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This book focuses on the ways in which North American Muslim women artists `talk back¿ to dominant discourses about Muslim identity and work to counter mainstream stereotypes and representations. It examines the possibilities of constructing discourses of resistance to domination.
Through twelve chapters that historicize and re-evaluate postfeminism as the dominant framework of feminist media studies, this collection maps out new modes of feminist media analysis at both theoretical and critical levels, offering new insights into the visibility and circulation of feminist politics in media and culture.