Bøger i Arthurian and Courtly Cultures serien

This book investigates adaptations of The Lady of Shalott and Elaine of Astolat in Victorian and post-Victorian popular culture to explore their engagement with medievalism, social constructions of gender, and representations of the role of art in society.

Offering a new reading of Malory's famed text, Le Morte Darthur, this book provides the first full-length survey of the alterations Malory made to female characters in his source texts.

Examining Malory's political language, this study offers a revisionary view of Arthur's kingship in the Morte Darthur and the role of the Round Table fellowship. Considering a range of historical and political sources, Lexton suggests that Malory used a specific lexicon to engage with contemporary problems of kingship and rule.

The sister of King Arthur goes by many names: sorceress, kingmaker, death-wielder, mother, lover, goddess. The Myth of Morgan la Fey reveals her true identity through a comprehensive investigation of the famed enchantress' evolution - or devolution - over the past millennium and its implications for gender relations today.

Geoffrey of Monmouth and the Translation of Female Kingship provides the first feminist analysis of the part of The History of the Kings of Britain that most readers overlook: the reigns before and after Arthur's.

This study re-examines Morgan le Fay in early medieval and contemporary Arthurian sources, arguing that she embodies the concerns of each era even as she defies social and gender expectations. Hebert uses leFay as a lens to explore traditional ideas of femininity, monstrousness, resistance, identity, and social expectations for women and men alike.

Medievalists are increasingly grappling with spatial studies. This timely book argues that geography is a crucial element in Sir Thomas Malory's M orte Darthur and contributors shine a light on questions of politics and genre to help readers better understand Malory's world.

This fascinating volume examines the enduring influence of courtly tradition and courtly love, particularly in contemporary popular culture. The ten chapters explore topics including the impact of the medieval troubadour in modern love songs, the legacy of figures such as Tristan, Iseult, Lancelot, Guinevere, and Merlin in modern film and literature, and more generally, how courtly and chivalric conceptions of love have shaped the Western world's conception of love, loyalty, honor, and adultery throughout history and to this day.

This collection explores how Old French fabliaux disrupt literal and figurative bodies. Essays cover theoretical issues including fragmentation and multiplication, social anxiety and excessive circulation, performative productions and creative formations, to trace the competing consequences that arise from this literary body's unsettling capacity.

This study addresses the topics of literacy and texuality in order to develop a new line of interpretation for a landmark of Middle High German literature. Albrecht's Der jungere Titurel is an intellectually ambitious narrative written ca. 1270 as a prequel and sequel to the more famous Arthurian texts by Wolfram von Eschenbach.

This book explores knightly stories of medieval manners and is a commentary on what people in the middle ages wore, how they prayed and what they hoped for in this life and the next. These stories range from the shockingly bawdy to the deeply pious, and often end with morals about the ways women can avoid 'blame, shame, and defame'.

This is a set of essays from many of the leading scholars in the world of medieval studies, which addresses a wide diversity of texts and genres and their diverse perspectives on love. Attention is given to interaction between English writings and putative continental and international influences, with particular emphasis on the works of Chaucer.

and from the Arthurian juvenile fiction sequences and series to the films and television shows featuring Arthurian characters, children have learned about the world of King Arthur and his Knights of the Round Table.

This book re-evaluates the perception of "courtly love" in Old French verse. Adams traces how these verses explore the emotional trials of amour and propose coping methods for the lovelorn.

This fascinating volume examines the enduring influence of courtly tradition and courtly love, particularly in contemporary popular culture. The ten chapters explore topics including the impact of the medieval troubadour in modern love songs, the legacy of figures such as Tristan, Iseult, Lancelot, Guinevere, and Merlin in modern film and literature, and more generally, how courtly and chivalric conceptions of love have shaped the Western world¿s conception of love, loyalty, honor, and adultery throughout history and to this day.

Thirty-five years ago Roland Barthes proclaimed the death of the Author. For medievalists no death has been more timely. The essays in this volume create a prism through which to understand medieval authorship as a process and the medieval author as an agency in the making.

Andersen-Wyman's book undoes most scholarly uses and understandings of De amore by Andreas Capellanus. By offering a reading promoted by the text itself, Andersen-Wyman shows how Andreas undermines the narrative foundations of sacred and secular institutions and renders their power absurd.

Forging Chivalric Communities in Marlory's Morte D'Arthur shows that Malory treats chivalry not as a static institution but as a dynamic, continually evolving ideal. Le Morte D'arthur is structured to trace how communities and individuals adapt or create chivalric codes for their own purposes;

Geoffrey of Monmouth and the Feminist Origins of the Arthurian Legend provides the first feminist analysis of both the Arthurian section of The History of the Kings of Britain and The Life of Merlin .

This book re-evaluates the perception of "courtly love" in Old French verse. Adams traces how these verses explore the emotional trials of amour and propose coping methods for the lovelorn.

Geoffrey of Monmouth and the Feminist Origins of the Arthurian Legend provides the first feminist analysis of both the Arthurian section of The History of the Kings of Britain and The Life of Merlin .

This study addresses the topics of literacy and texuality in order to develop a new line of interpretation for a landmark of Middle High German literature. Albrecht's Der jungere Titurel is an intellectually ambitious narrative written ca. 1270 as a prequel and sequel to the more famous Arthurian texts by Wolfram von Eschenbach.

Andersen-Wyman's book undoes most scholarly uses and understandings of De amore by Andreas Capellanus. By offering a reading promoted by the text itself, Andersen-Wyman shows how Andreas undermines the narrative foundations of sacred and secular institutions and renders their power absurd.

This book explores knightly stories of medieval manners and is a commentary on what people in the middle ages wore, how they prayed and what they hoped for in this life and the next. These stories range from the shockingly bawdy to the deeply pious, and often end with morals about the ways women can avoid 'blame, shame, and defame'.

This is a set of essays from many of the leading scholars in the world of medieval studies, which addresses a wide diversity of texts and genres and their diverse perspectives on love. Attention is given to interaction between English writings and putative continental and international influences, with particular emphasis on the works of Chaucer.

Forging Chivalric Communities in Marlory's Morte D'Arthur shows that Malory treats chivalry not as a static institution but as a dynamic, continually evolving ideal. Le Morte D'arthur is structured to trace how communities and individuals adapt or create chivalric codes for their own purposes;

Hollywood Knights examines Hollywood Arthuriana as political nostalgia offered to American viewers during times of cultural crisis: the red scare of the 1950s, the breakdown of traditional authority in the 1960s and 1970s, the turn to the right in the 1980s and the redemption of masculine and national authority in the 1990s.

This collection explores how Old French fabliaux disrupt literal and figurative bodies. Essays cover theoretical issues including fragmentation and multiplication, social anxiety and excessive circulation, performative productions and creative formations, to trace the competing consequences that arise from this literary body's unsettling capacity.

Thirty-five years ago Roland Barthes proclaimed the death of the Author. For medievalists no death has been more timely. The essays in this volume create a prism through which to understand medieval authorship as a process and the medieval author as an agency in the making.