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How does a state redefine its national identity after catastrophic trauma? And what is the role of this kind of tourism in defining their new identity? This title exposes the intersection of leisure with the inhumane, giving insight into how people respectfully share a public space that is both free and sacred, compelling and tragic.
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From cannibalism to light calligraphy, from self-harming to animal sacrifice, from meat entwined with sex toys to a commodity-embedded ice wall, the idiosyncratic output of Chinese time-based art over the years has invigorated contemporary global art movements. The author shows us how art can reflect, construct, confound, and enrich us.
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