Litteraturstudier: generelt

A translation and study of a medieval Scottish romance about the knight Lancelot.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This critical edition of Demetrius' treatise on style provides scholars with an essential resource for the study of ancient rhetoric and literary criticism. Featuring a Greek text and extensive scholarly apparatus, it is an invaluable resource for classicists and linguists.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This book is a detailed critical analysis of Shakespeare's tragedy 'Julius Caesar'. It examines the themes, characters, and language of the play, and provides valuable insights into Shakespeare's dramatic art.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

In this accessible introduction to Dante's Divine Comedy, Henry Dwight Sedgwick provides readers with the necessary background information to fully appreciate the poet's work. He explains the spiritual symbolism and historical context behind the text, making it accessible to those who may be unfamiliar with Dante's world.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This book is a supplement to Le Livre d'Artus, the Vulgate version of the Arthurian romances. It contains a glossary of terms and names that help readers understand the text. This edition was originally published in 1913.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Alice Mary Black offers a fresh perspective on the enduring works of Calpurnius Siculus, a Roman poet who was heavily influenced by the writings of Virgil. Through close analysis of the Eclogues, Black reveals the myriad ways in which Siculus borrowed from and expanded upon Virgil's themes, styles, and techniques. Written in a clear and engaging style, this book is a must-read for anyone interested in the classical tradition and the evolution of poetry across different eras and cultures.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This book makes connections between selfhood, reading practice and moral judgment which propose fresh insights into Austen's narrative style and offer new ways of reading her work. It grounds her writing in the Enlightenment philosophy of selfhood, exploring how Austen takes five major components of selfhood theory-memory, imagination, probability, sympathy and reflection-and investigates their relation to self-formation and moral judgement. At the same time, Austen's narrative style breaks new ground in the representation of consciousness and engages directly with contemporary concerns about reading practice. Drawing analogies between reading text and reading character, the book argues that Austen's rendering of reading and rereading as both reflective and constitutive acts demonstrates their capacity to enable self-recognition and self-formation. It shows how Austen raises questions about the potential for different readings and, in so doing, challenges her readers to reflect on and reread their own interactions with her texts.

This book examines the lasting impact of war on individuals and their communities in pre-modern Europe. Research on combat stress in the modern era regularly draws upon the past for inspiration and validation, but to date no single volume has effectively scrutinised the universal nature of combat stress and its associated modern diagnoses. Highlighting the methodological obstacles of using modern medical and psychological models to understand pre-modern experiences, this book challenges existing studies and presents innovative new directions for future research. With cutting-edge contributions from experts in history, classics and medical humanities, the collection has a broad chronological focus, covering periods from Archaic Greece (c. sixth and early fifth century BCE) to the British Civil Wars (seventeenth century CE). Topics range from the methodological, such as the dangers of retrospective diagnosis and the applicability of Moral Injury to the past, to the conventionally historical, examining how combat stress and post-traumatic stress disorder may or may not have manifested in different time periods. With chapters focusing on combatants, women, children and the collective trauma of their communities, this collection will be of great interest to those researching the history of mental health in the pre-modern period.

This book is the first comprehensive study of the reception of Tennessee Williams in China, from rejection and/or misgivings to cautious curiosity and to full-throated acceptance, in the context of profound changes in China's socioeconomic and cultural life and mores since the end of the Cultural Revolution. It fills a conspicuous gap in scholarship in the reception of one of the greatest American playwrights and joins book-length studies of Chinese reception of Shakespeare, Ibsen, O'Neill, Brecht, and other important Western playwrights whose works have been eagerly embraced and appropriated and have had catalytic impact on modern Chinese cultural life.

Ausgehend von Erkenntnissen über das Römische Haus im Weimarer Park geht die Arbeit der Frage nach, inwiefern Goethes Baupraxis in einem freimaurerischen Bezugsrahmen steht. Über den gleichen Ansatz wird das «Märchen» von 1795 erschlossen. Die Studie untersucht Motivik und Figurenrepertoire dieser Erzählung und erklärt den ihnen unterlegten maurerischen Sinn aus einschlägigen Lebensmomenten des Dichters. Erweiternd untersucht die Verfasserin Goethes Rezeption der «Falkennovelle» von Giovanni Boccaccio. Da Goethes Rückgriff eine Reminiszenz seiner Begegnung mit Lili Schönemann enthält, kann er als Zeugnis der dichterischen Verarbeitung seines Bruchs mit der Verlobten aus der Frankfurter Jugendzeit gelten. Der Text des «Märchens» gewinnt dadurch eine bislang ungekannte Plausibilität im Kontext der von Goethe geleiteten Weimarer Bauprojekte.

Many saw the dark side of the American dream, but none wrote about it like Jim Tully. Having spent six years of his childhood in a Cincinnati orphanage, Tully returned to his hometown of St. Marys, Ohio before climbing aboard a freight train in 1901. Drifting across the country as a "road kid," he spent his teens, sleeping in hobo jungles, avoiding railroad cops, and haunting public libraries. After six years on the road, he settled in Kent, Ohio where he boxed professionally and began to write. Following a move to Hollywood where he worked for Charlie Chaplin, Tully issued a stream of critically acclaimed books that serve as a dark and astonishing chronicle of the American underclass. Having established himself as a major American author, he turned his attention to Hollywood writing dozens of articles about the movies, often shocking the Hollywood establishment. Along the way, he picked up such close friends as W. C. Fields, Jack Dempsey, H. L. Mencken, and Frank Capra. He also memorably crossed paths with Jack London, George Bernard Shaw, James Joyce, and Langston Hughes.

A significant new contribution to Hemmingway scholarship, this book seeks to show that the moral world of The Sun Also Rises is profoundly unstable, and that every character can be seen as being both endorsed and critiqued by the text. This is manifested especially in Jake¿s status as a partially reliable narrator, and above all in his judgment of Brett. Jake consistently hides his true feelings for Brett from the reader and from himself, as he seeks to appear in control of his life. Reading the text in this way also renders the novel¿s famous conclusion less decisive than is usually assumed. This book will be of interest to upper-level undergraduates as well as graduate students and scholars.

This book critically explores the development of radical criminological thought through the social, political and cultural history of the Middle Ages to the Renaissance. It follows on from the previous volume which examined Classical Greece until the emergence of the early Christian movement in the Roman empire. Through separate chapters, it discusses the key literature (myths, fairy tales and Shakespeare), religions and philosophers of the era, and the development of early radical views and issues over time. This book examines the links between the origins of radical criminology and its future. It speaks to those interested in the (pre)history of criminology and the historical production of criminological knowledge, drawing on Criminology, Sociology, Classics, History, Philosophy, Ancient Literature and Politics.

This work offers a substantial advance in the study of the macrosyntax of Spanish. Situated in the field of discourse realization, it provides theoretical foundations and a precise methodology. It describes the units of discourse, the new categories that must be taken into account to describe speech (operators, connectors and constructions), and integrates the diachronic aspect, in a dynamic vision of the language.