Elektronisk kunst, holografi og videokunst

Divorce, Hollywood Style shares known and lesser-known stories of Hollywood split-ups.

Im Rahmen des künstlerischen Forschungsprojektes «Unsichtbares und Ungesagtes» sind 10 Gespräche mit internationalen feministischen Regiepersonen entstanden, die sich mit der Frage einer feministischen Ästhetik im zeitgenössischen Kino auseinandersetzen.Gibt es aktuell eine neue Generation feministischer Filmemacherinnen? Inwieweit wird an den Filmästhetiken eine feministische Haltung sichtbar?Die Regisseurin und künstlerische Forscherin Bernadette Kolonko ist diesen und weiteren Fragen im Modus des sich Versammelns, des Zuhörens und des Austausches nachgegangen, um sowohl die filmkünstlerische Arbeit der Interviewten, als auch das gegenwärtige Kino unter dem Aspekt eines Female*Feminist*Gaze zu reflektieren.Mitwirkende: Susanne Heinrich, Laura Bispuri, Kamila Andini, Ester Martin Bergsmark, Anna Sofie Hartmann, Valérie Massadian, Teona Strugar Mitevska, Maryam Touzani, Katharina Wyss und Maura Delpero.

Kyounghyun Mins Werk bündelt ihren autobiografischen Blick auf generationsbedingte Gesellschaftsphänomenein einer zunehmend von Digitalisierung geprägten Zeit, in der die Grenzen zwischen Analogem und Virtuellem verschwimmen. Ihre Gegenwartsbeobachtungen sind emotionale sowie faktische Bestandsaufnahmen zu der Frage nach Identität in einer undefinierbaren Zeit.Erneut loben die Stiftung für Kunst und Kultur in Bonn und der Wienand Verlag in Köln einen Stiftungs- und Verlagspreis zur Förderung von jungen und besonders begabten Künstler:innen aus. Die Publikationsreihe Young Artists, in der jährlich fünf Bände erscheinen, sieht sich als neue Form der Kunst- und Künstlerproduktion in unterschiedlichen Medien - sei es E-Book, online oder Film. Junge Kunst soll dem kunstinteressierten, jungen Publikum leichter zugänglich und entdeckbar werden und so einen neuen Fokus erhalten.

Das Buch begleitet und dokumentiert die gleichnamige Ausstellung, die vom 21. November 2022 bis 19. Februar 2023 teils im Museum Moderner Kunst Kärnten/MMKK und teils im neu eröffneten kärnten.museum (Landesmuseum Kärnten, Rudolfinum) zu sehen ist. Sie basiert auf einer Auswahl von elf malerischen Positionen der Zwischenkriegszeit (Herbert Boeckl, Hans Böhler, Josef Dobrowsky, Albin Egger-Lienz, Anton Faistauer, Gerhart Frankl, Anton Kolig, Sergius Pauser, Rudolf Wacker, Alfons Walde, Alfred Wickenburg), die das Leopold Museum Wien 2021 präsentierte. Diese Inhalte wurden nach Kärnten übernommen und zusammen mit Werken aus der Kunstsammlung des MMKK diskursiv zu einer ganz neuen Ausstellung geordnet, die die Auseinandersetzung mit der Malerei der Zwischenkriegszeit in verschiedenen, den Menschen und seine Existenz betreffenden Themenbereichen vertieft, eine Brücke bis zur zeitgenössischen Kunst schlägt und die Thematik der "Menschheitsdämmerung" in die Gegenwart transportiert, in der sie wieder von größter Aktualität scheint.Zu den Leihgaben aus dem Leopold Museum Wien hinzugekommen sind Werke aus den 1920er und 1930er Jahren von Werner Berg, Adolf Christl, Arnold Clementschitsch, Jean (Hans) Egger, Felix Esterl, Maximilian Florian, Emanuel Fohn, Elisabeth Guttenberg-Sterneck, Ludwig Heinrich Jungnickel, Anton Mahringer, Georg Pevetz, Stefan Pichler, Alfons Purtscher, Ernst Riederer, Franz Wiegele und Willibald Zunk."Reflexe der Gegenwart", Kontrapunkte und ein Gegengewicht zur männlichen Dominanz in den Sammlungsarchiven jener Zeit setzen Arbeiten von 19 Künstlerinnen aus der zweiten Hälfte des 20. Jahrhunderts bis heute, namentlich Ute Aschbacher, Theres Cassini, Ines Doujak, Helga Druml, Gisela Erlacher, Ilse Haider, Karin Hazelwander, Bernadette Huber, Gudrun Kampl, Kiki Kogelnik, Suse Krawagna, Maria Lassnig, Zorka L-Weiss, Maria Petschnig, Verena Resch, Meina Schellander, Katarina Schmidl, Nina Rike Springer und Karin Sulimma.Der Titel und auch der Aufbau ("dynamisches, motivisches Zusammenklingen: Symphonie!") von Ausstellung und Buch sind der Anthologie expressionistischer Lyrik "Menschheitsdämmerung" entliehen. Kurt Pinthus gab dieses Standardwerk 1919 heraus und stellte in seinem Vorwort eine Verbindung zur bildenden expressionistischen Kunst her, die in Österreich in der Zwischenkriegszeit umfänglich Ausdruck fand. Der Katalog zitiert aus der Anthologie Gedichte von Theodor Däubler, Albert Ehrenstein, Iwan Goll, Walter Hasenclever, Kurt Heynicke, Jakob van Hoddis, Wilhelm Klemm, Else Lasker-Schüler, Alfred Lichtenstein, Ernst Wilhelm Lotz, René Schickele, Franz Werfel, Alfred Wolfenstein und Paul Zech.

The first book on the philosophy and aesthetics of digital preservation examines the challenge posed by new media to our long-term social memory.How will our increasingly digital civilization persist beyond our lifetimes? Audio and videotapes demagnetize; CDs delaminate; Internet art links to websites that no longer exist; Amiga software doesn't run on iMacs. In Re-collection, Richard Rinehart and Jon Ippolito argue that the vulnerability of new media art illustrates a larger crisis for social memory. They describe a variable media approach to rescuing new media, distributed across producers and consumers who can choose appropriate strategies for each endangered work.New media art poses novel preservation and conservation dilemmas. Given the ephemerality of their mediums, software art, installation art, and interactive games may be heading to obsolescence and oblivion.Rinehart and Ippolito, both museum professionals, examine the preservation of new media art from both practical and theoretical perspectives, offering concrete examples that range from Nam June Paik to Danger Mouse. They investigate three threats to twenty-first-century creativity: technology, because much new media art depends on rapidly changing software or hardware; institutions, which may rely on preservation methods developed for older mediums; and law, which complicates access with intellectual property constraints such as copyright and licensing. Technology, institutions, and law, however, can be enlisted as allies rather than enemies of ephemeral artifacts and their preservation. The variable media approach that Rinehart and Ippolito propose asks to what extent works to be preserved might be medium-independent, translatable into new mediums when their original formats are obsolete.

A leading figure in the world of networked culture explores the artists and events that defined the mass medium of our time Since 1989, the year the World Wide Web was born, the art world has grappled with the rise of networked culture. This unprecedented survey of the artists and innovators in this area from 1989 to today is interwoven with the personal narrative of one of the leading voices on the digital world. In this book, Omar Kholeif, whose prolific career parallels the growth of the internet, tells the story of this mass medium and how it has fostered new possibilities for artists, both analog and digital. The book showcases work spanning a range of media from legendary artists including Lawrence Abu Hamdan, Lynn Hershman Leeson, Naim June Paik, Heather Philipson, and Wu Tang. Tracing the key artists and innovators from the emergence of browser-based art to the dawn of NFTs, this is a tale for the present and the future.

"Scrooge McDuck and nephews Huey, Dewey, and Louie are back in the 2017 remake of the classic series from Disney Television Animation, DuckTales, and join Donald Duck on adventures-solving mysteries and rewriting history! Like Scrooge into the Money Bin, dive into this beautiful, oversized coffee-table book and read tales of the making of the series from developers Matt Youngberg, Francisco Angones, Suzanna Olson, and others. Join in on the adventure with exclusive interviews with the cast including David Tennant (Scrooge McDuck), Danny Pudi (Huey), Ben Schwartz (Dewey), Bobby Moynihan (Louie), Kate Miccuci (Webby), Don Cheadle (Donald Duck), and many more! Find out what it means to every day be out there making DuckTales! Woo-oo!"--

An expertly crafted, full-color, oversized volume showcasing the creative forces behind the hotly anticipated animated series! Star Wars: Visions offers extraordinary new perspectives on a galaxy far, far away--all through a series of visionary animated short films. The world's most daring anime studios have come together to showcase bold new tales of wandering strangers, daring adventurers, cunning outlaws, and powerful villains--all inspired by the beloved mythology of Star Wars. This lovingly assembled tome celebrates the talent and tenacity involved in bringing each of these unique episodes to life, exploring the art with insightful commentary and unparalleled detail. Dark Horse Books and Lucasfilm present this sleek deluxe edition hardcover, which includes an exclusive slipcase and a folio containing a triptych of archive-quality lithographs with stills from each episode.

Willkommen im Universum von Zach Lynch! Anderthalb Jahrzehnte hat der amerikanische Digital Artist an seiner Vision des schwulen Utopias "Flamingo Island" gefeilt. Im Zentrum des hyperrealen Bilderrausches stehen schöne Männer, die nichts und niemandem gehorchen außer der eigenen Lust. Lynchs Bilder sind ein Feuerwerk aus Farben, Stimmungen, nackten Körpern und sinnlichen Momentaufnahmen -- und ein Musterbeispiel für die Erotik der Vorstellungskraft. Indem Zach Lynch uns seine Fantasien offenbart, stößt er die Tür zu unseren eigenen auf. Flamingo Island forever!

Japanese artists celebrate the phenomenon that is the Marvel Universe!

«Questo libro parla di nuovi media e di teoria e pratica dell'arte. Essa intende riunire queste pratiche per proporre un modo di ricostruire gli effetti di ritorno che si sono costituiti fra il mondo dei nuovi media e quello dell'arte che definiamo mainstream. Molti sono i fili sciolti in entrambi i campi. Come verrà spiegato in seguito, "Turing land" e "Duchamp land" dovrebbero in realtà appartenere a un unico territorio».

"A full-color, oversized hardcover tome that chronicles Viking culture, history, lore, and mythology amid the action and drama of Assassin's Creed Valhalla. Ubisoft and Dark Horse Books present The World of Assassin's Creed Valhalla, a journal kept by Hytham himself, which allows readers to experience Assassin's Creed Valhalla as they never seen before. Discover the history and culture of the Raven Clan Vikings as they struggle against the Order of the ancients. Get an in-depth view at the setting of the game with descriptions and depictions of in-game characters and locals as the Vikings move from Norway to England, Ireland, and Francia. What best-kept secrets will you uncover at Hytham's side?"--

"RELIVE THE ADVENTURE! Discover the genesis of each Assassin's Creed game and get an insider's look at the efforts that went into creating one the biggest franchises in the video game industry. Celebrating fifteen years of Assassin's Creed, Ubisoft has teamed up with Dark Horse Books to create an extensive look into the creation of the award-winning Assassin's Creed franchise. Dive into adventure once more with The Making of Assassin's Creed-15th Anniversary Edition!"--

"How the rise of streaming services such as Netflix and Amazon Prime Video has changed television and film storytelling in countries around the globe"--

A collection of bold new writing capturing Melbourne's identity in cinemaMelbourne International Film Festival (MIFF) is Australia's most revered celebration of cinema. It is one of the world's oldest and most storied film festivals, continuously running since 1952. To commemorate MIFF's 70th anniversary, Black Inc. has partnered with the festival to produce an exciting collection of essays on Melbourne-made cinema.Melbourne has a long, rich and diverse film history. It was the city where the first ever feature-length film was screened in 1906 - The Story of the Kelly Gang. It was also the birthplace of classics like Monkey Grip, Ghosts ... of the Civil Dead, The Castle and Mad Max, plus many fascinating shorts and experimental films. Melbourne on Film is both a celebration of filmmaking in Melbourne, and a tribute to the city's unique creative history.The first collection of its kind, it includes personal reflections on the legacy and influence of these key films by some of the city's favourite writers, including Christos Tsiolkas, Sarah Krasnostein, John Safran, Osman Faruqi, Tristen Harwood and Judith Lucy. Melbourne on Film will be treasured by cinephiles and readers of intelligent essays on arts and culture.

The Occult Cuties is a hand drawn coloring book, designed with the cutest monsters in mind! Adults and kids will both enjoy coloring spooky new friends in!Eighteen hand drawn pages inside!

Watch 300 movies and shows, record your thoughts on them, and discover new favorites with YouTube's Hannah Azerang (a.k.a A Clockwork Reader)!Whether you just finished an all-time favorite TV show, rewatched a comfort movie from your childhood, or hate-watched a new Netflix show with your friends, Hannah Azerang, the personality behind the successful YouTube channel A Clockwork Reader, and one of the online bookish community's biggest personalities, has given you this ultimate companion!Never before has there been a journal quite like this. Join Hannah and track up to 300 movies and TV shows as she guides you along with questions about your viewing experience, offers up some of her favorite content for you to enjoy, and even fills in some of the pages herself. You’ll even find her signature artwork throughout the pages!Watch and record your thoughts on 300 movies and television shows with Hannah's unique journaling layout. Get creative and design your own section for each movie or show with anything from your own drawings and writings to stickers, inserts, and anything else you like.Figure out what to watch next with your own detailed watchlist. Enjoy Hannah's favorite movie and television quotes as you chart your way through the pages.Document lists of your favorite movies and shows, those you anticipate, and those you've been meaning to watch but haven't gotten to yet.

As the presence of AI and digital tools is growing in our lives, the computer has become a new medium of expression for the artist. This art technique is also a language. Art Must Be Artificial: Perspectives of AI in the Visual Arts presents the historical and current art practices of leading international and Saudi artists using computer technology, spanning from the 1960s until today. This exhibition aims to question the nature and aspects of the most accomplished computational and robotic artworks through the historic perspective of the pioneers of computer art. With a majority of artworks from the Guy & Myriam Ullens Foundation's comprehensive computing art collection, the exhibition includes more than thirty artists from fifteen countries, representing four generations of this innovative, creative practice. Organized by the Saudi Ministry of Culture and presented at the soon-to-open Diriyah Art Futures in Riyadh, the inaugural exhibition is curated by Jerome Neutres, a leading expert in the field who theorized the concept of ¿Computing art¿ and has been examining most of the participating artists' work for more than twenty years. The exhibition focuses on how the pioneers of yesterday and the emerging figures of today are depicting a meaningful history of the evolution of the homo digitalis, the new human civilization. It aims to demonstrate that digital technology is a true medium of art, opening infinite visual possibilities, rather than an experimental school or a fad art movement. The exhibition highlights some of the specificities of this new art medium: how it has placed the viewer at the heart of the artistic experience, how it presents the dream of an unlimited artwork, close to an organic creation¿it is art with a nervous system. In our algorithmic era, technology and art inspire each other. Artists are perhaps the best mediators to question the complex and numerous issues of this new world. Because imagination is an artificial reality, art must be artificial.