Filmguider og filmanmeldelser

100 film fra det 20. århundrede gennemgås grundigt. De 100 film er ordnet kronologisk. Den første film der bliver genmmegået er Josef von Sternbergs "Den blå engel" (1930) og bogen afsluttes med "Breaking the Waves" (1996) af Lars von Trier.idden /title /head body center h1 403 Forbidden /h1 /center /body /htmlDen danske filminstruktør og filmproducent Christian Braad Thomsen (f. 1940) debuterede som forfatter i 1971. Han er uddannet fra Den Danske Filmskole, har været direktør for Odense Film Festival og medlem af Statens Kunstfonds repræsentantskab. I 1991 kom han på Kulturministeriets livsvarige ydelse.

The long-awaited first work of non-fiction from the author of the #1 New York Times bestselling Once Upon a Time in Hollywood: a deliriously entertaining, wickedly intelligent cinema book as unique and creative as anything by Quentin Tarantino.

Hvilken film er din yndlingsfilm? Spørgsmålet markerer begyndelsen på en af de sjoveste selskabslege, men for Informations anmeldere blev det lynhurtigt alvor, da de sammen skulle finde de 24 bedste film fra det 21. århundrede. Det har kostet ubærlige fravalg og er resulteret i interne fløjkrige blandt skribenterne at lave listen, der favner alt fra mainstreamfilm til arthouse produktioner. Det er en liste, der rummer alt fra Disneys De utrolige til Jacques Audiards Profeten. Endelig er det en liste, der efter endt læsning forhåbentlig sætter diskussionen i gang om de seneste 20 års filmkunst. De 24 film er nøje udvalgt af Rune Lykkeberg, Lone Nikolajsen, Christian Monggaard, Katrine Hornstrup Yde og Ralf Christensen.

Ever since the early days of cinema, starting with the 1910 FRANKENSTEIN, monsters have been the stuff that movies are made of. This guidebook includes all of Universal's "Classic Monster" movies from DRACULA (1931) to ABBOTT AND COSTELLO MEET THE MUMMY (1955) and THE CREATURE WALKS AMONG US (1956) to Hammer Film's CURSE OF FRANKENSTEIN (1957) to THE LEGEND OF THE 7 GOLDEN VAMPIRES (1974). Also reviewed are related horrors like Turkey's DRACULA IN ISTANBUL (1953), Mexico's THE NEW INVISIBLE MAN (1958), Japan's FRANKENSTEIN CONQUERS THE WORLD (1965), Spain's COUNT DRACULA (1970), Italy's LADY FRANKENSTEIN (1972), and Germany's NOSFERATU THE VAMPYRE (1979) to name only a few. From well-known classics like DR. JEKYLL AND MR. HYDE (1920) and BRIDE OF FRANKENSTEIN (1935) to off-shoots like I WAS A TEENAGE WEREWOLF (1957), BILLY THE KID VERSUS DRACULA (1966), and BLACULA (1972), this tome has got them all!

There are movie-goers, movie fans, and movie lovers. REEL CHANGE III is for all three. For the passively curious to the die-hard deep divers, REEL CHANGE offers looks into and behind the magic of what's on the big and little screen. There are farewells to icons like James Caan and Ray Liotta, X-ray examinations of the inner changes in a business that almost overnight has become dominated by streaming, and retrospective looks at the movies well-remembered (Planet of the Apes, Titanic) as well as those overlooked and unjustly forgotten like those in 1973, a year overstuffed with classics like American Graffiti art house gems like Badlands. After REEL CHANGE III, the next time you park yourself in a theater seat or in front of your TV, your eyes will be a little wider and you'll see a little more. "Bill Mesce Jr. has created another treasure chest of interesting movie and TV articles. The lucky readers who open this third wonderful collection will be entertained and enlightened from beginning to end. What fun!" - Betty Jo Tucker, film critic and award-winning author of Confessions of a Movie Addict, Susan Sarandon: A True Maverick, Cinema Stanzas and Cinema Stanzas Two. "Mesce's essays have the feeling one gets when the lights go down, the big sound comes up and the screen begins to glow. They seamlessly guide you into the world of movies. Facts, insights, stories and reflections from a writer who really knows make the world of movies richer and more fun." - Josh Sapan, Media Executive "One punchy, opinionated, beautifully-crafted essay after another. Mesce might just be the best film writer you've never heard of, and you owe it to yourself to change that."- David Breckman, writer/co-producer, MONK

There are movie-goers, movie fans, and movie lovers. REEL CHANGE III is for all three. For the passively curious to the die-hard deep divers, REEL CHANGE offers looks into and behind the magic of what's on the big and little screen. There are farewells to icons like James Caan and Ray Liotta, X-ray examinations of the inner changes in a business that almost overnight has become dominated by streaming, and retrospective looks at the movies well-remembered (Planet of the Apes, Titanic) as well as those overlooked and unjustly forgotten like those in 1973, a year overstuffed with classics like American Graffiti art house gems like Badlands. After REEL CHANGE III, the next time you park yourself in a theater seat or in front of your TV, your eyes will be a little wider and you'll see a little more. "Bill Mesce Jr. has created another treasure chest of interesting movie and TV articles. The lucky readers who open this third wonderful collection will be entertained and enlightened from beginning to end. What fun!" - Betty Jo Tucker, film critic and award-winning author of Confessions of a Movie Addict, Susan Sarandon: A True Maverick, Cinema Stanzas and Cinema Stanzas Two. "Mesce's essays have the feeling one gets when the lights go down, the big sound comes up and the screen begins to glow. They seamlessly guide you into the world of movies. Facts, insights, stories and reflections from a writer who really knows make the world of movies richer and more fun." - Josh Sapan, Media Executive "One punchy, opinionated, beautifully-crafted essay after another. Mesce might just be the best film writer you've never heard of, and you owe it to yourself to change that."- David Breckman, writer/co-producer, MONK

La trilogia dei colori, composta dai film ispirati agli ideali dell'Illuminismo e della bandiera francese (Blu, Bianco e Rosso), è di gran lunga l'opera più rinomata e apprezzata di Krzysztof Kie¿lowski, nonché la sua ultima testimonianza artistica.Oltre la prima apparenza, essa cela significati reconditi e palesi corrispondenze con quanto già messo in scena nei film precedenti e che sarà di ispirazione e di confronto per il pubblico e per gli addetti ai lavori dell'ambiente cinematografico.In questo libro si analizzeranno nel dettaglio i legami e i significati, il senso e lo stile di ognuno dei tre film e si trarrà una visione comune d'insieme in relazione all'intera produzione del regista polacco.

Evil cults! Demonic possession! Black magic! The 1970s were gripped by an obsession with the devil and all his works. This book explores 100 devilish movies that blazed across the screens of the drive-ins and grindhouses of the decade.They were a product of their time. The counterculture of the 1960s had soured with the brutal actions of the Manson Family sparking fears of cults and hippie mysticism. Christian fundamentalism was on the rise and the Satanic Panic of the 1980s was just around the corner. But, for the 1970s, the devil stalked the screens as a figure to be feared, invoked, exorcised and worshiped. He possessed young girls, demanded blood sacrifice and caused nuns to cast off their habits and indulge their most blasphemous and erotic desires.From the heavy hitters like The Exorcist and The Omen to the drive-in favorites like Race with the Devil and The Brotherhood of Satan to foreign entries like Suspiria and The Wicker Man, this book takes a deep dive into the demonic movies that thrilled and terrified audiences of the 1970s.

"Containing ample quotes from his reviews, the book details performances and performers; most of them world-famous; others obscure but deserving of greater fame. Some, the author admires deeply; a few, not so much. These are not just verbal descriptions. Epstein provides URLs of videos and audio recordings that enable you to click along to see and hear what he saw and heard. Going back in real time to as far as his elementary school days and the pop music of that era, he even tells you about that period in time-about Captain Video and Captain Kangaroo on TV and about Tarzan serials at Saturday morning movie-theater kiddie shows"--

Eine Leseprobe finden Sie unter "https://verlag.sandstein.de/reader/98-787_DerDeutscheFilm"Das Buch ermöglicht eine veritable Zeitreise durch den deutschen Film. Dabei handelt es sich um eine einzigartige Filmlandschaft, die mit dem Expressionismus und dem Kino der Weimarer Republik Weltgeltung erreicht hat sowie die Kultur und Geschichte Deutschlands wie kaum ein anderes Medium zu spiegeln vermag. Der Bogen spannt sich vom legendären »Wintergartenprogramm« der Gebrüder Skladanowsky am 1. November 1895 in Berlin über den frühen Stummfilm und Tonfilm bis hin zu heutigen Filmformaten.Dabei wird nicht nur der eminente Beitrag Deutschlands zur globalen Filmgeschichte verhandelt. Mit Echofilmen werden die Wirkung von Produktionen der Weimarer Republik auf Hollywood sowie die Wirkung von Hollywood auf den deutsch-deutschen Film der Nachkriegszeit aufgezeigt. Zugleich vertiefen Fokus-Seiten zentrale Figuren, Themen und Gewerke des Films. Die Filme selbst werden über einführende Kurztexte, Kritiken aus der Zeit ihrer Entstehung sowie markante Filmszenen greifbar.Einführende Essays schildern den weiten und mitunter steinigen Weg von der Pionierzeit um 1900, dem Ersten Weltkrieg und den 1920er Jahren der Weimarer Republik über den Nationalsozialismus, den Zweiten Weltkrieg und die Filmkultur eines in BRD und DDR geteilten Landes bis hin zum gesamtdeutschen Film nach 1990. So entfaltet sich ein ebenso bewegtes wie bewegendes Panorama des 20. und 21. Jahrhunderts in Deutschland - gesehen durch das Auge der Filmkamera

"You like movies because you're one of life's great watchers." So says Woody Allen's irked, soon-to-be-ex-wife in Play It Again, Sam, obviously having had enough of his sedentary lifestyle. Hmm, I think she would have left me, too. But, hey, do a female's myriad charms really stack up against the corny delights of Cocktail, the vicious cynicism of The Sweet Smell of Success, the dark ferocity of The Thing, the fantastic imagination of Westworld, the perverted milieu of Happiness or the heartbreak of Kes? For these are just some of the films covered in the fifth part of this lewd, politically incorrect guide to the treasures of twentieth century cinema. Author Dave Franklin also throws in a bevy of bitches, the worst-ever holidays and a tribute to old men feasting on teenage flesh.

To movie critics, a bomb is unequivocally bad-something that failed artistically, failed at the box office, or both. John Vetto, who describes himself as a cinephile but (most assuredly) NOT a professional movie critic, defines the term more broadly. To Vetto, a bomb may have bombed at the box office or become a cult classic. It may be genuinely terrible or merely silly. The one thing all bombs have in common? They're fun to watch.In Bombs Away: Fifty Old, Often Bad, and Mostly Forgotten Films, in No Particular Order, Vetto takes a deep dive into these works not to make light of them (well, not just to make light of them) but to explore their history and themes, draw connections, provide insight into human nature, and enlighten us as to how and why these cheaply-made films were created.So, grab some popcorn, dim the lights, and settle back for an edifying, entertaining journey through an underexplored corner of pop culture.

David Fincher's Seven (1995) follows two detectives, David Mills (Brad Pitt) and William Somerset (Morgan Freeman), as they investigate a series of gruesome murders. One of the most acclaimed films of the 1990s, it explores themes of moral decay, human darkness, and the blurred lines between good and evil. Richard Dyer's study of the film, unpacks how its cinematography, sound, and plot combine to create a harrowing account of a world beset by an all-encompassing, irremediable wickedness. He explores the film in terms of sin, story, structure, seriality, sound, sight and salvation, analyzing how Seven both epitomizes and modifies the serial killer genre, which is such a feature of recent cinema.This new edition includes a new afterword by the author, re-assessing the film's lasting impact and influence over contemporary filmmaking aesthetics.

John Ford (1894-1973) directed scores of memorable movies that feature countless scenes that linger in one's memory. He is the only director to have won four Best Director Academy Awards, for The Informer (1935), The Grapes of Wrath (1940), How Green Was My Valley (1941), and The Quiet Man (1952).There have been many biographies and film studies of John Ford and his motion pictures. There has never been a single volume devoted to the stock company of actors and actresses who worked for him, some continually, many intermittently, from his silent westerns of the 'teens to his final films of the 1960s. This book spotlights 112 members of Ford's fluid repertory company and includes a mini-chapter on each member of the troupe.And it was a diverse group. One wrote three books on the Baha'i Faith religion; another boxed the heavyweight champion of the world to a draw; one eloped with Loretta Young when she was seventeen; one participated in the Yukon gold rush; a photograph of one player's ear is the club logo for a professional wrestling association; another taught Lucy how to jitterbug; one was a legendary undercover agent for the OSS in France during World War II; another was a member of the advisory board to the Bank of America concerning loans to the studios; two were rodeo world champions.All of them, from obscure bit players to barely-remembered character actors to legendary film stars, made substantial contributions to Ford's movie legacy.About the AuthorBill Levy is the author of John Ford: A Bio-Bibliography and Beyond the Beach: The Wit and Wisdom of Nevil Shute. He has been writing his "Forgotten Gems" column on films of the 1930s, 1940s, and 1950s for New Jersey's monthly senior publication, Fifty Plus, since 2001. He lives in Mendham, New Jersey.

"Decalogo", andato in onda alla fine del 1988, è divenuto, fin da subito, una pietra miliare dell'opera artistica di Krzysztof Kie¿lowski e, più in generale, della cinematografia.In questo libro saranno presentati i significati e le tematiche esposte, i vari livelli di interpretazione e la simbologia, le connessioni e i richiami, le scelte stilistiche e la storia che hanno condotto fino all'ideazione e alla realizzazione dell'opera-simbolo del compianto regista polacco.

Some movies are iconic. Others are merely entertaining. In Rewind: A Half-Century of Classics, Cult Hits, and Other Must-See Movies, veteran journalist and longtime film buff Rick Anderson reflects on fifty classic films created within a fifty-year period, from 1945-1995. This book provides a historical perspective on these films and the people who made them. Why do these movies work? Or, in some cases, why didn't they work better? The author looks back at well-known films such as Rear Window, The Third Man, Apollo 13, and Sounder. And many other popular but less-renowned works also are covered, as are a handful of relatively obscure productions. The common denominator is that all the films here deserve at least a look from movie fans. Or, for those who have previously watched them, a rewind.

The fourth part of a politically incorrect series that mainly focuses on twentieth century movies. Everything from blaxploitation and action gods to Jodie Foster and the most controversial films ever made is covered.

Ken Loach's 1969 drama Kes, considered one of the finest examples of British social realism, tells the story of Billy, a working class boy who finds escape and meaning when he takes a fledgling kestrel from its nest.David Forrest's study of the film examines the genesis of the original novel, Barry Hines' A Kestrel for a Knave (1968), the eventual collaboration that brought it to the screen, and the film's funding and production processes. He provides an in depth analysis of key scenes and draws on archival sources to shed new light on the film's most celebrated moments. He goes on to consider the film's lasting legacy, having influenced films like Ratcatcher (1999) and This is England (2006), both in terms of its contribution to film history and as a document of political and cultural value. He makes a case for the film's renewed relevance in our present era of systemic economic (and regional) inequality, alienated labour, increasingly narrow educational systems, toxic masculinity, and ecological crisis. Kes endures, he argues, because it points towards the possibility for emancipation and fulfilment through a more responsive and nurturing approach to education, a more delicate and symbiotic relationship with landscape and the non-human, and an emotional articulacy and sensitivity shorn of the rigid expectations of gender.

In seinem neuen Filmbuch Trauma-TV reist Filmkritiker und Podcaster Patrick Lohmeier zurück in seine Kindheit. Dort begegnet er all den Filmen wieder, die ihn als kleinen Hosenscheißer um den Schlaf brachten - aber auch prägten. Von Klassikern des verstörenden Jugendkinos wie Unten am Fluss (1978) und E.T. - Der Außerirdische (1982) über verstrahlte Fernsehfilme wie Der Tag danach (1983) und Threads (1984) bis hin zum Nachtprogramm im Privatfernsehen mit reitenden Leichen und mörderischen Alpträumen: In knapp hundert Rezensionen seiner meistgefürchteten Film- und Serienerfahrungen im Alter von sechs bis 13 Jahren sucht der Autor nach Antworten auf die wirklich wichtigen Fragen des Lebens. Filmkritikerin Sonja Hartl (Zeilenkino) und Psychologin Christiane Attig (Brainflicks) stehen ihm dabei mit all ihrer Kompentenz zur Seite. Vor allem will Patrick wissen, welche Schrecken zeitlos sind ... oder ob sie so vergänglich wie--- Aaargh!!!Pressestimmen zu Veröffentlichungen des Autors: "Nach der Lektüre dieses Standardwerks für die nächsten hundert Jahre sind einfach alle wesentlichen Fragen beantwortet." (epd Film über Columbo, Columbo) *** "Für alle, die das Kino in all seinen Formen lieben." (Cinema über Bahnhofskino) *** "Ein saftiges Stück Film- und Fernsehgeschichte." (CrimeMag über Columbo, Columbo) *** "Beeindruckend." (Daniel Schröckert [Kino+] über den Audiokommentar zu Mandy [2018] *** "Ein kleines Wunder." (nd.aktuell über Columbo, Columbo)

Leontine Sagan's Mädchen in Uniform (1931) is a groundbreaking German film that defied established societal norms, showcasing the power of women, both behind and in front of the camera.Adapted from Christa Winsloe's lesbian play, the story follows Manuela, an orphan in a boarding school for impoverished Prussian nobility. When her love for a female teacher is discovered, the oppressive principal punishes her, leading to a desperate suicide attempt.Barbara Mennel's compelling study firmly establishes Mädchen in the Weimar cinema canon. Breaking away from the teleological and over-determined "Caligari to Hitler" approach that has dominated the field since its inception, Mennel examines the film on its own terms within its immediate historical moment. Although it was prohibited viewing for several years, having been banned by the Nazis for its lesbian subtext and anti-authoritarian message, she asserts its central role in articulating feminist film theory in the late 1970s. Analysing its themes of democracy versus tyranny, the collective versus the individual, and expressive desire versus repressive discipline, she underscores the film's timeless impact, and why it continues to resonate with contemporary audiences.

"Grab the popcorn and prepare to binge the spiritual themes of cinema: the unconventional savior. The hero's journey. The balance of creation. The redemption tale. 100 Spiritual Movies to See Before You Die outlines twelve major categories of spiritual movies before diving into a wide array of films: from Chariots of Fire to Bruce Almighty; Life of Pi to Malcolm X; The Bishop's Wife to V for Vendetta; and many more. From the introduction: 'In their own way, the films in this book can be viewed as spiritual texts to be analyzed and discussed. To encourage that, the discussion questions and Bible quotes/religious terms are a point of entry for group discussion or individual reflection.' Perfect for film buffs seeking a book of devotionals and Christians seeking a pop-culture Bible study, 100 Spiritual Movies to See Before You Die will have you streaming, rewatching, discussing, and sharing for hours to come!"--Back cover.