Film og biografer

"Mastering the Art of Screenwriting: Essential Advice and Techniques" is your ultimate guide to the world of screenwriting. Explore the three-act structure, develop captivating characters, craft compelling dialogue, and master the art of visual storytelling. With insights from successful screenplays and practical techniques, this book equips you with the tools to create engaging narratives that captivate audiences. Refine your skills, embrace the revision process, seek feedback, and study the techniques of established screenwriters. Elevate your screenwriting and unleash your creative potential with this transformative guide.

This book explores 2010s Hong Kong film industry, focusing on its (presumably) independent sector. Although frequently mentioned in global film industry studies, the term ¿independent film¿ does not always carry a clear meaning. Starting with this point, this book studies closely Hong Kong¿s new indie cinema of the 2010s from political, economic, social, cultural, and film industrial perspectives, arguing that this indie cinema was vital to the long-term sustainability of the city¿s film industry.

Journey behind the scenes of the Harry Potter and Fantastic Beasts films in this stunning visual guide to wands, their makers, and the characters who mastered them! This expanded edition of Harry Potter: The Wand Collection provides a comprehensive look into beloved characters of the wizarding world and their wands.In the Harry Potter and Fantastic Beasts film series, each wand is as unique as the witch or wizard who wields it. Whether talon-shaped like Bellatrix Lestrange’s or simple and elegant like Hermione Granger’s, each wand was designed and crafted by the filmmakers to reflect its owner’s identity. Harry Potter and Fantastic Beasts: The Wands of the Wizarding World includes thrilling insights on magical characters and wands from all 8 Harry Potter films, as well as the Fantastic Beasts series. An in-depth visual guide to the wands of the wizarding world, read detailed profiles of each wand, view stunning exclusive photography, and learn about wand statistics, insights from cast and crew, and other filmmaking secrets from the Warner Bros. archive. This updated and expanded collectible volume is an ideal resource both for wand-wielding fans looking to learn the history behind these beloved items and for the next generation of aspiring Hogwarts students eager to start their journey into the wizarding world. 70+ WANDS: Showcases dozens of wands, from Bellatrix Lestrange’s talon-shaped wand to the simple and elegant wand wielded by Hermione Granger STUNNING IMAGES: This in-depth visual guide features stunning exclusive photography of Harry Potter and Fantastic Beasts characters’ wands COMPREHENSIVE GUIDE: Harry Potter and Fantastic Beasts: The Wands of the Wizarding World features all your favorite magical characters and their wands from both Harry Potter and Fantastic Beasts film series EXCLUSIVE INTERVIEWS: Featuring behind-the-scenes insights from the real-life wandmakers—the concept artists and prop makers who created the wands COMPLETE YOUR COLLECTION: Pair this visual guide with Harry Potter: The Film Vault: The Complete Series, Fantastic Beasts: The Crimes of Grindelwald: Movie Magic, and Fantastic Beasts: The Secrets of Dumbledore: Movie Magic OFFICIALLY LICENSED: Created in collaboration with the Warner Bros. Entertainment

Luchino Visconti's The Leopard (Il Gattopardo, 1963) tells the story of an aristocratic Sicilian family adjusting to the realities of political and commercial modernity after the unification Italy during the Risorgimento.The film, starring Claudia Cardinale, Burt Lancaster and Alain Delon, met with success upon its initial release, winning the Palme d'Or at Cannes and having a successful theatrical run in Europe. Despite this, however, it did not do well with English-speaking audiences, and eventually even fell out of favour with Italian audiences, who took issue with the way Risorgimento history was represented. David Weir's study of the film seeks to understand the film's paradoxical place in Italian film history. He argues that Visconti's use of artifice, narrative and history, all aspects that came to be criticised, were in fact, essential to his cinematic art, and can all be understood as strengths of the film. Providing a scene-by-scene analysis of the film, as well as illuminating its relationship to the Lampedusa novel from which it was adapted, Weir suggests that Visconti's film goes beyond mere adaptation, using the form of the novel for cinematic purposes and making The Leopard a cinematic novel in its own right. He goes on to situate the film within Visconti's career, questioning whether the uneven reception of the film reflects the paradox of Visconti's social status as a Marxist aristocrat and his position as an auteur director whose films borrowed heavily from the decadent tradition, while at the same time professing allegiance to the Italian Communist Party.

Ken Loach's 1969 drama Kes, considered one of the finest examples of British social realism, tells the story of Billy, a working class boy who finds escape and meaning when he takes a fledgling kestrel from its nest.David Forrest's study of the film examines the genesis of the original novel, Barry Hines' A Kestrel for a Knave (1968), the eventual collaboration that brought it to the screen, and the film's funding and production processes. He provides an in depth analysis of key scenes and draws on archival sources to shed new light on the film's most celebrated moments. He goes on to consider the film's lasting legacy, having influenced films like Ratcatcher (1999) and This is England (2006), both in terms of its contribution to film history and as a document of political and cultural value. He makes a case for the film's renewed relevance in our present era of systemic economic (and regional) inequality, alienated labour, increasingly narrow educational systems, toxic masculinity, and ecological crisis. Kes endures, he argues, because it points towards the possibility for emancipation and fulfilment through a more responsive and nurturing approach to education, a more delicate and symbiotic relationship with landscape and the non-human, and an emotional articulacy and sensitivity shorn of the rigid expectations of gender.

In seinem neuen Filmbuch Trauma-TV reist Filmkritiker und Podcaster Patrick Lohmeier zurück in seine Kindheit. Dort begegnet er all den Filmen wieder, die ihn als kleinen Hosenscheißer um den Schlaf brachten - aber auch prägten. Von Klassikern des verstörenden Jugendkinos wie Unten am Fluss (1978) und E.T. - Der Außerirdische (1982) über verstrahlte Fernsehfilme wie Der Tag danach (1983) und Threads (1984) bis hin zum Nachtprogramm im Privatfernsehen mit reitenden Leichen und mörderischen Alpträumen: In knapp hundert Rezensionen seiner meistgefürchteten Film- und Serienerfahrungen im Alter von sechs bis 13 Jahren sucht der Autor nach Antworten auf die wirklich wichtigen Fragen des Lebens. Filmkritikerin Sonja Hartl (Zeilenkino) und Psychologin Christiane Attig (Brainflicks) stehen ihm dabei mit all ihrer Kompentenz zur Seite. Vor allem will Patrick wissen, welche Schrecken zeitlos sind ... oder ob sie so vergänglich wie--- Aaargh!!!Pressestimmen zu Veröffentlichungen des Autors: "Nach der Lektüre dieses Standardwerks für die nächsten hundert Jahre sind einfach alle wesentlichen Fragen beantwortet." (epd Film über Columbo, Columbo) *** "Für alle, die das Kino in all seinen Formen lieben." (Cinema über Bahnhofskino) *** "Ein saftiges Stück Film- und Fernsehgeschichte." (CrimeMag über Columbo, Columbo) *** "Beeindruckend." (Daniel Schröckert [Kino+] über den Audiokommentar zu Mandy [2018] *** "Ein kleines Wunder." (nd.aktuell über Columbo, Columbo)

Gennem mere end 90 år har Disney indfanget de mest fantastiske fantasier og skabt banebrydende underholdning for hele familien.Fra Snehvide til Frost, fra Mary Poppins til Pirates of the Caribbean og fra Disneyland til Tokyo DisneySea – tag på en uforglemmelig rejse gennem hele Disneys eventyrlige univers i denne omfattende bog, som er fyldt med interessante historier, flotte billeder og sjove facts. Få indblik i sjældne øjeblikke fra Disneys historie gennem en mageløs række af kunstværker og artefakter fra Disneys arkiver, og oplev magien folde sig ud!

AUDIO DESIGN is for writers, directors, editors, producers, camera, and sound persons, set designers, production managers, podcasters, all with the heart of a poet. Audio Design is not so much about "making" as it is about 'thinking". While it has some basic technical references and "how to" guidelines, it is more about visual and aural imagination. "A sound always evokes an image", Bresson says. Audio Design is designed to wet the appetite for personal exploration and growth. . Audio Design is about the storytelling functions of sound in film, television, multi-media. It wants the reader to think about how sound can be used creatively in place of the visual. It fosters aural ideas and analytical thinking about how to explore the narrative functions of sound. It covers the building of voice, music and effects tracks and how they can affect the audience. It discusses the formal elements of film and television production and believes that a form without feeling is a failure.

After the Rungan warriors decimate the Lord invaders, they must decide what to do next. Knowing the Spears sent them to die, their next move seems obvious: take back Burunga and liberate their fellow Rungans from King Robert's betrayal. As they march back to the palace, they find several weapons storehouses and abandoned towns, all left in haste during the boulder slide. The Rungans lay down their primitive weapons, trading them for the rocket launchers and guns the Spears denied them. Leaving behind reinforcements to train, Colm continues his march to the Royal Palace.Once there, they're greeted with a triumphant welcome from King Robert and his officers. But behind the scenes, they again plot to destroy the Rungans out of fear of retribution. Though many on the council stick up for the warriors and regard them as heroes, their voices are drowned out by King Robert. He plans a ceremony of honor where the Spears will take out the remaining Rungans.Colm is not fooled. He sees through their ceremony, asked to leave all weapons outside, and plots a counter-attack. He and the warriors, now confident and strong from their victory, are ready to fight to save their country and their people.In a final stand, they surround the Royal Palace and use the weapons they collected to destroy those inside. Leaving only a few alive, King Robert is bloody and broken, but questioned and held accountable for his betrayal. His ally in the Palace, Lynzo Mesfin, tells Colm a harrowing secret: his parents are alive.The president has been kept in a Dumpster since King Robert betrayed him. Colm and his family are taken to meet him, but the reunion is tainted by Robert's torture-- the president, Colm's father, believes the return of his children to be a trick to get him to comply. But through persistence, they finally convince him. Weakened by the imprisonment, the president calls Colm before the warriors he led so valiantly in battle. Over the sound of their cheers, Colm is sworn in before them, as the new president of Burunga.

By the time of his death in 1973, John Ford was probably the most celebrated director of Hollywood's golden age. The winner of four best director Oscars, he was the first filmmaker to be awarded his country's highest civilian honour, the Medal of Freedom, and the man chosen by the American Film Institute to receive its first life achievement award.In his work, Ford returned regularly to the same themes, employed the same actors and had a visual style that was personal and distinctive. This volume explores his preoccupations throughout his long, garlanded career, showing how he attempted to come to terms with American history, with how America kept changing its relationship with history and with how many of the myths of the 'West' were just that - myths.

I waited all week for this to debut on ABC TV, in 1977.I wasn't disappointed. Come back in time with me, to that groovy era they called the 70s where dinosaurs ruled the earth in big, heavy suits over miniature models & blue screens. See how this B-movie cult classic was made & why it's still beloved today. Acclaimed horror filmmaker B HARRISON SMITH takes you a journey through time with interviews from Last Dinosaur star, JOAN VAN ARK, producer BENNI KORZEN and a stock of rare photos & materials straight from the vaults of Rankin-Bass Entertainment.

After the first successful volume of Eastern Heroes Magazine, it's great to announce the New Volume 2. Issue No1.I got Artist Darren wheeling to create this stunning Jackie Chan cover, to tie in with a special article Entitled "Jackie Chan the Lost Interviews"Back in 1879/80, Jackie made two appearances on The Dinah Shore show, where an up-and-coming Jackie Chan was showcasing some behind-the-scenes of his movie "The Young Master" Along with Raymond Chow and some of his stunt team. He made a second appearance in 1980 to promote his starring role in "Battle Creek Brawl". These episodes were only transmitted once and have since been lost. Darren was fortunate enough to see have seen these in a bad quality archive tape and transcribed both interviews.Also insideFrom Stunts to Laughter Jackies Chan's latest offering is "Ride On". a full movie review from Simon Pritchard.Thorsten Boose will look at The History of Jackie Chan with Horses after the success of "Ride On".The Art of Dubbing: How Jackie's Voice Was Brought to Life Paul Dre looks at the man behind the dubbing.Collecting Jackie Chan Japanese Movie Pamphlets - Mike Nesbitt showcases some of the rare Jackie Chan Movie advertisements.Five Fingers of Discs Johnny Burnet looks at all the new Jackie Chan release.Jackie Chan his top ten cameos - Paul BramhallPlusFans of the 36 Chambers Alan Donkin interviews Paul Bramhall

Eine cineastische Autobiografie in Stills Ein Leben in Bildern. Bilder, die dem Leben entnommen sind. Für jeden seiner Filme stellt der international renommierte Regisseur Karim Ai¿nouz (geb. 1966 in Fortaleza, lebt und arbeitet in Berlin) eine Sammlung von Fotografien zusammen, die das fiktionale oder dokumentarische Universum der Filme bereichern: Schnappschüsse von Freund*innen und Fremden, Landschaften und Orte, die zu Schauplätzen werden können, und sehr persönliche Einblicke in Details, Texturen und Materialien, die seine Geschichten inspirieren. Nach drei Jahrzehnten des Filmemachens lädt Ai¿nouz uns ein, sein fotografisches Werk zu entdecken, das zweifellos in einem inspirierenden und lebendigen Dialog mit seinem Kino steht. Der preisgekrönte Regisseur Karim Ai¿nouz zeigt seine Filme auf Festivals wie der Berlinale ( Nardjes A., 2020; Futuro Beach, 2014) und den Filmfestspielen von Cannes ( Firebrand, 2023; The Silver Cliff, 2011; Madame Sata~ , 2002). Neben Dramen umfasst sein filmisches Werk Dokumentationen wie Mariner of the Mountains (2023) und Zentralflughafen THF (2018). Mit der HBO-Serie Alice (2008) feierte Ai¿nouz in Lateinamerika Erfolge. Die Künstlerbuch-Box bestehend aus fünf Einzelheften in einem Schuber gibt erstmals einen Einblick in Ai¿nouz' fotografisches OEuvre.   A Cinephile Autobiography in Stills A life in images. Images taken from life. For each of his films, the internationally acclaimed director Karim Ai¿nouz (b. Fortaleza, 1966; lives and works in Berlin) creates a collection of photographs that will enrich the film's fictional or documentary universe: snapshots of friends and strangers, landscapes and places that might serve as locations, and very personal glimpses of details, textures, and materials that inspire his stories. After three decades of filmmaking, Ai¿nouz invites us to discover his photographic oeuvre, which is indubitably engaged in an inspiring and vibrant dialogue with his cinema. The award-winning director Karim Ai¿nouz has shown his films at festivals including the Berlin International Film Festival ( Nardjes A., 2020; Futuro Beach, 2014) and the Cannes Film Festival ( Firebrand, 2023; The Silver Cliff, 2011; Madame Sata~, 2002). In addition to dramas, his cinematographic work encompasses documentaries such as Mariner of the Mountains (2023) and Central Airport THF (2018). Ai¿nouz enjoyed success in Latin America with the HBO series Alice (2008). The artist book compilation presents for the very first time the photographic oeuvre of Ai¿nouz in a slipcase with five volumes.

By exploring German film history with the tools of the Environmental Humanities, this book offers a case study of the power of film within processes of environmental transformation.

"George Lucas is an innovative and talented director, producer, screenwriter, and filmmaker whose prolific career spans decades. While he is best known as the creative mind behind the Star Wars franchise, Lucas first gained notoriety with his 1973 film American Graffiti, which received five Academy Award nominations, including Best Director and Best Picture. When Star Wars (1977) was released, the groundbreaking motion picture won six Academy Awards, became the highest grossing film at the time, and started a cultural revolution that continues to inspire generations of fans. Three decades and countless successes later, Lucas announced semiretirement in 2012 and sold his highly successful production company, Lucasfilm, to Disney. His achievements have earned him the Academy's Irving G. Thalberg Award, the American Film Institute's Life Achievement Award, induction into the Science Fiction Hall of Fame and the California Hall of Fame, and a National Medal of Arts presented by President Barack Obama. Lucas: His Hollywood Legacy is the first collection to bring a sustained scholarly perspective to the iconic filmmaker and his legacy beyond the Star Wars films. Edited by Richard Ravalli, this volume analyzes Lucas's overall contribution and importance to the film industry, diving deep into his use and development of modern special effects technologies, the history of his Skywalker Ranch production facilities, and more. With clearly written and enlightening critiques by experts consulting rare collections and archival materials, this book is an original and robust project that sets the standard for historical and cultural studies of Lucas"--

"The author of The Butler and Showdown examines 100 years of Black movies--using the struggles and triumphs of the artists, and the films themselves, as a prism to explore Black culture and the civil rights movement in America. Beginning in 1915 with D.W. Griffith's The Birth of a Nation--which glorified the Ku Klux Klan and became Hollywood's first blockbuster--Wil Haygood gives us an incisive, fascinating, little-known history, spanning more than a century, of Black artists in the film business, onscreen and behind the scenes. He makes clear the effects of changing social realities and events on the business of making movies and on what was represented on the screen: from Jim Crow and segregation to white flight and interracial relationships, from the assassination of Malcolm X to the O.J. Simpson trial to the Black Lives Matter movement. He considers the films themselves--including The Imitation of Life, Gone With the Wind, Porgy & Bess, the Blaxploitation films of the 70s, Do The Right Thing, 12 Years a Slave, and Black Panther. And he brings to new light the careers and significance of a wide range of historic and contemporary figures: Hattie McDaniel, Sidney Poitier, Berry Gordy, Alex Haley, Spike Lee, Billy Dee Willliams, Richard Pryor, Halle Berry, Ava Duvernay, and Jordan Peele, among many others. An important, timely book, Colorization gives us both an unprecedented history of Black cinema, and a groundbreaking perspective on racism in modern America"--

"Al Jolson, born Asa Yoelson, immigrated from his shtetl in Lithuania to the United States in 1894 after his father secured a job as a rabbi in Washington, D.C. A poor, Yiddish-speaking newcomer navigating a racially segregated and antisemitic America, young Jolson dreamed of becoming a star, and he did. Thanks to his immense talent and his knack for assimilating into new environments, by the time he reached his twenties he was the most famous and highly paid entertainer in America, making almost $5,000 a week at a time when the average American made $800 a year. Jolson's public adoration and widespread acceptance as a star marked the beginning of an enriching cultural transformation, a moment when the American mind opened up to ethnic and racial differences, widening the gap of acceptability. And yet Jolson himself, despite being ferociously ambitious and gigantically talented, was crippled by insecurity, often nervous to the point of collapse, prisoner to his many vices. Through Jolson, Bernstein simultaneously breaks open the history and legacy of the cultural sensation The Jazz Singer. Not only was The Jazz Singer the first feature length film with synchronized music and dialogue, but it was also taboo smashing in its content: The Jazz Singer is all about Jews, Orthodox and otherwise. Bernstein expounds on the making of The Jazz Singer, what the film meant then and now, introducing the many individuals involved in its production, including Samson Raphaelson, a young Jewish writer whose short story was the basis for the movie; the four Warner brothers who made a fortune off it; and George Jessel, Jolson's rival and the star of Raphaelson's stage adaptation of his short story. In the background emerges a picture of old Hollywood in the Roaring Twenties: cutthroat and greedy yet visionary and progressive. And while The Jazz Singer represented the future in many ways, it also dredged up the worst of the past, including Jolson's use of blackface, common at the time. At once a tale of the Judaizing of American culture and an acknowledgment of the challenges to come, Only in America is a glistening examination of a man at the center of a watershed moment in the arts"--

A lost and lonely orphaned youth grows up street wise and tough in the poorest districts of a 19th century Scandinavian city before joining the early foreign Legion. But soon after, he deserts the Legion to become a mercenary for an Islamic Warlord in Mesopotamia, where he near-fatally contracts TB. When his small company are ambushed and butchered by a Bandit Army he flees into the mountain wilderness. Here, by absolute chance he discovers and consumes the world's rarest plant first stumbled on by an ancient warrior king of Uruk - the flower of born again- so sought after by vast people through history. The plant's miraculous properties heal his illness and his life enters a seemingly alternate dimension as he embarks on a fantastical journey: this takes him through several coming centuries in his search for love, purpose and meaning in a fast changing world: he finds this world to be one of myriad amazing opportunities as well as one filled with lethal and terrible unknowns and risks beyond count.

Dive into the intriguing and colorful history of Croatian cinema, from its inception in the early 20th century to its dynamic and promising state in the 21st. Uncover the transformation of Croatian filmmaking through diverse political and cultural eras, with every turn marked by resiliency, creativity, and innovation. Experience the stories behind groundbreaking films, iconic directors, and the socio-political changes reflected in the cinema of the day. Discover the evolution of different genres, themes, and styles, as well as the influence of Croatian cinema on the international stage. This extensive and detailed exploration celebrates the richness and diversity of Croatian cinema, offering a comprehensive view of its past, present, and exciting future potential.

This is a reference book on the 1974 RV series The Pallisers. The book contains all 26 episodes in original date transmission order, complete cast listings, numerous photographs, directorial credits, a story synopsis for each episode, plus an introduction and table of contents.

Chris Wade explores the film career of movie icon Bela Lugosi. From his silent films in Europe, his early American movies, the iconic roles in the likes of Dracula, The Black Cat, and White Zombie, through the low budget B movies of the 1940s, up to his final screen work for Ed Wood, Wade celebrates the great man's performances in a series of essays, examining the career of a man who never escaped the Dracula persona but whose films are now highly regarded by his legions of fans. The book also features Q and As with those who knew and worked with him. Other films explored include: The Raven, Murders in the Rue Morgue, The Devil Bat, Son of Frankenstein, The Corpse Vanishes, Abbott and Costello Meet Frankenstein, and many more...

Filmbesprechungen und -kritiken, Filmvorführungen und -verführungen haben seit jeher zum Medium Film gehört. Bei meinen filmkundlichen Reflexionen war und ist mir immer wichtig, mit cineastischer Leidenschaft einen Beitrag zu leisten, der das filmische Werk auch mit den Augen der Analytischen Psychologie betrachtet. Deshalb habe ich im Jung-Journal, Zeitschrift für Analytische Psychologie und Lebenskultur, seit Februar 2009 in der Rubrik "Für Sie gesehen" regelmäßig Filme vorgestellt und besprochen. Filme, die nach meinem Dafürhalten mit dem Thema des jeweiligen Heftes harmonierten.