Bøger i The Bard Music Festival serien

Camille Saint-Sans - perhaps the foremost French musical figure of the late nineteenth century and a composer who wrote in every musical genre, from opera and the symphony to film music - is now being rediscovered after a century of modernism overshadowed his importance. This book deconstructs the multiple realities behind the man and his music.

Stravinsky and His World brings together an international roster of scholars to explore fresh perspectives on the life and music of Igor Stravinsky. Situating Stravinsky in new intellectual and musical contexts, the essays in this volume shed valuable light on one of the most important composers of the twentieth century. Contributors examine Stravinsky's interaction with Spanish and Latin American modernism, rethink the stylistic label "e;neoclassicism"e; with a section on the ideological conflict over his lesser-known opera buffa Mavra, and reassess his connections to his homeland, paying special attention to Stravinsky's visit to the Soviet Union in 1962. The essays also explore Stravinsky's musical and religious differences with Arthur Lourie, delve into Stravinsky's collaboration with Pyotr Suvchinsky and Roland-Manuel in the genesis of his groundbreaking Poetics of Music, and look at how the movement within stasis evident in the scores of Stravinsky's Orpheus and Oedipus Rex reflected the composer's fierce belief in fate. Rare documents--including Spanish and Mexican interviews, Russian letters, articles by Arthur Lourie, and rarely seen French and Russian texts--supplement the volume, bringing to life Stravinsky's rich intellectual milieu and intense personal relationships. The contributors are Tatiana Baranova, Leon Botstein, Jonathan Cross, Valerie Dufour, Gretchen Horlacher, Tamara Levitz, Klara Moricz, Leonora Saavedra, and Svetlana Savenko.

A brand-new look at the life and music of renowned composer Erich Wolfgang KorngoldErich Wolfgang Korngold (1897ΓÇô1957) was the last compositional prodigy to emerge from the Austro-German tradition of Mozart and Mendelssohn. He was lauded in his youth by everyone from Mahler to Puccini and his auspicious career in the early 1900s spanned chamber music, opera, and musical theater. Today, he is best known for his Hollywood film scores, composed between 1935 and 1947. From his prewar operas in Vienna to his pathbreaking contributions to American film, Korngold and His World provides a substantial reassessment of KorngoldΓÇÖs life and accomplishments.Korngold struggled to reconcile the musical language of his Viennese upbringing with American popular song and cinema, and was forced to adapt to a new life after wartime emigration to Hollywood. This collection examines KorngoldΓÇÖs operas and film scores, the critical reception of his music, and his place in the milieus of both the Old and New Worlds. The volume also features numerous historical documentsΓÇömany previously unpublished and in first-ever English translationsΓÇöincluding essays by the composer as well as memoirs by his wife, Luzi Korngold, and his father, the renowned music critic Julius Korngold.The contributors are Leon Botstein, David Brodbeck, Bryan Gilliam, Daniel Goldmark, Lily Hirsch, Kevin Karnes, Sherry Lee, Neil Lerner, Sadie Menicanin, Ben Winters, Amy Wlodarski, and Charles Youmans.Bard Music Festival 2019Korngold and His WorldBard CollegeAugust 9ΓÇô11 and 16ΓÇô18, 2019

Erich Wolfgang Korngold (1897-1957) was the last compositional prodigy to emerge from the Austro-German tradition of Mozart and Mendelssohn. He was lauded in his youth by everyone from Mahler to Puccini and his auspicious career in the early 1900s spanned chamber music, opera, and musical theater. Today, he is best known for his Hollywood film scores, composed between 1935 and 1947.

A rare look at the life and music of renowned Russian composer Nikolai Rimsky-KorsakovDuring his lifetime, Nikolai Rimsky-Korsakov (1844-1908) was a composer whose work had great influence not only in his native Russia but also internationally. While he remains well-known in Russia-where many of his fifteen operas and various orchestral pieces

Carlos Chávez (1899-1978) is the central figure in Mexican music of the twentieth century and among the most eminent of all Latin American modernist composers. An enfant terrible in his own country, Chávez was an integral part of the emerging music scene in the United States in the 1920s. His highly individual style--diatonic, dissonant, contrapuntal--addressed both modernity and Mexico's indigenous past. Chávez was also a governmental arts administrator, founder of major Mexican cultural institutions, and conductor and founder of the Orquesta Sinfónica de México. Carlos Chávez and His World brings together an international roster of leading scholars to delve into not only Chávez's music but also the history, art, and politics surrounding his life and work. Contributors explore Chávez's vast body of compositions, including his piano music, symphonies, violin concerto, late compositions, and Indianist music. They look at his connections with such artistic greats as Aaron Copland, Miguel Covarrubias, Henry Cowell, Silvestre Revueltas, and Paul Strand. The essays examine New York's modernist scene, Mexican symphonic music, portraits of Chávez by major Mexican artists of the period, including Diego Rivera and Rufino Tamayo, and Chávez's impact on El Colegio Nacional. A quantum leap in understanding Carlos Chávez and his milieu, this collection will stimulate further work in Latin American music and culture. The contributors are Ana R. Alonso-Minutti, Amy Bauer, Leon Botstein, David Brodbeck, Helen Delpar, Christina Taylor Gibson, Susana González Aktories, Anna Indych-López, Roberto Kolb-Neuhaus, James Krippner, Rebecca Levi, Ricardo Miranda, Julián Orbón, Howard Pollack, Leonora Saavedra, Antonio Saborit, Stephanie Stallings, and Luisa Vilar Payá. Bard Music Festival 2015: Carlos Chávez and His WorldBard CollegeAugust 7-9 and August 14-16, 2015

Carlos Chávez (1899-1978) is the central figure in Mexican music of the twentieth century and among the most eminent of all Latin American modernist composers. An enfant terrible in his own country, Chávez was an integral part of the emerging music scene in the United States in the 1920s. His highly individual style--diatonic, dissonant, contrapuntal--addressed both modernity and Mexico's indigenous past. Chávez was also a governmental arts administrator, founder of major Mexican cultural institutions, and conductor and founder of the Orquesta Sinfónica de México. Carlos Chávez and His World brings together an international roster of leading scholars to delve into not only Chávez's music but also the history, art, and politics surrounding his life and work. Contributors explore Chávez's vast body of compositions, including his piano music, symphonies, violin concerto, late compositions, and Indianist music. They look at his connections with such artistic greats as Aaron Copland, Miguel Covarrubias, Henry Cowell, Silvestre Revueltas, and Paul Strand. The essays examine New York's modernist scene, Mexican symphonic music, portraits of Chávez by major Mexican artists of the period, including Diego Rivera and Rufino Tamayo, and Chávez's impact on El Colegio Nacional. A quantum leap in understanding Carlos Chávez and his milieu, this collection will stimulate further work in Latin American music and culture. The contributors are Ana R. Alonso-Minutti, Amy Bauer, Leon Botstein, David Brodbeck, Helen Delpar, Christina Taylor Gibson, Susana González Aktories, Anna Indych-López, Roberto Kolb-Neuhaus, James Krippner, Rebecca Levi, Ricardo Miranda, Julián Orbón, Howard Pollack, Leonora Saavedra, Antonio Saborit, Stephanie Stallings, and Luisa Vilar Payá. Bard Music Festival 2015: Carlos Chávez and His WorldBard CollegeAugust 7-9 and August 14-16, 2015

Bela Bartok, who died in New York, is one of the most frequently performed twentieth-century composers. He is also the subject of a growing critical and analytical literature. Divided into three parts, this volume aims to provide insights into the life and reception of this musician, especially in Hungary.

Influencing musical life from the 1880s through the First World War and remaining productive into the 1940s, Richard Strauss enjoyed a remarkable career in a constantly changing artistic and political climate. This volume presents essays on Strauss' musical works and brings together letters and memoirs from various periods of the composer's life.

During the 1830s and 1840s composer-pianist-organist-conductor Felix Mendelssohn-Bartholdy stood at the forefront of German and English musical life. This title explores various facets of Mendelssohn's music, his social and intellectual circles, and his career.

Comprising both interpretive essays and a selection of documents that bear on Dvorak's career and music, this volume addresses fundamental questions about the composer while presenting an argument for a radical reappraisal.

A new look at the life, times, and music of Polish composer and piano virtuoso Fryderyk ChopinFryderyk Chopin (1810–49), although the most beloved of piano composers, remains a contradictory figure, an artist of virtually universal appeal who preferred the company of only a few sympathetic friends and listeners. Chopin and His World reexamines Chopin and his music in light of the cultural narratives formed during his lifetime. These include the romanticism of the ailing spirit, tragically singing its death-song as life ebbs; the Polish expatriate, helpless witness to the martyrdom of his beloved homeland, exiled among friendly but uncomprehending strangers; the sorcerer-bard of dream, memory, and Gothic terror; and the pianist''s pianist, shunning the appreciative crowds yet composing and improvising idealized operas, scenes, dances, and narratives in the shadow of virtuoso-idol Franz Liszt.The international Chopin scholars gathered here demonstrate the ways in which Chopin responded to and was understood to exemplify these narratives, as an artist of his own time and one who transcended it. This collection also offers recently rediscovered artistic representations of his hands (with analysis), and—for the first time in English—an extended tribute to Chopin published in Poland upon his death and contemporary Polish writings contextualizing Chopin''s compositional strategies.The contributors are Jonathan D. Bellman, Leon Botstein, Jean-Jacques Eigeldinger, Halina Goldberg, Jeffrey Kallberg, David Kasunic, Anatole Leikin, Eric McKee, James Parakilas, John Rink, and Sandra P. Rosenblum. Contemporary documents by Karol Kurpiński, Adam Mickiewicz, and Józef Sikorski are included.

We know Robert Schumann in many ways: as a visionary composer, a seasoned journalist, a cultured man of letters, and a genius who, having passed his mantle on to the young Brahms, succumbed to mental illness in 1856. Drawing on recent pathbreaking research, this collection offers new perspectives on this seminal nineteenth-century figure. In Part

Tchaikovsky has long intrigued music-lovers as a figure who straddles many borders--between East and West, nationalism and cosmopolitanism, tradition and innovation, tenderness and bombast, masculine and feminine. In this book, through consideration of his music and biography, scholars from several disciplines explore the many sides of Tchaikovsky.

A collection of essays, which address Beethoven's musical works and their cultural contexts. It explains how the young Beethoven chose his pianos, and William Kinderman shows Beethoven in the process of sketching and revising his compositions.

Shows Charles Ives in the context of his world in a number of ways. This volume features essays which examine Ives' relationships to European music and to American music, politics, business, and landscape. It also shows Ives as a composer well versed in four distinctive musical traditions who blended them in his mature music.

Camille Saint-Sans - perhaps the foremost French musical figure of the late nineteenth century and a composer who wrote in every musical genre, from opera and the symphony to film music - is now being rediscovered after a century of modernism overshadowed his importance. This book deconstructs the multiple realities behind the man and his music.

Perhaps no twentieth-century composer has provoked a varied reaction among the music-loving public than Jean Sibelius (1865-1957). This book focuses on the position occupied by Sibelius in the Western musical tradition.

From local Kapellmeister to international icon, Joseph Haydn achieved success by developing a musical language aimed at both the connoisseurs and amateurs of the emerging musical public. This work examines Haydn's works in relation to the aesthetic and cultural crosscurrents of his time.

A collection of essays and source material that repositions Berg as the pivotal figure of Viennese musical modernism. It explores the specific qualities of Berg's brand of musical modernism, and present translated letters and documents that illuminate his relationship to the politics and culture of his era.

Richard Wagner (1813-1883) aimed to be more than just a composer. He set out to redefine opera as a 'total work of art' combining the highest aspirations of drama, poetry, the symphony, the visual arts, even religion and philosophy. This book examines his works.

Considers such topics as Brahms' relationship with Clara and Robert Schumann, his musical interactions with the 'New German School' of Wagner and Liszt, his influence upon Arnold Schoenberg and other young composers, his approach to performing his own music, and his productive interactions with visual artists.

Sergey Prokofiev (1891-1953), arguably the popular composer of the twentieth century, led a life of triumph and tragedy. This book probes beneath the surface of his career and contextualizes his contributions to music on both sides of the nascent Cold War divide.

Edward Elgar (1857-1934) is undoubtedly one of the most fascinating, important, and influential figures in the history of British music. This work examines the composer's life, presenting a comprehensive portrait of both the man and the age in which he lived.

In his roles as keyboard virtuoso, conductor, and master teacher, Franz Liszt reinvented the concert experience, advanced an agenda for symphonic and dramatic music, and transmitted the foundations of modern pianism. Placing emphasis on historical contexts, this book aims to advance our understanding of the composer with fresh perspectives.