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Daniel O'Quinn investigates the complex interpersonal, political, and aesthetic relationships between Europeans and Ottomans in the long eighteenth century. Bookmarking his analysis with the conflict leading to the 1699 Treaty of Karlowitz on one end and the 1815 bid for Greek independence on the other, he follows the fortunes of notable British, Dutch, and French diplomats to the Sublime Porte of the Ottoman Empire as they lived and worked according to the capitulations surrendered to the Sultan.Closely reading a mixed archive of drawings, maps, letters, dispatches, memoirs, travel narratives, engraved books, paintings, poems, and architecture, O'Quinn demonstrates the extent to which the Ottoman state was not only the subject of historical curiosity in Europe but also a key foil against which Western theories of governance were articulated. Juxtaposing narrative accounts of diplomatic life in Constantinople, such as those contained in the letters of Lady Mary Wortley Montagu, wife of the English ambassador, with visual depictions such as those of the costumes of the Ottoman elite produced by the French-Flemish painter Jean Baptiste Vanmour, he traces the dissemination of European representations and interpretations of the Ottoman Empire throughout eighteenth-century material culture.In a series of eight interlocking chapters, O'Quinn presents sustained and detailed case studies of particular objects, personalities, and historical contexts, framing intercultural encounters between East and West through a set of key concerns: translation, mediation, sociability, and hospitality. Richly illustrated and provocatively argued, Engaging the Ottoman Empire demonstrates that study of the Ottoman world is vital to understanding European modernity.
In Spymaster’s Prism, the legendary spymaster Jack Devine aims to ignite public discourse on our country’s intelligence, covert action, and counterintelligence posture against Russia.
The Islamic occupation of the Algarve during the Middle Ages left a strong legacy in many areas of Portuguese culture. We call this territorial domain Gharb al-Andalus. In addition to the intangible legacy, the material remains discovered throughout the region attest to the long permanence of Islamic occupation. Within these parameters, a large number of Islamic buildings have been classified as National Monuments and Buildings of Public Interest. However, many of these structures leave us in doubt as to the state of preservation and dissemination of the heritage to local communities. This book addresses this shortcoming in an informative way, with fact sheets on Islamic heritage in the Algarve. Safeguarding the built cultural heritage is a patent that should not be ignored and, hopefully, new initiatives to protect the legacy of our history and culture will be realised.
"John Hunyadi - Casting a Light in Darkness" immerses readers in the gripping tale of a Hungarian nobleman who emerges as a heroic figure during the riotous events of the 15th century. Set against the backdrop of a Europe on the verge of conquest by the Ottoman Empire, the narrative follows John Hunyadi's inspiring journey as he leads a small army of Christian soldiers against overwhelming odds in the Battle of Belgrade in 1456.Born into the noble Hunyadi family in Transylvania, Hungary, John Hunyadi's life becomes intertwined with the fate of nations. The Ottoman Turks, commanded by the formidable Mehmed II, cast a menacing shadow over Europe. In response to this existential threat, John Hunyadi rises as the "White Knight of Hungary," a symbol of steadfast commitment to the defense of Christendom.This meticulously researched historical narrative takes readers through the various stages of Hunyadi's life, from his early days marked by a profound dedication to faith, to his pivotal role in the Battle of Varna in 1444. The story unfolds against the backdrop of an age characterized by political intrigue, religious fervor, and cultural transformation.In an era marred by excess and moral laxity, John Hunyadi's life serves as a beacon of virtue. The narrative highlights his unwavering commitment to a life grounded in chivalry and Christian values. Amidst the temptations of hedonism that permeate the world around him, Hunyadi stands resolute in his dedication to piety and humility. His story transcends mere historical account; it becomes a timeless lesson in the triumph of faith over vice, illustrating that even in the darkest times, the Light of our Heavenly Father shines brightly.The Battle of Belgrade, a pivotal moment in the narrative, becomes the turning point in the war against the Ottoman forces. Despite being outnumbered and outgunned, Hunyadi's faith and leadership inspire his soldiers to fight with courage and determination. The victory at Belgrade solidifies his position as a symbol of hope for the people of Hungary, a figure whose principles, ethics, and doctrines were forged in the crucible of chivalry and Christian values.As the pages unfold, readers witness the clash of civilizations, the struggle for the soul of Europe, and the enduring legacy of a man who transcended his time. "John Hunyadi - Casting a Light in Darkness" offers a vividly narrated exploration of an era of perpetual turmoil. It paints a comprehensive portrait of a historical figure whose life became a testament to Christian virtue in the face of moral decadence.
IV. Murad ¿stanbul'unda geçen ve cinsellik, para, äk ve ¿iddet gibi konular¿ i¿leyen T¿flî hikâyeleri, 19. yüzy¿l Osmanl¿ düzyaz¿ edebiyat¿n¿n önemli bir türünü olu¿turur. Bu edebî türle ilgili ilk ve tek kapsaml¿ çal¿¿ma olan T¿fli Hikâyeleri, 19. yüzy¿l Osmanl¿ kültürünün de çarp¿c¿ bir panoramas¿n¿ sunuyor. Kitap, hikâyelere ili¿kin inceleme d¿¿¿nda eski yaz¿dan çeviri yaz¿s¿ yap¿lan hikâye metinlerini de içeriyor. English: The Tifli Stories are a genre of Ottoman prose literature set in Istanbul during the reign of Murad IV (r. 1623-1640) and revolving around themes such as sex, money, passion, and violence. The first and only comprehensive study of this literary genre, Tifli Hikayeleri (The Tifli Stories) analyzes the stories to offer a vivid panorama of 19th-century Ottoman culture. The book further includes a comprehensive corpus of stories transliterated from Ottoman into modern Turkish.
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