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Bøger i Avant-Gardes in Performance serien

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  • - Danger, Im/mobility and Politics
     
    854,95 kr.

    It brings together theoretical academic texts by established and emerging scholars alike, exposing perspectives form different fields (philosophy, cultural studies, performance studies, theater studies, and dance studies) as well as from different geopolitical contexts.

  • - Artaud and Influence
    af Amanda Di Ponio
    587,95 kr.

    This book examines the influence of the early modern period on Antonin Artaud's seminal work The Theatre and Its Double, arguing that Elizabethan and Jacobean drama and their early modern context are an integral part of the Theatre of Cruelty and essential to its very understanding.

  • - Staging Sonic Modernity
    af Adrian Curtin
    404,95 - 756,95 kr.

    Sound experimentation by avant-garde theatre artists of the late-nineteenth and early-twentieth centuries is an important but ignored aspect of theatre history. Curtin explores how artists engaged with the sonic conditions of modernity through dramatic form, characterization, staging, technology, performance style, and other forms of interaction.

  • - On the Abuse of Technology and Communication
    af Arndt Niebisch
    443,95 - 545,95 kr.

    Niebisch retraces how the early Avant-Garde movements started out as parasites inhabiting and irritating the emerging mass media circuits of the press, cinema, and wired and wireless communication and how they aimed at creating a media ecology based on and inspired by technologies such as the radio and the photo cell.

  •  
    1.170,95 kr.

    This volume is a collection of scholarly articles and interviews with intermedial artists working with the concepts of public sphere at the intersection of aesthetics and politics.

  •  
    660,95 kr.

    Combining a range of content with self-reflexive examination by scholars and practitioners, this edited volume interrogates the contemporary significance of the avant-garde. Rather than focusing on a particular region, period, or movement, the contributors bring together case studies to examine what constitutes the avant-garde canon.

  • - Deep Time of the Theatre
     
    1.207,95 kr.

    This book develops media archaeological approaches to theatre and intermediality. To create theatrical effects and optical illusions, theatre makers were ready to integrate state-of-the-art technics and technologies, and by doing so they playfully explored and popularized scientific knowledge on mechanics, optics and sound for live audiences.

  • - Danger, Im/mobility and Politics
     
    1.153,95 kr.

    It brings together theoretical academic texts by established and emerging scholars alike, exposing perspectives form different fields (philosophy, cultural studies, performance studies, theater studies, and dance studies) as well as from different geopolitical contexts.

  • - Artaud and Influence
    af Amanda Di Ponio
    785,95 kr.

    This book examines the influence of the early modern period on Antonin Artaud's seminal work The Theatre and Its Double, arguing that Elizabethan and Jacobean drama and their early modern context are an integral part of the Theatre of Cruelty and essential to its very understanding.

  •  
    1.173,95 kr.

    This volume is a collection of scholarly articles and interviews with intermedial artists working with the concepts of public sphere at the intersection of aesthetics and politics.

  •  
    462,95 kr.

    Combining a range of content with self-reflexive examination by scholars and practitioners, this edited volume interrogates the contemporary significance of the avant-garde. Rather than focusing on a particular region, period, or movement, the contributors bring together case studies to examine what constitutes the avant-garde canon.

  • - Performing Publics, Pervasive Media, and Architecture
     
    273,95 kr.

    Generally taking place in front of closed curtains during set changes between acts, the entr'acte delivers a fleeting new purpose and event to the otherwise sometimes inert space between stage and pit. This collection employs the entr'acte as a model for conceptualizing emerging formations of publics and of public space.

  • - Performing Publics, Pervasive Media, and Architecture
     
    353,95 kr.

    Generally taking place in front of closed curtains during set changes between acts, the entr'acte delivers a fleeting new purpose and event to the otherwise sometimes inert space between stage and pit. This collection employs the entr'acte as a model for conceptualizing emerging formations of publics and of public space.

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