as a substantial introduction to the author's work and its context, both literary and political, by the editor and translator. Cristian Aliaga (b.

A generous selection and fresh translation of Lorca's suites, work that might have taken its place beside Songs (1927) and Poem of the Deep Song (1931) as a trilogy of Lorca's early modernist lyric. More personal than the other two works, Lorca's suites explore a 'heart without echo' in his time.

El muerto disimulado / Presumed Dead is a comedy by Angela de Azevedo, a seventeenth-century Portuguese playwright who wrote in Spanish. The annotated text consists of an introduction, Spanish edition, and English prose translation. This female-authored play should appeal to a broad audience of readers and theatre practitioners, specialists and non-specialists.

First anthology dedicated solely to Unamuno's poetry in 25 years, with commentary on each poem

One of the most powerful and sustained works in all medieval literature, without which no series could be considered complete. The Poem of My Cid deals with the exploits of the medieval Castilian warrior, beginning with the sorrow of his departure into exile and focusing on his determination to regain the favour of his king.

Tirso de Molina's Marta the Divine (c. 1614-15) is a spirited comedy about an ingenious young woman who fakes religious piety in order to avoid an arranged marriage imposed upon her by her father.

Juan Valera y Alcala-Galiano (1824-1905), one of 19th-century Spain's most well known authors, had a career in the diplomatic service with postings in Europe and the Americas. A serious student of his own and foreign literatures, Valera wrote novels, short stories, essays and literary criticism.

Juan Ramon Jimenez, 1956 winner of the Nobel Prize, published Platero and I in 1914. Like Le Petit Prince by Antoine de Saint-Exupery and Lewis Carroll's Alice in Wonderland , Platero and I is a book not only for children, but for adults as well. It is an allegory of the deepest human emotions.

Gabriel Francisco Miro Ferrer was born on July 28th 1879, in Alicante on the Costa Blanca. Brought up in the Castilian-speaking Alicante, Miro was sent away to school in nearby Orihela, aged eight. The Jesuit Colegio de Santo Domingo would become the "Jesus" in The Leper Bishop .

When Diego Rivera's biographer, Bertram Wolfe, was sifting though the painter's jumbled collection of correspondence, he encountered a series of Parisian letters from Angelina Beloff.

Gabriela Mistral (1889-1967), Chile's 'other' great poet of the twentieth century, is little known outside the Spanish-speaking world, and unlike Pablo Neruda has not been extensively translated into English.

Tirso de Molina was, with Lope de Vega and Calderon, one of the great dramatists of 17th century Spain, which produced a theatre as vital rich and as varied as its Elizabethan counterpart.

This edition presents The Mountain Girl from La Vera (1613) for the first time in English. The extraordinary protagonist, Gila, calls herself a man, takes pride in doing things men do, and falls in love with a queen. Her betrayal by an army captain who she has humiliated leads to tragedy. Gila has been described as feminist, lesbian, queer, and transgender. It is a vibrant, relevant play and a great piece of theatre.

This bilingual edition presents Luis Vélez de Guevara's 1613 play La Serrana de la Vera (The Mountain Girl from La Vera) for the first time ever in English translation. This long-forgotten tragedy has come back into focus in recent years because of its extraordinary protagonist, Gila, a peasant girl who calls herself a man, takes fierce pride in doing things men do, and falls in love with Queen Isabel. Her betrayal by an army captain who she has humiliated leads to lawlessness, violence and tragedy. Dramatized by the playwright as an heroic rebel, Gila has been variously described as feminist, homosexual, bisexual, lesbian, transsexual, hybrid, queer, and transgender. Highly relevant today, The Mountain Girl from La Vera is also a great piece of theatre, full of dramatic confrontations, colourful vignettes, striking moments of music and spectacle, and plentiful comic relief. This bilingual edition presents the entirety of the play, annotated, along with a Critical Introduction bythe translator that contextualizes the work.

Is gender learned or innate? This controversial play asks the question: what happens if you raise a boy to sew and behave as a girl, and raise his sister to fight as a soldier? For the first time, Guillen de Castro's La fuerza de la costumbre ('The Force of Habit') is available to English and Spanish audiences with a performance-tested translation on facing pages.

Is gender learned or innate? This controversial play asks the question: what happens if you raise a boy to sew and behave as a girl, and raise his sister to fight as a soldier? For the first time, Guillen de Castro's La fuerza de la costumbre ('The Force of Habit') is available to English and Spanish audiences with a performance-tested translation on facing pages.

A new expanded edition of a collection of short stories by contemporary Spanish women writers, now with 14 authors.

Premiered in 1981, The Granny and the Heist (La estanquera de Vallecas) interweaves tense excitement, comic banter and moments of great tenderness in its examination of an area of Madrid equally ignored by Spain's nascent democracy as it had been under the Franco dictatorship. Contains a new critical introduction and language-teaching resources.

Benito Perez Galdos' finely-crafted novel, Meow, is a tragi-comedy.

It was Buero's Historia de una escalera (1949) which restored serious and worthwhile drama, virtually at a stroke, to the beleaguered post-Civil War Spanish stage. Since then, Buero has premiered over twenty-five full length plays in Spain, and has seen his theatre translated into most of the world's major languages.

A new translation of Un rio, un amor (One River, One Love) by Luis Cernuda (1902-1963). Written in France and Spain in 1928-1929, this collection reflects the influences, conflicts and impulses that governed the poet's life then and is faithful to the author's quasi-Surrealist intentions.

It was Buero's Historia de una escalera (1949) which restored serious and worthwhile drama, virtually at a stroke, to the beleaguered post-Civil War Spanish stage. Since then, Buero has premiered over twenty-five full length plays in Spain, and has seen his theatre translated into most of the world's major languages.

First collection in English of a series of short stories by an influential but not well-known early 20th century Spanish author

In this collection of 65 short poems, Roberta Quance exemplifies the range, vitality and inner mysticism of work by one of Spain's foremost, if controversial, contemporary female poets, drawing on the contents of a number of Spanish collections.

Benito Perez Galdos (1843-1920) was a prolific Spanish realist novelist, who through a lack of good translations is virtually unknown outside Spain, though he has been compared as second only to Cervantes in Spanish literature and whose work is considered to give the deepest, truest, most comprehensive realities of Spain.

Miguel de Unamuno (1864-1936) is the towering intellectual giant of early twentieth-century Spain. He wrote novels, plays, poetry and many essays, but is best remembered for his fictional works and for his major philosophical meditation on the nature of existence.

Juan Valera y Alcala-Galiano (1824-1905), one of nineteenth-century Spain's most respected authors, lived an international life-a career in the diplomatic service, with postings to more than a half dozen countries in Europe and the Americas.

Arguably Spain's leading playwright of the twentieth century, Antonio Buero-Vallejo published thirty original plays. In the Burning Darkness was the first play he wrote. The seminal, and lasting, significance of this play was confirmed when an extract from it was read over Buero-Vallejo's grave on the day of his burial.