Arkitektur: offentlige bygninger

Jean Prouvé began to design portable and demountable barracks for the French army during the Second World War. After the war, the French government commissioned Prouvé to design inexpensive, effective housing for the newly homeless, prompting him to perfect his patented axial portal frame to build easily constructed demountable houses. Few of these groundbreaking structures were built, making them exceedingly rare today--prompting Galerie Patrick Seguin's tireless efforts over the past 27 years to preserve and promote these important designs. The gallery owns the largest collection of Prouvé's demountables, 22 in total. This volume focuses on his Demountable Military Shelter, and is luxuriously illustrated with archival and contemporary photographs. Though lacking any formal education in architecture, Jean Prouvé (1901-84) became one of the most influential architects of the 20th century, boldly experimenting with new building designs, materials and methods. "His postwar work has left its mark everywhere," wrote Le Courbusier, "decisively."

A Sustainable Bodega and Hotel in Rioja presents the studio of the Yale Edward P. Bass Distinguished Visiting Architecture Fellowship taught by John Spence, entrepreneur and chairman of Karma Resorts worldwide with architect Andy Bow, a senior partner at Foster & Partners in London; environmental engineer Patrick Bellew, principal of Atelier Ten; and Timothy Newton of the Yale faculty. The studio proposed designs for a world-class winery and hotel complex in Rioja, Spain where wineries are both vernacular and exuberant in design. The students were challenged to address social, economic, and environmental sustainability in a holistic and integrated way. The project resulted in a range of strategies to sustainably harvest, engage local workforce, integrate landscape, and source materials responsibly. The project features attractions and symbiotic food production to facilitate tourist visits. Edited by Henry Chan and Nina Rappaport the book is designed by MGMT.design and is distributed by Actar D.

Toronto Then and Now pairs vintage images of Canada's largest city - and North America's fourth most populous - with the same views as they look today.

Future Proofing is the second in a series of books that documents the Edward P. Bass Distinguished Visiting Architecture Fellowship at the Yale School of Architecture. The first was Poetry, Property, and Place 01: Stefan Behnisch / Gerald Hines (also available from Norton).

In 1943, Frank Lloyd Wright received a letter from Hilla Rebay, the art advisor to Solomon R. Guggenheim, asking the architect to design a new building to house Guggenheim's four-year-old Museum of Non-Objective Painting. The project evolved into a complex struggle pitting the architect against his clients, city officials, the art world and public opinion, but the resultant achievement testifies to both Wright's architectural genius and the adventurous spirit of its founders. The Guggenheim Museum is an embodiment of Wright's attempts to render the inherent plasticity of organic forms in architecture. His inverted ziggurat dispensed with the conventional approach to museum design, which led visitors through a series of interconnected rooms and forced them to retrace their steps when exiting. Instead, Wright whisked people to the top of the building via elevator, and led them downward at a leisurely pace on the gentle slope of a continuous ramp. The galleries were divided like the segments of an orange, into self-contained yet interdependent sections. The open rotunda afforded viewers the unique possibility of seeing several bays of work on different levels simultaneously. The spiral design recalled a nautilus shell, with continuous spaces flowing freely one into another. Solomon R. Guggenheim Museum: An Architectural Appreciation celebrates Wright's crowning achievement with reflections by prominent architects, historians and critics. Paired alongside a half-century of photographs, they convey how, as Paul Goldberger has said, "almost every museum of our time is a child of the Guggenheim."

Conceived more than fifty years ago by renowned architectural historians Robert Winter and the late, great David Gebhard, this seminal vade mecum of Los Angeles architecture explores every rich potency of the often relentless, but sometimes relenting L.A. cityscape. Beyond an effort of exploration, the guide is an outfit of discovery. And it always has been. When tourists visit, architectural scholars land at LAX, or locals just want to know, they grab the same book: Gebhard and Winter's An Architectural Guidebook to Los Angeles. Word. First published in 1965 by Los Angeles County Museum of Art as an architectural overview (when few American cities had such a democratic compendium), the Gebhard and Winter guide has evolved to become the veritable "bible" of built Los Angeles. This sixth edition has been extensively revised and edited by Dr. Winter and his trusted collaborator, the award-winning L.A. urban walker Robert Inman. The much-anticipated new edition has been updated rigorously with more than 250 new entries"€"for a total of more than 2300"€"cataloging every crease, region, and style of Los Angeles County's metropolitan sheath, from the graceful missions of Spanish California and legendary Craftsman bungalows to twenty-first century constructions with names like Pterodactyl, Blackbirds, and Wild Beast Pavilion. An Architectural Guidebook to Los Angeles has always been a live-wire read, equal parts thorough and informational, written with vim and vigor, tempered by relentlessly honest opinions. Dilettantes and experts, practitioners and students, aficionados and osmotic natives alike: all are blood type-compatible with this tongue-in-cheek critical reference for architecture enthusiasts. Enjoy the transfusion.

"As one of America's most notorious prisons, Alcatraz has been a significant part of California's history since 1853. The small island known in sea charts by its Spanish name "Isla de los Alcatraces," or "Island of Pelicans," laid essentially dormant until the 1850s, when the US military converted the island into a fortress to protect the booming San Francisco region. Alcatraz served as a pivotal military position until the early 20th century and in 1934 was converted into a federal penitentiary to house some of America's most incorrigible prisoners. The penitentiary closed in 1963, and Alcatraz joined the National Park Service system in 1972. Since then, it has remained a popular attraction as part of the Golden Gate National Recreation Area."--

"What can the hybrid building and urbanism do to help support and shape the future of flexible, innovative cities? How can hybrid models change with new technologies, sustainable manufacturing, and advanced production systems? How do we break the planning and land-use patterns of segregated zoning by class and function and encourage mixed-use zoning? These questions and more are addressed in Hybrid Factory / Hybrid City, through a collection of essays by participants in the eponymous symposium organized by Nina Rappaport at the Future Urban Legacy Lab of the Politecnico di Torino. Divided into two sections that mirror the chief conference topics, the collected essays describe projects and research by the contributors, each according to their area of expertise, regarding factory buildings, logistical centers, their potential for mixed use and reuse to support social and economic equity. The essays conclude with a roundtable discussion between the authors that reflects on urban production during COVID-19."--Back cover.

The first book to explore the entire Salk Institute complex, which is often considered to be Kahn's most important commission. An in-depth examination, focusing on the design development, including the built Laboratory building, the unbuilt Meeting House and Visiting Fellows residences and the overall site planning of the complex, with emphasis on Salk's role in the decision-making process.

Sustainability is to become the guiding principle of social action and economic activity. At the same time, its ways and means are far from clear. As a holistic praxis, sustainability must combine technical and material as well as social, economic, ecological and also ethical strategies, which have multiple complex interactions and all too often also conflicting goals and priorities. In no other field can these be better observed, addressed and influenced than in architecture and building. Each volume of "Building Better - Less - Different" details two fundamental areas of sustainability and explores their specific dynamics and interactions. After introductory overviews, innovative methods and current developments are described and analysed in in-depth essays, international case studies and pointed commentaries. The sustainability criteria of efficiency ("better"), sufficiency ("less") and consistency ("different") form the framework for each book. The first volume presents concepts, methods and examples of circularity in construction and the economy. Urban mining and circular construction are two approaches to the challenges that architecture and urban design are facing, using techniques such as mono-material construction and design for disassembly, and tools such as materials passports and databases. The circular economy is not solely about recycling but encompasses a wide range of strategies from local community projects to new ownership and service models and steering mechanisms such as carbon fees and dividends.

Dissects the construction ecology, material geographies, and world-systems of a most modern of modern architectures: the Seagram Building. In doing so, it aims to describe how humans and nature interact with the thin crust of the planet through architecture. In particular, the immense material, energy and labor involved in building require a fresh interpretation that better situates the ecological and social potential of design. The enhancement of a particular building should be inextricable from the enhancement of its world-system and construction ecology. A beautiful building engendered through the vulgarity of uneven exchanges and processes of underdevelopment is no longer a tenable conceit in such a framework. Unless architects begin to describe buildings as terrestrial events and artifacts, architects will to our collective and professional peril continue to operate outside the key environmental dynamics and key political processes of this century.

Zweisprachige Ausgabe (deutsch/englisch) / Bilingual edition (English/German) Das ICC Berlin ist ein Gesamtkunstwerk. Eine gigantische Zeitkapsel, die seit fast einem Jahrzehnt auf ein neues Nutzungskonzept wartet. Geplant in den 1960er Jahren und 1979 eröffnet, zieht das Messegebäude von Ursulina Schüler-Witte und Ralf Schüler mit dem unverwechselbaren Leitsystem Frank Oehrings nach wie vor Aufmerksamkeit auf sich. Überwältigt das brachiale Gebäude durch seine äußere Gestalt, zeigt es sich im Innern mit einer ruhigen Ausstrahlung und ermöglicht durch die Panoramafenster einen Blick nach draußen auf den plötzlich lautlosen Verkehr.Zara Pfeifer hat sich mit ihren Fotografien diesem Inneren des Gebäudes verschrieben. Mit einer unsentimentalen Nüchternheit dokumentiert sie das weitestgehend originalgetreu erhaltene Innenleben des "Koloss von Witzleben", des "Panzerkreuzer Charlottenburg", der "Halle Größenwahn". Ihre Aufnahmen spüren die bemerkenswerten Details des Gebäudes auf und halten den Schwebezustand, in dem es sich seit Jahren befindet, fest. Mit einem Text von Florian Heilmeyer

This publication explores a series of urgent questions addressing architecture's role in the welfare and everyday life of citizens, from the interdisciplinary perspectives of architecture, art history and anthropology. With Denmark as a case, it examines how the spatiality of the welfare system has transformed, since the end of the so-called "golden age of the welfare state" in the early 1970s until today. How have these spatial changes impacted upon the everyday lives and welfare experiences of citizens? What happens when long-standing institutions are restructured, dismantled or displaced elsewhere? How do emerging types of welfare space inform - or become informed by - changed understandings of the role of the welfare system in our everyday lives? Rather than unfolding a singular narrative of loss and nostalgia associated with welfare dismantlement - or one of triumphant humanization and restructuring of modernist planned environments - it describes shifting spatial materializations of welfare and the "good life" at the intersection of these two tendencies, under the influence of a Danish version of the neoliberal turn and other important societal transformations. A rich analytical sequence of drawn visualization supplements the book's textual and photographic descriptions of welfare space transformation.

The founder of Architizer.com and practicing architect draws on his unique position at the crossroads of architecture and social media to highlight 100 important buildings that embody the future of architecture.We’re asking more of architecture than ever before; the response will define our future. A pavilion made from paper. A building that eats smog. An inflatable concert hall. A research lab that can walk through snow. We’re entering a new age in architecture—one where we expect our buildings to deliver far more than just shelter. We want buildings that inspire us while helping the environment; buildings that delight our senses while serving the needs of a community; buildings made possible both by new technology and repurposed materials. Like an architectural cabinet of wonders, this book collects the most innovative buildings of today and tomorrow. The buildings hail from all seven continents (to say nothing of other planets), offering a truly global perspective on what lies ahead. Each page captures the soaring confidence, the thoughtful intelligence, the space-age wonder, and at times the sheer whimsy of the world’s most inspired buildings—and the questions they provoke: Can a building breathe? Can a skyscraper be built in a day? Can we 3D-print a house? Can we live on the moon? Filled with gorgeous imagery and witty insight, this book is an essential and delightful guide to the future being built around us—a future that matters more, and to more of us, than ever.

In this highly acclaimed reference work David Watkin traces the history of western architecture from the earliest times in Mesopotamia and Egypt to the late twentieth century. For this seventh edition, revising author Owen Hopkins provides a new introduction contextualizing Watkin's approach. The final chapter on the twenty-first century has been completely rewritten by Hopkins, who brings the story right up to date with the inclusion of such topics as re-use, digital cities and virtual architecture.

"The final resting place of Ulysses S. Grant, the victorious general in the Civil War and the eighteenth president of the United States, is a colossal neoclassical tomb located in the most dynamic city in the country. It is larger than the final resting place of any other president or any other person in America. Since its creation, the popularity and condition of this monument, built to honor the man and what he represented to a grateful nation at the time of his death, a mere twenty years after the end of the Civil War, have reflected not only Grant's legacy in the public mind but also the state of New York City and of the Union. In this fascinating, deeply researched book, presidential historian Louis L. Picone recounts the full story. He begins with Grant's heroic final battle during the last year of his life, to complete his memoirs in order to secure his family's financial future while contending with painful, incurable cancer. Grant accomplished this just days before his death, and his memoirs, published by Mark Twain, became a bestseller. Accompanying his account with numerous period photographs, Picone narrates the national response to Grant's passing and how his tomb came to be: the intense competition to be the resting place for Grant's remains, the origins of the memorial and its design, the struggle to finance and build it over the course of twelve years, and the vicissitudes of its afterlife in the history of the nation up to recent times."--Provided by publisher.

The indoor parking facility for bicycles designed by the architects SRAP Sedlak Rissland Architekten complements the bike-friendly infrastructure in Nuremberg's city centre. Positioned at the south entrance to the main railway station, the long narrow pavilion provides a dry and safe space for around 400 bicycles. In addition to its function as a bike parking facility, the shelter is also a fundamental component of the newly designed Nelson Mandela Square.The filigree structure is characterised by an airy, white-lacquered steel structure. Two superimposed layers of slender posts - vertical and diagonal - create a striking exterior with a moiré effect. In line with the facade, the roof is also sleek and reduced to the essential elements. Designed as a functional and carefully detailed urban feature, the flexible system could also be implemented at other locations. Thus, the architects are currently in the process of developing variations of their bicycle shelter.

The transformations of the Strip--from the fake Wild West to neon signs twenty stories high to "starchitecture"--and how they mirror America itself.

The book is part of FAST's ongoing activism, research, design, and advocacy work. It builds on earlier presentations, including the exhibition BLUE: Architecture of UN Peacekeeping Missions for the Dutch Pavilion of the 15th Venice Architecture Biennale. At the intersection of architecture, urban planning, international relations and activism, BLUE: Architecture of UN Peacekeeping Missions seeks not only to change UN missions but also to open up and expand the operative realm of architecture. It combines research and projects involving policymakers, military engineers and officers, anthropologists, local inhabitants, activists, rebels, diplomats and ministers, architects and planners. BLUE offers examples of how entrenched institutional bureaucracies can be confronted by using more inclusive models of engagement, and it shows how designs rooted in local cultures and empowerment can address a history of violence.

Following on the widely read The Future of the Museum: 28 Dialogues, which explored how museums are changing through conversations with today's generation of museum directors, New York-based author and cultural strategy advisor András Szántó's new compilation turns its attention to architects. The conclusion of The Future of the Museum was that the "software" of art museums has evolved. Museum leaders are "working to make institutions more open, inclusive, experiential, culturally polyphonic, technologically savvy, attuned to the needs of their communities, and engaged in the defining issues of our time." It follows that the "hardware" of the art museum must also change. Conversations with a carefully selected group of architects survey current thinking in the field, engaging not only architects who have built some of the world's most iconic institutions, but also members of an emerging global generation that is destined to leave its mark on the museum of the future.CONVERSATION PARTNERS:Kunlé Adeyemi (NLÉ), David Adjaye (Adjaye Associates), Paula Zasnicoff Cardoso & Carlos Alberto Maciel (Arquitetos Associados), David Chipperfield (David Chipperfield Architects), Minsuk Cho (Mass Studies), Elizabeth Diller (Diller Scofidio + Renfro), Frida Escobedo, Sou Fujimoto (Sou Fujimoto Architects), Lina Ghotmeh (Lina Ghotmeh - Architecture), Bjarke Ingels (BIG | Bjarke Ingels Group), Kabage Karanja & Stella Mutegi (Cave_bureau), Li Hu & Huang Wenjing (OPEN), Jing Liu & Florian Idenburg (SO - IL), Yansong Ma (MAD Architects), Winy Maas (MVRDV), Roth - Eduardo Neira (Roth Architecture), Stephan Schütz (gmp Architekten), Kerstin Thompson (_KTA), Xu Tiantian (DnA Design and Architecture), Kulapat Yantrasast (WHY), Liam Young (SCI-Arc)ANDRÁS SZÁNTÓ (*1964, Budapest) advises museums, cultural institutions, and leading brands on cultural strategy. An author and editor, his writings have appeared in the New York Times, Artforum, the Art Newspaper, and many other publications. He has overseen the National Arts Journalism Program at Columbia University and the Global Museum Leaders Colloquium at the Metropolitan Museum of Art. Szántó, who lives in Brooklyn, has been conducting conversations with art-world leaders since the early 1990s, including as a frequent moderator of the Art Basel Conversations series.

This new book by Labics, one of Italy's leading architectural firms, is devoted to the country's architecture of public space. Galleries, loggias, porticoes, steps, and courtyards, are the elements that characterize Italy's historic towns and cities-and that make the experience of its public space so intense. Yet the volume does not feature new designs by Labics themselves: rather, Maria Claudia Clemente, Francesco Isidori, and their collaborators set out to explore historic spaces, to analyze their histories and typologies, and to document and describe them through newly taken photographs, plans, and diagrams, treating them as contemporary artifacts. Through the illustration and categorization of thirty-two case studies, The Architecture of Public Space has the ambition to build a general theory on the design of public space; a theory that acts before and independently of language and that is based on the idea that the city is structured through the relationship between architecture and public space. With an essay written by Marco Biraghi, professor of history of contemporary architecture at the Politecnico di Milano.

Dick van Gameren, a partner with the renowned Dutch architecture firm Mecanoo, has engaged in housing design for the past twenty-five years through his work as an architect as well as in his research and teaching at TU Delft's Global Housing Study Center. In this book, he presents around forty of his own projects in this field, through concise texts and photographs with explanatory captions as well as plans and drawings. The projects are grouped to illustrate seven specific aspects of housing design: Streets and Squares, Courtyards and Patios, Gardens, Halls, the Fireplace, Walls, and Roofs. Together, they constitute a multifaceted catalog of housing typologies. In four supplementary essays, van Gameren explores evolutions in residential architecture in the Netherlands. He positions his own concepts in the context of these developments and expands on what he considers the key factors of good housing design. He places particular focus on affordable housing, a pressing issue in so many countries and metropolitan areas around the world. Dutch Dwellings is an inspiring read for anyone involved in housing design today.