Film og biografer

This unique book examines the career of Michel Ocelot, from his earliest works to his latest research and productions and highlights the director's role in the panorama of contemporary animated cinema and his relationship with the tradition, both artistic and cinematographic.

Independent Women: From Film to Television explores the significance for feminism of the increasing representation of women on and behind the screen in television contexts around the world.

Hybrid Documentary and Beyond focusses on the theories, production techniques, ethical implications and impact of hybrid documentaries.

This book tells the stories of disabled people who have been influential in creating modern mass media.

This book highlights the linkages between politics and governance and the arts. The essays in the volume show how visual and performative arts have challenged those in power to stir up national fervour and found themselves at the receiving end of political censure.

This book explores the roles cultural intermediaries play in East Asian cinema. Based on extensive original research, and viewing cinema from the social science perspective which emphasizes the social processes entailed in the cultural production, circulation, and consumption of films and the social relations they involve, rather than studying films as texts, the book examines issues such as the differences between individual and collective intermediaries, the diverse resources and services that they mediate, their social background and targeted audiences, and the political implications of their work. One important conclusion is that cultural intermediaries have been central to creating the whole "idea" of East Asian cinema.

Contemporary American Science Fiction Film explores and interrogates a diverse variety of popular and culturally relevant American science fiction films made in the first two decades of the new millennium, offering a ground-breaking investigation of the impactful role of genre cinema in the modern era.Placing one of the most popular and culturally resonant American film genres broadly within its rich social, historical, industrial, and political context, the book interrogates some of the defining critical debates of the era via an in-depth analysis of a range of important films. An international team of authors draw on case studies from across the science fiction genre to examine what these films can tell us about the time period, how the films themselves connect to the social and political context, how the fears and anxieties they portray resonate beyond the screen, and how the genre responds to the shifting coordinates of the Hollywood film industry.Offering new insights and perspectives on the cinematic science fiction genre, this volume will appeal primarily to scholars and students of film, television, cultural and media studies, as well as anyone interested in science fiction and speculative film.

Breaking Down Joker offers a compelling, multi-disciplinary examination of a landmark film and media event that was simultaneously both celebrated and derided, and which arrived at a time of unprecedented social malaise. The collection breaks down Joker to explore its aesthetic and ideological representations within the social and cultural context in which it was released.An international team of authors explore Joker's sightlines and subtexts, the affective relationships, corrosive ideologies, and damning, if ambivalent, messages of this film. The chapters address such themes as white masculinity, identity and perversion, social class and mobility, urban loneliness, movement and music, and questions of reception and activism.With contributions from scholars from screen studies, theatre and performance studies, psychology and psychoanalysis, geography, cultural studies, and sociology, this fully interdisciplinary collection offers a uniquely multiple operational cross-examination of this pivotal film text and will be of great importance to scholars, students, and researchers in these areas.

The book is the first study to investigate the ways in which the creative use of anachronism in historical fictions can allow us to rethink the relationship between past and present.

Rethinking the history of African enslavement in the western Indian Ocean through the lens of Iranian cinema   From the East African and Red Sea coasts to the Persian Gulf ports of Bushihr, Kish, and Hurmuz, sailing and caravan networks supplied Iran and the surrounding regions with African slave labor from antiquity to the nineteenth century. This book reveals how Iranian cinema preserves the legacy of this vast and yet long-overlooked history that has come to be known as Indian Ocean slavery.   How does a focus on blackness complicate traditional understandings of history and culture? Parisa Vaziri addresses this question by looking at residues of the Indian Ocean slave trade in Iranian films from the second half of the twentieth century. Revealing the politicized clash between commercial cinema (fi¿lmfärsi¿) and alternative filmmaking (the Iranian New Wave), she pays particular attention to the healing ritual z¿r, which is both an African slave descendent practice and a constitutive element of Iranian culture, as well as to cinematic s¿y¿h b¿z¿ (Persian black play). Moving beyond other studies on Indian Ocean and trans-Saharan slavery, Vaziri highlights the crystallization of a singular mode of historicity within these cinematic examples—one of “absence” that reflects the relative dearth of archival information on the facts surrounding Indian Ocean slavery.   Bringing together cinema studies, Middle East studies, Black studies, and postcolonial theory, Racial Blackness and Indian Ocean Slavery explores African enslavement in the Indian Ocean through the revelatory and little-known history of Iranian cinema. It shows that Iranian film reveals a resistance to facticity representative of the history of African enslavement in the Indian Ocean and preserves the legacy of African slavery’s longue durée in ways that resist its overpowering erasure in the popular and historical imagination.     Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.

A detailed guide to preparing to record music for media (film/TV/games) covering everything from organization, budgeting and scheduling to large scale scoring sessions, small scale remote recordings, material preparation and more. This guide covers technical, creative and practical considerations along with tips and examples based on the author's 25 years of experience in the industry working on projects ranging from low budget independent short films, to some of the biggest blockbusters Hollywood has produced.

MARVELOUS NAMESIN LITERATURE AND CINEMABy P. Adams SitneyA new collection of essays from P. Adams Sitney, author of Visionary Film, an important and influential early study of American experimental cinema. P. Adams Sitney explores topics such as Herman Melville and the novel Moby-Dick, Charlie Chaplin, the early cinema of Géorges Méliès, Vertigo (Alfred Hitchcock, 1958), Wavelength (Michael Snow, 1967), the avant-garde cinema of Stan Brakhage, Andy Warhol and Harry Smith, modern poetry (Stéphane Mallarmé, Hart Crane) ,and the sonnet. Sitney also looks back over his contributions to the world of structural/ avant-garde film and his encounters with some of its leading lights in the last essay. P. Adams Sitney is Professor of Visual Arts at Princeton University. He previously taught at the Cooper Union, Chicago's Art Institute, and New York University. He co-founded the Anthology Film Archives in New York in 1970. Sitney was an important teacher of cinema studies at Princeton and elsewhere. David James (University of Southern California) dubs Sitney 'the dean of American film historiography'. In 2008, P. Adams Sitney received the Logos-Siegfried Kracauer Award from Anthology Film Archives. He was awarded the President's Award for Distinguished Teaching in 2010. In 2011 he was awarded the Anna-Maria Kellen Berlin Prize from the American Academy in Berlin. He was admitted to the American Academy of Arts and Sciences in 2011. P. Adams Sitney's books include: Visionary Film: The American Avant-Garde, 1943-2000, Vital Crises In Italian Cinema, Eyes Upside Down: Visionary Filmmakers and the Heritage of Emerson, The Cinema of Poetry, and Modernist Montage: The Obscurity of Vision In Cinema and Literature. Illustrated. Hardcover, with a full colour laminate cover.www.crmoon.com

In "Cinema Unspooled: A Chronicle of Filmmaking," Robert Potter unfolds the rich tapestry of film history with insight, passion, and scholarly precision. From the birth of cinema to the cutting-edge technologies of today, Potter offers a masterful exploration that is as entertaining as it is enlightening. This book is an essential addition to the library of filmmakers, historians, students, and anyone entranced by the magic of movies."An unmissable journey through film's golden eras and forgotten corners." - Isabella Martinez"Potter's deep dive into cinema history left me both enlightened and entertained." - Rajeev Patel"From cover to cover, 'Cinema Unspooled' is pure movie magic!" - Liam O'Sullivan"I've never read a book on film that felt this alive; Potter's passion is palpable." - Sasha Petrov"It's not just a book; it's a ticket to a world of cinematic wonders." - Claire Nguyen"This is a tome every movie buff needs on their shelf. An instant classic!" - Jeremiah Washington"Whether you're a filmmaker or a casual viewer, 'Cinema Unspooled' is a must-read." - Elena Rodriguez"Robert Potter's masterpiece; as immersive as a great film and as informative as a top-tier documentary." - Yusuf Al-Mansoori"A monumental work that captures the intricate dance of art, commerce, and technology in film." - Sophie Leroux"'Cinema Unspooled' offers both a panorama and a deep-dive into the heart of movies. Unforgettable!" - Hans Dietrich