Bøger i Art serien

Dive into the mesmerizing world of Aretha Louise Franklin, the unparalleled American singer, songwriter, and pianist whose voice and artistry have left an indelible mark on the history of music. Aretha Franklin's book is an intimate exploration of the life and legacy of the woman Rolling Stone hailed as the greatest singer of all time. Born into a musical family in Detroit, Michigan, Aretha Franklin's prodigious talent was evident from a young age as she dazzled audiences with her gospel singing at New Bethel Baptist Church. Her journey to stardom began when, at the age of 18, she signed with Columbia Records, setting the stage for a career that would define an era. However, it was her iconic partnership with Atlantic Records in 1966 that catapulted Franklin to international acclaim. With chart-toppers like "Respect," "(You Make Me Feel Like) A Natural Woman," and "Think," she became more than just a singer; she became a symbol of empowerment and the voice of a generation. The book delves into her celebrated albums, including "Lady Soul," "Amazing Grace," and "Young, Gifted and Black," highlighting her unparalleled impact on soul, R&B, and gospel music. As her career evolved, Franklin continued to reinvent herself, from her time at Arista Records to her resurgence in the late '90s with "A Rose Is Still a Rose." Franklin's extraordinary journey is marked by 18 Grammy Awards, the National Medal of Arts, the Presidential Medal of Freedom, and induction into both the Rock and Roll Hall of Fame and the UK Music Hall of Fame. This book is a heartfelt tribute to an artist whose powerful voice and timeless music continue to resonate with audiences worldwide, inspiring generations and solidifying her legacy as a true music icon.

Andy Warho's book is a captivating exploration of the life and work of the enigmatic artist who revolutionized the art world and left an indelible mark on popular culture. Born Andrew Warhola Jr. on August 6, 1928, this American visionary would become synonymous with the Pop Art movement. Delve into the fascinating journey of Andy Warhol, from his humble beginnings in Pittsburgh to his meteoric rise as a leading figure in the art scene of the 1960s. As a commercial illustrator turned artist, Warhol's work bridged the gap between artistic expression, advertising, and the burgeoning celebrity culture of his era. This biography provides an intimate look at some of Warhol's most iconic creations, including the legendary Campbell's Soup Cans and the haunting Marilyn Diptych. Discover how his innovative approach extended across various media, from painting and silkscreening to film and sculpture. Warhol's avant-garde films, such as Empire and Chelsea Girls, challenged conventional cinema, while the multimedia phenomenon known as the Exploding Plastic Inevitable brought together a kaleidoscope of personalities in a riotous celebration of art and music. Step into The Factory, Warhol's legendary New York studio, where intellectuals, drag queens, celebrities, and bohemians mingled and created. Explore his role as the manager and producer of The Velvet Underground, an experimental rock band that defied conventions. This biography doesn't shy away from the controversies that surrounded Warhol, including his shooting by radical feminist Valerie Solanas. It also sheds light on his contributions as an author and founder of Interview magazine. This book is a comprehensive tribute to a visionary artist who lived openly as a gay man in a time of societal change. It's a testament to his enduring influence, as evidenced by the iconic museum in his hometown, The Andy Warhol Museum. Join us on a visual and intellectual journey through the life of the man who forever altered the art landscape.

Embark on a journey through the extraordinary life and unparalleled artistry of Vincent Willem van Gogh, a Dutch Post-Impressionist painter who left an indelible mark on the world of Western art. Vincent van Gogh's book, offers a vivid portrayal of this iconic figure whose bold, symbolic colors and impassioned brushwork laid the foundation for modern art. Born into an upper-middle-class family, van Gogh's early years hinted at his future brilliance, but also revealed signs of mental instability. As he ventured into adulthood, he explored various professions, from art dealing to missionary work, all while battling periods of depression and solitude. It was only in 1881 that he turned to painting, thanks in part to the unwavering support of his brother, Theo, with whom he maintained a heartfelt correspondence. Van Gogh's artistic evolution took him from still lifes and depictions of peasant labor to the vibrant and expressive works that would define his legacy. His move to Paris in 1886 brought him into contact with avant-garde artists like Gauguin, igniting a period of artistic collaboration and transformation. However, van Gogh's journey was marked by inner turmoil and mental anguish. His tragic episode of self-mutilation, severing part of his ear, and his struggles with psychosis and delusions painted a portrait of an artist in torment. Despite periods of hospitalization, his art continued to evolve, culminating in the radiant landscapes of Arles and the iconic "Starry Night."The book explores van Gogh's complex relationship with his own mental health and the enduring fascination with his misunderstood genius. After his untimely death in 1890, his art gained recognition, inspiring future artistic movements and capturing the public's imagination. Today, his works command astronomical prices, and the Van Gogh Museum in Amsterdam stands as a testament to his enduring legacy. This book unveils the compelling story of an artist whose tumultuous life and artistic brilliance continue to captivate the world.

This book aims to investigate Surrealism's precedents in visual tradition and to explore its influence on contemporary art.

Prastare dęby znają wiele historii. Może nawet pamiętają, jak po ziemi biegali słowiańscy bogowie: Perun, dobry władca panujący na niebie i Weles, mściwy i groźny bóg podziemia. Poznaj niezwykły świat wierzeń naszych przodków! Daj ponieść się magicznym opowieściom z czasów, w których słowiańskie bóstwa rządziły ziemią i to one ustalały porządek rzeczy.Losy słowiańskich bóstw i zwykłych śmiertelników często nawzajem się przenikały, zwłaszcza gdy ludzie próbowali wykraść bogom ich tajemną wiedzę o świecie. Historie o stworzeniu świata i stare podania, tłumaczące różne zjawiska przyrody czasem was rozbawią, czasem wzruszą, a czasem wywołają gęsią skórkę. Wszystkie pozwolą poznać dzieciom wierzenia Słowian, w tym historie najważniejszych bóstw czy ideę axis mundi. Podróż po magicznym świecie pełnym tajemnic uprzyjemnią piękne ilustracje autorstwa Ewy-Poklewskiej-Koziełło. Tekst „Przygód słowiańskim bogów" napisała Melania Kapelusz. Książka zachwyci czytelników w każdym wieku!Seria „ART" to artystycznie wydane książki skierowane do najmłodszych. Każda z książek poświęcona jest jednemu, konkretnemu tematowi. Pobudza u dziecka kreatywne myślenie oraz rozwija naturalną ciekawość świata. Niezwykle piękne ilustracje towarzyszące tekstom są przyjemne dla oka zarówno dzieci, jak i dorosłych. Za ich sprawą seria ART kształtuje u najmłodszych tak ważne współcześnie poczucie estetyki.Niespodzianką dla młodych czytelników są dołączone do książek szablony z kształtami do odrysowania, plakaty z wyjątkowymi ilustracjami lub rozkładówki zawierające infografiki z kompendium wiedzy na dany temat. Melania Kapelusz. Jest autorką sześciu książek dla dzieci. Mieszka na wsi pod Krakowem, a z jej okien można śledzić leśne przygody. W ogrodzie często odwiedzają ją zające i sarny. Stworzyła osiemdziesiąt odcinków przygód tytułowego bohatera „Świerszczyka".

This book is a compilation of papers derived from talks, presented at TransCultural Exchange's 2018 International Conference on Opportunities in the Arts. The aim of these talks was to inspire artists to think across disciplines and cultures and to suggest other career models beyond the typical studio to gallery/museum model. Much of this content is unique in that it not only addresses the practical needs of artists but, even more importantly, it does so in the context of today's global reality. As artists have noted on post-Conference surveys, this information is "the missing link in the art world; the bridge between academic and real-world practice; between a local and international career in the arts." By making this information available long-after the Conference's end and to those who could not directly participate in the Conference, many more artists will have access to where to find jobs/residency programs and funding for their work, information on how to put together successful residency applications, how to market their work, and other professional development programming. In addition, they (and interested members of the public) will have access to the Conference talks on what leading artists are doing across disciplines, with new technologies, and in the public sphere.

This book is a compilation of papers derived from talks, presented at TransCultural Exchange's 2018 International Conference on Opportunities in the Arts. The aim of these talks was to inspire artists to think across disciplines and cultures and to suggest other career models beyond the typical studio to gallery/museum model. Much of this content is unique in that it not only addresses the practical needs of artists but, even more importantly, it does so in the context of today's global reality. As artists have noted on post-Conference surveys, this information is "the missing link in the art world; the bridge between academic and real-world practice; between a local and international career in the arts." By making this information available long-after the Conference's end and to those who could not directly participate in the Conference, many more artists will have access to where to find jobs/residency programs and funding for their work, information on how to put together successful residency applications, how to market their work, and other professional development programming. In addition, they (and interested members of the public) will have access to the Conference talks on what leading artists are doing across disciplines, with new technologies, and in the public sphere.

Art, Theory and Practice in the Anthropocene contributes to the growing literature on artistic responses to global climate change and its consequences. Designed to include multiple perspectives, it contains essays by thirteen art historians, art critics, curators, artists and educators, and offers different frameworks for talking about visual representation and the current environmental crisis. The anthology models a range of methodological approaches drawn from different disciplines, and contributes to an understanding of how artists and those writing about art construct narratives around the environment. The book is illustrated with examples of art by nearly thirty different contemporary artists.

Romanticism, the brooding and intensely personal eighteenth-century art and literary movement, takes on a new lease of life in this carefully curated collection of interviews with contemporary artists from around the world. Informed by the writings of the renowned psychoanalyst James Hillman, Romanticism is reconsidered from a twenty-first-century perspective. Moving past a purely formal presentation of the artists' work, this text strives to uncover the deeper meaning and more pressing issues present in the artworks. All connected by a similar romantic vein, Emma Coccioli explores each artist's individual practice through a series of carefully selected questions. For Coccioli, discussions of 'the moral issue' and the future of the world also form an important part of the interviews. Coccioli acknowledges that artists have often been asked questions about their role in relation to the moral issue and the problem of nihilism. However, even if we have an inherent understanding of the concepts of good and evil, Coccioli argues that there is a need to re-examine the modern-day psyche as it tends to be apathetic and with little emotional resonance on our actions and behaviour. Global overpopulation, climate change, and the planet's limited resources are also meaningfully discussed in this collection of interviews. In questioning the artists, whose work addresses, even remotely, these topics, Coccioli encourages them to consider what they believe to be the greatest threats to today's global community and to suggest solutions that might be adopted by future generations.This original and engaging look at contemporary art practice presents a sophisticated discussion of some of the most pressing issues for modern-day society. The interdisciplinary nature of this book means that it will appeal to students, scholars, artists and to anyone with an interest in the fascinating world of contemporary art.

Romanticism, the brooding and intensely personal eighteenth-century art and literary movement, takes on a new lease of life in this carefully curated collection of interviews with contemporary artists from around the world. Informed by the writings of the renowned psychoanalyst James Hillman, Romanticism is reconsidered from a twenty-first-century perspective. Moving past a purely formal presentation of the artists' work, this text strives to uncover the deeper meaning and more pressing issues present in the artworks. All connected by a similar romantic vein, Emma Coccioli explores each artist's individual practice through a series of carefully selected questions. For Coccioli, discussions of 'the moral issue' and the future of the world also form an important part of the interviews. Coccioli acknowledges that artists have often been asked questions about their role in relation to the moral issue and the problem of nihilism. However, even if we have an inherent understanding of the concepts of good and evil, Coccioli argues that there is a need to re-examine the modern-day psyche as it tends to be apathetic and with little emotional resonance on our actions and behaviour. Global overpopulation, climate change, and the planet's limited resources are also meaningfully discussed in this collection of interviews. In questioning the artists, whose work addresses, even remotely, these topics, Coccioli encourages them to consider what they believe to be the greatest threats to today's global community and to suggest solutions that might be adopted by future generations.This original and engaging look at contemporary art practice presents a sophisticated discussion of some of the most pressing issues for modern-day society. The interdisciplinary nature of this book means that it will appeal to students, scholars, artists and to anyone with an interest in the fascinating world of contemporary art.

Artertainment is more than a novel aesthetic term reflecting the fact that art and entertainment have cross-pollinated each other throughout history. It is a creative strategy that purposely intertwines highbrow and lowbrow aesthetics in the name of reaching the connoisseurs and the masses.The Art of Artertainment sets out to unravel the jumble of aesthetic faultlines and prejudices found wherever we find artistic crossovers-which is to say, everywhere. Revisionist, iconoclastic, and artertaining in its own right, it provides a new framework for the analysis of American nobrow culture from the Colonial times to the digitally turbocharged present.

Art, Theory and Practice in the Anthropocene contributes to the growing literature on artistic responses to global climate change and its consequences. Designed to include multiple perspectives, it contains essays by thirteen art historians, art critics, curators, artists and educators, and offers different frameworks for talking about visual representation and the current environmental crisis. The anthology models a range of methodological approaches drawn from different disciplines, and contributes to an understanding of how artists and those writing about art construct narratives around the environment. The book is illustrated with examples of art by nearly thirty different contemporary artists.

In the tradition of a decade of bi-annual gatherings of the International Symposium on Poetic Inquiry, this volume serves as the fifth refereed symposium anthology. Enchantments of Place celebrates poetry and poetic voices--theorizing and exploring poetic inquiry as an approach, methodology, and/or method for use in contemporary research practices.Poetic inquiry has increased in prominence as a legitimate means by which to collect, assimilate, analyze, and share the results of research across many disciplines. With this collection, we hope to continue to lay the groundwork internationally, for researchers, scholars, graduate students, and the larger community to take up poetic inquiry as a way to approach knowledge generation, learning, and sharing.This volume specifically works to draw attention to the ancient connection between poetry and the natural world with attention to broadening the ecological scope and impact of the work of poetic inquirers.

In past years, Miquel Barcel¿ has been depicted in various and yet contrasting ways, including the new Picasso, the rebel, the genius, or the joker. This book¿s primary goal is to situate the artist within contemporary critical debate, discussing his production during the Postmodern Era and analysing his affinity with Hypermodernity. Through the comparison of Barcel?¿¿s writings, declarations, and works, the study examines the artist¿s autofiction, creating a connection between his hyperindividualism (which is discussed in relation to the Hypermodern Era) and the oceanic feeling. The book presents numerous unpublished materials, mostly contained in the artist¿s journals or gained during numerous meetings with the artist, providing the reader with a tool to understand Barcel¿¿s art, and also hopefully, the times we are living in.

Since the middle of the twentieth century, visual art has displayed an ambivalent nature, torn between the poles of abstractionism and realism, conceptual and postmodern, classicist nostalgia and the violent provocation for its own sake. This essay builds an argument in favour of tracing a different path for the visual arts, in which art might be able to recover its fullness and universality. The artists analysed in this volume ¿ starting with Hopper and Balthus, singled out as precursors ¿ appear to be following this shared path, even though they belong to different generations. Perhaps for this reason, they have for the most part been misunderstood by their contemporary critics. As in the art of Ancient Greece or the Middle Ages abstract tensions that intensify the visual field can bring simple figures to life, radically changing their meaning. This is a ¿sunniness¿ that is akin to the Claritas with which Medieval scholastics indicated the splendour of the works of their times. We¿ll have to undertake a tireless process of exercising our perceptions, if we wish to be able to grasp its basic aesthetic quality.

The relationship between East and West remains a topic of burning timeliness, particularly in its political dimension. Yet, we can gain a complete understanding of the current tensions only if we consider them within a broader historical framework, spanning from art to diplomacy, from religion to ethnography. The present volume tackles precisely this complex task, offering its reader a rich mosaic of case studies and scholarly research, relating to the mutual approaches between the Euro-American ¿West¿, and the Sino-Japanese ¿East¿. In the first part of the book, art historian Marco Musillo uses the depictions of Tartars in fourteenth-century Italian frescoes as the starting point of a trajectory leading to eighteenth-century European literature on China. In the second part, the reader is introduced to two cases of diplomatic encounter, one in sixteenth-century Italy between Japanese subjects and local courts, and the other one between Qing China and twentieth-century United States, in the space of the universal exhibition in St. Louis. Finally, the last section proposes three interconnected art historical explorations: the screen design of Chinese origin in colonial Mexico, Medieval Christian tombstones in China, and early-modern Filipino sacred sculpture.