Film og biografer

The cases that follow are once again eclectic and darkly fascinating. Drug overdoses, murders, suicides, unsolved deaths, autoerotic asphyxiation, car crashes, plane crashes, freak accidents, doomed child stars, and so on. Shocking Celebrity Deaths and Murders Volume 3 includes, among others, Anna Nicole Smith, Dustin Diamond, Patrick Swayze, John Ritter, Sarah Harding, Bobby Driscoll, Samantha Smith, and Mya-Lecia Naylor.

Bruce Lee Scrapbooks: Volume 10 "Fight in the Cavern" The ETD Scrapbooks sequences have become real collector's items.We now finally bring you Vol 10 focusing on one of the most spectacular fight sequences in the movie.Step into the mesmerizing world of martial arts legend Bruce Lee with our thrilling and action-packed scrapbook volume No10, "Fight in the Cavern." Immerse yourself in the heart-pounding sequences that showcase the awe-inspiring skills and sheer determination of the one and only Bruce Lee.

Vol 3 compiles a selection of photographs taken both on set and off set.Bruce lee is one of the most photographed artists in the world. During the filming of "Enter the Dragon", the camera continuously highlights many facial emotions of Bruce.Often the camera would shoot 36 pics in rapid succession capturing the lightning speed of Bruce in action. in these volumes, we share these sequences with over 100 photographs in each volume.capturing Bruce at his most dynamic in full fury and also relaxing off-screen. These Limited editions are excellent for any collector with many rare photos

General information and realistic expectations for the the first time filmmaker with no budget to speak of. First-hand experience from the author who made his first feature film at 50, after having had a disastrous start 7 years earlier.

Enter the world of director and producer Don Mischer, who has notched a lifetime of history-making moments with Beyoncé and Baryshnikov, Willie Nelson and Muhammad Ali, Olympic flames, inaugurations, and Prince in the rain. Don Mischer’s :10 Seconds to Air is a captivating look behind the curtain at the creation of some of television’s most celebrated live events. Mischer’s personal story is an unlikely journey, but a very American one. From a modest South Texas upbringing to directing Super Bowl halftime shows and Olympics opening ceremonies, :10 Seconds to Air is an homage to America’s vibrant, richly diverse culture, as reflected through television. Equal parts anecdotal memoir and history in-the-making, :10 Seconds to Air anchors itself to Mischer’s formative experience as a college student in Austin, learning of JFK’s assassination as he awaits the arrival of the President from Dallas. Watching the diligence of the reporters who worked on that developing story convinces him to change course and pursue a career in television. This leads Mischer to New York City, and involvement in many historic moments, from joining Barbara Walter for her interview in Tehran with the Shah, to Prince’s epic, rain-soaked Super Bowl halftime performance. :10 Seconds to Air brings us alongside Mischer to witness first-hand what it is like to collaborate with iconic talents like Mohammad Ali, Michael Jackson, Willie Nelson, Bruce Springsteen, among many others. The job? Navigating countless unknowns and logistical challenges in real time to orchestrate hundreds of people before the eyes of millions of viewers. The result is a fascinating portrait of an individual behind many, many cameras, striving to capture history.

Mad medics... sinister surgeons... psychopathic psychiatrists. We put our trust in them. They say they want to help, to cure, to relieve pain and soothe suffering. They claim those experiments they've been performing are for the greater good of mankind. But what if they actually want the opposite? What happens when doctors are dead set on researching the strange, the bizarre, the weird? What happens when all that scientific and medical knowledge only results in the creation of unimaginable horror? Ever since the dawn of cinema, filmmakers have been depicting on screen the potential outcomes of medical madness and science gone sick. Now join surgeon, author, film critic and not-at-all-mad Doctor (at least according to him) John Llewellyn Probert as he takes a detailed look at the history of one of the most enduring archetypes in cinema, with an introductory overview of the genre followed by reviews of over 200 key mad doctor movies. In addition to critical appraisal, the author's own medical background allows him to provide a unique insight into just how well the filmmakers have done their homework. Thrill to monsters and mutations, creatures and creations, horror hospitals, isolated mansions and underground laboratories. Enter a world of research gone rogue, of frightening philosophies and dread disease. Featuring a foreword by the notorious director Tom Six, who shocked filmgoers across the globe with his 100% medically accurate Human Centipede, and its sequels. Welcome to the FrightFest Guide to Mad Doctor Movies. Be reassured that you will be guided by a man who knows all about this stuff in real life, and that you'll be quite safe. Trust him. He's a doctor.

Hotbeds of Licentiousness is the first substantial critical engagement with British pornography on film across the 1970s, including the "e;Summer of Love,"e; the rise and fall of the Permissive Society, the arrival of Margaret Thatcher, and beyond. By focusing on a series of colorful filmmakers whose work, while omnipresent during the 1970s, now remains critically ignored, author Benjamin Halligan discusses pornography in terms of lifestyle aspirations and opportunities which point to radical changes in British society. In this way, pornography is approached as a crucial optic with which to consider recent cultural and social history.

Many films and novels defy our ability to make sense of the plot. While puzzling storytelling, strange incongruities, inviting enigmas and persistent ambiguities have been central to the effects of many literary and cinematic traditions, a great deal of contemporary films and television series bring such qualities to the mainstream--but wherein lies the attractiveness of perplexing works of fiction? This collected volume offers the first comprehensive, multidisciplinary, and trans-medial approach to the question of cognitive challenge in narrative art, bringing together psychological, philosophical, formal-historical, and empirical perspectives from leading scholars across these fields.

How should we understand film authorship in an era when the idea of the solitary and sovereign auteur has come under attack, with critics proclaiming the death of the author and the end of cinema? The Bressonians provides an answer in the form of a strikingly original study of Bresson and his influence on the work of filmmakers Jean Eustache and Maurice Pialat. Extending the discourse of authorship beyond the idea of a singular visionary, it explores how the imperatives of excellence function within cinema's pluralistic community. Bresson's example offered both an artistic legacy and a creative burden within which filmmakers reckoned in different, often arduous, and altogether compelling ways.

Whether we consider the digitally created and manipulated faces of Hollywood cinema or the social media filters, face apps, and surveillance software of everyday life, reading face language has become the seemingly endless task of humans and machines alike. Recent facial controversies - from politicians in blackface to "deep fakes," casting debates, and facial data collection-- have made clear the need for a broader understanding of the face on screen and its varied techniques and effects. Faces on Screen: New Approaches will consider the screen face from a variety of perspectives, across time periods and media, bringing together essays on topics ranging from early cinema to contemporary digital media - from photogénie to facial recognition, celebrity culture to digital creatures. It explores how screen culture builds on and complicates our urge to search the face for answers to our most intractable questions. Edited by Dr Alice Maurice is Associate Professor of English and Cinema Studies at University of Toronto. She is the author of The Cinema and Its Shadow: Race and Technology in Early Cinema (2013). Her work has appeared in journals including Camera Obscura, JCMS, and The New Review of Film and Television Studies, among others, as well as in a number of anthologies. She was the Associate Producer for both A Healthy Baby Girl (1996) which won the Peabody Award, and Defending Our Lives (1993) which won the 1994 Academy Award for Best Documentary Short Subject.

Main melody films are propaganda works that pay tribute to the Chinese nation, the party and the army. Since the turn of the century, they have gradually developed into the main genre of Chinese cinema, and its "blockbusterization" is arguably the most phenomenal aspect of the 2010s Chinese film industry. As an increasing number of Hong Kong directors are commissioned to direct main melody blockbusters, Chu examines their contributions to this genre, shedding light on the development of cross-border cooperation between the mainland and Hong Kong film industries. Professor Yiu-Wai Chu is Director and Professor of Hong Kong Studies Programme at the University of Hong Kong. He has authored and edited over twenty books, including Lost in Transition: Hong Kong Culture in the Age of China (2013), Hong Kong Cantopop: A Concise History (2017), Hong Kong Culture and Society in the New Millennium: Hong Kong as Method (2017) and Found in Transition: Hong Kong Studies in the Age of China (2018).

Lucrecia Martel has made only four feature films to date, but has nonetheless become one of the world's most admired directors. Her work is extraordinarily sensitive to the limits of sensory perception, the limits imposed by gender roles, and the limits of empathy and affect across social divisions. This edited collection broadens the critical conversation around Martel's work by integrating analyses of her features with the less frequently studied short films and her other artistic projects. This volume's fresh, holistic approach to Martel's career includes contributions from scholars in Latin America, Europe and the United States, and ends with a new interview with Martel herself. Edited by Natalia Christofoletti Barrenha is an independent film researcher and programmer specialising in Latin American cinema. She is the author of Espaços em conflito. Ensaios sobre a cidade no cinema argentino contemporâneo (2019) and A experiência do cinema de Lucrecia Martel: Resíduos do tempo e sons à beira da piscina (2014. Translation into Spanish: 2020). Julia Kratje is a researcher at Argentina's National Council of Scientific and Technical Research (CONICET), and teaches at the Universidad de Buenos Aires. She is the author of Al margen del tiempo. Deseos, ritmos y atmósferas en el cine argentino (2019) and editor of El asombro y la audacia. El cine de María Luisa Bemberg (2020), among others. Paul R. Merchant is Senior Lecturer in Latin American Film and Visual Culture at the University of Bristol. He is the author of Remaking Home: Domestic Spaces in Argentine and Chilean Film, 2005-2015 (2022) and the co-editor of Latin American Culture and the Limits of the Human (2020).

What is the relationship between filmmaking and mapping? Accounting for the unique characteristics of Taiwan's cinema from 2008 to 2020, this book examines how filmmakers have depicted and imagined the island's diverse environments. Drawing on cinema, cartography, and cultural studies, Christopher Brown argues that by refocusing attention on how films are shaped through a process of construction, the tradition of film poetics enables us to think about Taiwanese cinema differently: as a form of mapping. Wide-ranging in scope and drawing on original interviews with contemporary filmmakers, the analysis appraises case studies including works of popular entertainment, genre cinema such as comedies and horror, films about indigenous communities, LGBTQ+ cinema, and arthouse work. By asking what it means to map an environment onscreen, Brown offers new insights into a critically neglected, yet creatively dynamic, period in Taiwan's film history. Christopher Brown is Senior Lecturer in Filmmaking at the University of Sussex. A practitioner as well as a researcher, Chris has published work on contemporary Taiwanese film, practice-as-research, and American cinema.

João Pedro Rodrigues and João Rui Guerra da Mata are one of the most cosmopolitan duos in contemporary world cinema. Their films tell us stories of love and human desire, receiving a highly favourable reception among critics and at international festivals. Despite their high profile, Rodrigues and da Mata's work remains relatively understudied. ReFocus: The Films of João Pedro Rodrigues and João Rui Guerra da Mata, paves the way for the study of the directors' work, critically analysing the various cinematic perspectives of their short and full-length feature films. In the first collection solely dedicated to their work, this book addresses the historical, political, stylistic, industry, and cultural dimensions of Rodrigues and da Mata's films, providing critical recognition for their contribution to world cinema. José Duarte teaches Cinema at the School of Arts and Humanities (UL) and he is a researcher at ULICES (University Lisbon Centre for English Studies). He co-edited the book The Global Road Movie: Alternative Journeys around the World (2018). Filipa Rosário is a Research Fellow at the Centre for Comparative Studies, University of Lisbon (CEC-UL). She co-edited the book New Approaches to Cinematic Space (2019), and is the author of O Trabalho do Actor no Cinema de John Cassavetes (2017).

Lawrence Kasdan has created some of the most influential films in Hollywood history. He is the screenwriter of beloved blockbusters such as The Empire Strikes Back (1980), Raiders of the Lost Ark (1981), The Bodyguard (1992) and The Force Awakens (2015). Simultaneously, he has gained critical acclaim as the director of pictures that dissect contemporary American society: Body Heat (1981), The Big Chill (1983), The Accidental Tourist (1988) and Grand Canyon (1991). Frequently experimenting in different genres, Kasdan's filmography defies easy classification. Taking an inclusive, interdisciplinary approach to examine all aspects of his eclectic canon, ReFocus: The Films of Lawrence Kasdan reveals a filmmaker who has helped shape modern American cinema, both through his screenplays for popular classics, and as the writer-director of films synonymous with the largest demographic in US history. Brett Davies is Associate Professor of English at Meiji University, Tokyo.

Documentary films about individuals with a terminal illness, in hospice care, or desiring assisted death, redefine cultural expectations of what dying is and feels like. These films invite their viewers to witness the intimate and emotional moments of dying people, including moments on their deathbed. Filming Death explores these documentaries as ethical spaces, asking the viewers to learn how to engage with end-of-life through the experiences of others and to find ways to alleviate potential death anxiety. It argues that the diversity of documentary films resists simplified moral divisions between good and bad death, and instead, embellishes diverse realities where dying takes many forms, ranging from acceptance to rage. Outi Hakola is a Lecturer in the Department of Health and Social Management at the University of Eastern Finland.

Argues that contemporary slasher films embody a turn towards the metamodern sensibility

"The definitive work on Robert Beavers by the only scholar with full access to his archive; a lavishly illustrated, beautifully written insider account of one of today's great avantgarde filmmakers"--

The third volume in the Docalogue series, this book explores the significance of the documentary series Tiger King: Murder, Mayhem and Madness (2020), which became 'must-see-TV' for a newly captive audience during the global Covid-19 pandemic.The series - a true-crime, tabloid spectacle about a murder-for-hire plot within the big cat trade - prompts interesting questions about which documentaries become popular in particular moments and why. However, it also raises important questions related to the medium specificity of documentary in the streaming era, as well as the ethics of both human and animal representation. By combining five distinct perspectives on the Netflix documentary series, this book offers a complex and cumulative discourse about Tiger King's significance in multiple areas including, but not limited to, animal studies, queer theory, genre studies, labor relations, and digital culture.Students and scholars of film, media, television, and cultural studies will find this book extremely valuable in understanding the significance of this larger-than-life true-crime documentary series.

This edited volume focuses on South and East Asian cinema, exploring transnational connections between these film industries from the point of view of narratives, topics and themes, as well as in terms of co-productions.