Bøger i Early Modern Literature in History serien

This book is about the relationship of food and food practices to discourses and depictions of domestic and political governance in early modern women's writing.

This book is about the literary culture that emerged during and in the aftermath of the Great Plague of London (1665). The macabre history of plague in early modern England largely ended with the Great Plague of London, and the miscellany of plague writings that responded to the epidemic forms the subject of this book.

This book considers the relationship between the vogue for putting the Ottoman Empire on the English stage and the repertory system that underpinned London playmaking.

Early modern drama is steeped in biblical language, imagery and stories. This collection examines the pervasive presence of scripture on the early modern stage. Exploring plays by writers such as Shakespeare, Marlowe, Middleton, and Webster, the contributors show how theatre offers a site of public and communal engagement with the Bible.

Language and Politics in the Sixteenth-Century History Play examines a key preoccupation of historical drama in the period 1538-1600: the threat presented by uncivil language. 'Unlicensed' speech informs the presentation of political debate in Tudor history plays and it is also the subject of their most daring political speculations.

Royalist Identities shifts the emphasis from the question 'What is Royalism?' to 'What did Royalism want to be?' The texts analyzed show how Royalism was concerned with the construction of a set of binary roles and behavioural models designed to perpetuate a certain paradigm of social stability.

How did Renaissance literature affect readers' minds, bodies and souls? In what ways did the history of literary experience overlap with the history of humours and emotions? This book argues that a new aesthetic vocabulary based on the theory of the passions was formulated in the Renaissance to describe the affective power of literature.

This book analyzes the political, aesthetic, moral and religious developments in the period 1606-1660 and discusses the works of Donne, Jonson, Milton and early modern women's writing. Brady combines Literary Theory, social and cultural History, Psychology and Anthropology to produce exciting and original readings of neglected source material.

While not wishing to ignore the influence of Shakespeare, this collection of essays explores other historical drama between 1500 and 1660, covering a wide range of different formats. Individual essays in chronological order discuss a wide variety of possible sources for historical drama, ranging from oral traditions to chronicles.

This study explores why women in the English Renaissance wrote so few sonnet sequences, in comparison with the traditions of Continental women writers and of English male authors.

Leading scholars in the field analyze Shakespeare's plays to show how their dramatic content shapes issues debated in conflicts arising from the creation and application of law. Individual essays focus on such topics such as slander, revenge, and royal prerogative; these studies reveal the problems confronting early modern English men and women.

This book reveals the ways in which seventeenth-century poets used models of vision taken from philosophy, theology, scientific optics, political polemic and the visual arts to scrutinize the nature of individual perceptions and to examine poetry's own relation to truth.

The book analyses the theories and practices of editors who worked on Shakespeare, but also on complete editions of a remarkable range of early modern writers, from the early nineteenth century through to the early twentieth century.

This book reveals the ways in which seventeenth-century poets used models of vision taken from philosophy, theology, scientific optics, political polemic and the visual arts to scrutinize the nature of individual perceptions and to examine poetry's own relation to truth.

This book explores the collaborative practices - both literary and material - that women undertook in the production of early modern texts. It confronts two ongoing methodological dilemmas.  How does conceiving women's texts as collaborations between authors, readers, annotators, editors, printers, and patrons uphold or disrupt current understandings of authorship? And how does reconceiving such texts as collaborative illuminate some of the unresolved discontinuities and competing agendas in early modern women's studies?  From one perspective, viewing early modern women's writing as collaborative seems to threaten the hard-won legitimacy of the authors we have already recovered; from another, developing our understanding of literary agency beyond capital "A" authorship opens the field to the surprising range of roles that women played in the history of early modern books. Instead of trying to simply shift, disaggregate or adjudicate between competing claims for male or female priority in the production of early modern texts, Gender, Authorship, and Early Modern Women's Collaboration investigates the role that gender has played - and might continue to play - in understanding early modern collaboration and its consequences for women's literary history.

As early modernists with an interest in the literary culture of Shakespeare's time, we work in a field that contains many significant losses: of texts, of contextual information, of other forms of cultural activity.

The book analyses the theories and practices of editors who worked on Shakespeare, but also on complete editions of a remarkable range of early modern writers, from the early nineteenth century through to the early twentieth century.

This book is a study of ghostly matters - of the soul - in literature spanning the tenth century and the age of Shakespeare.

This edited collection aims at highlighting the various uses of water in sixteenth, seventeenth, and eighteenth-century England, while exploring the tensions between those who praised the curative virtues of waters and those who rejected them for their supposedly harmful effects.

Old St Paul's and Culture is an interdisciplinary collection of essays that looks predominantly at the culture of Old St Paul's and its wider precinct in the early modern period, while also providing important insights into the Cathedral's medieval institution.

An in-depth study of early modern women's modesty rhetoric from the English Reformation to the Restoration. This book provides new readings of modesty's gendered deployment in the works of Anne Askew, Katharine Parr, Mary Sidney, Aemilia Lanyer and Anne Bradstreet.

This book argues that the early modern public/private boundary was surprisingly dynamic and flexible in early modern literature, drawing upon authors including Shakespeare, Anne Lock, Mary Wroth, and Aphra Behn, and genres including lyric poetry, drama, prose fiction, and household orders. An epilogue discusses postmodern privacy in digital media.

These public, indeed institutional accounts of biblical English changed the language: questions about the relation between Scripture and exegetical tradition that shaped post-Reformation hermeneutics bore strange fruit in secular literature that defined itself through varying forms of autonomy vis-a-vis prior tradition.

As early modernists with an interest in the literary culture of Shakespeare's time, we work in a field that contains many significant losses: of texts, of contextual information, of other forms of cultural activity.

This book offers the first full study of the challenges posed to an emerging English nationalism that stemmed from the powerful appeal exerted by the leaders of the international Protestant cause.

The Invention of China in Early Modern England describes how several different English communities became aware of China.

This study takes a look at a controversial question: what do the acts and shows of grief performed in early modern drama tell us about the religious culture of the world in which they were historically staged? Drawing on performance studies, it provides detailed readings of play texts to explore the politics, pathologies and parodies of mourning.

The advent of relatively cheap editions in the mid-sixteenth century produced an explosion of verse, much of which represented the first person speaker as a version of the author.