Boligspørgsmål og hjemløshed

Hjemløse udgiver deres historier– mødet med litteraturen blev afgørende Hvordan føles det at være hjemløs? Hvordan ser der ud i udkanten af samfundet?Og kan hjemløshed omsættes til litteratur?I gennem fire år har hjemløse arbejdet med deres egen historie via litteraturen og nedskrevet deres fortællinger på tre skrive-workshops i 2015, 16 og 19, arrangeret af SAND, De Hjemløses Landsorganisation.Resultatet er blevet til bogen At drømme så stort at det dårligt kan være i min lomme, som nu bliver udgivet på forlaget Antipyrine, der er kendt for at udgive eksperimentel litteratur af høj kvalitet.Teksterne i bogen fortæller om hvordan vi kan blive udstødte og ende i udkanten af samfundet – hvor der alligevel ­findes en hverdag, og hvor nye familier og venskaber dannes på trods.De deltagende har i de fleste tilfælde brugt den amerikanske forfatter Joe Brainards universelle værk I Remember (1970) som forlæg, en skrivenøgle som er evig aktuel og benyttes på skriveworkshops hver dag, verden rundt.

En samtidsfortælling om en ung forfatters jagt på succes, kærlighed og en lejlighed, der er til at betale i København ... Samler alt materialet fra de fire numre af Working Poor, flere helt nye sider, efterskrift og forfatterens egne omfattende fodnoter. Om Working Poor: “Lars Kramhøfts Working Poor bekræfter mig i, at jeg ikke er alene om at fejle til fester!” Zissel Astrid Kjertum-Mohr (Zissel & Eliten, ArtyFarty) “Lars Kramhøft hiver økonomisk ulighed frem som en fælles fjende. Han viser os, hvor vi går galt af hinanden.” Glenn Bech (Farskibet og Jeg anerkender ikke længere jeres autoritet) Lars Kramhøft (f. 1984) er dansk forfatter & tegner. Debuterede med V for vegetar i antologien Dokument (2013). Blev i 2019 belønnet med Claus Deleuran Prisen som årets danske tegneserieforfatter, og vandt i 2020 Pingprisen for bedste danske tegneserie for Noget frygteligt er altid lige ved at ske, der er ved at blive filmatiseret.

PULITZER PRIZE WINNER • NATIONAL BESTSELLER • A “vivid and devastating” (The New York Times) portrait of an indomitable girl—from acclaimed journalist Andrea Elliott “From its first indelible pages to its rich and startling conclusion, Invisible Child had me, by turns, stricken, inspired, outraged, illuminated, in tears, and hungering for reimmersion in its Dickensian depths.”—Ayad Akhtar, author of Homeland ElegiesONE OF THE TEN BEST BOOKS OF THE YEAR: The New York Times • ONE OF THE BEST BOOKS OF THE YEAR: The Atlantic, The New York Times Book Review, Time, NPR, Library JournalIn Invisible Child, Pulitzer Prize winner Andrea Elliott follows eight dramatic years in the life of Dasani, a girl whose imagination is as soaring as the skyscrapers near her Brooklyn shelter. In this sweeping narrative, Elliott weaves the story of Dasani’s childhood with the history of her ancestors, tracing their passage from slavery to the Great Migration north. As Dasani comes of age, New York City’s homeless crisis has exploded, deepening the chasm between rich and poor. She must guide her siblings through a world riddled by hunger, violence, racism, drug addiction, and the threat of foster care. Out on the street, Dasani becomes a fierce fighter “to protect those who I love.” When she finally escapes city life to enroll in a boarding school, she faces an impossible question: What if leaving poverty means abandoning your family, and yourself? A work of luminous and riveting prose, Elliott’s Invisible Child reads like a page-turning novel. It is an astonishing story about the power of resilience, the importance of family and the cost of inequality—told through the crucible of one remarkable girl.  Winner of the J. Anthony Lukas Book Prize • Finalist for the Bernstein Award and the PEN/John Kenneth Galbraith Award • Longlisted for the Baillie Gifford Prize

From the award-winning founders of the Abdul Latif Jameel Poverty Action Lab at MIT: A transformative reappraisal of the world of the extreme poor, their lives, desires, and frustrations

17-årige Jonas har ingen fast bopæl. Hver dag bliver en kamp om et nyt sted at sove. Det er ikke altid lige let, når ens mor er psykisk syg, når kærestens far er et røvhul, og man rager uklar med sin bedste ven, Mike, der er kendt for at knuseknæskaller. En dag da Jonas kommer til at smadre Mikes bil, kommer han i store økonomiske problemer. Situationen er helt uoverskuelig, så nu er spørgsmålet, hvor langt han vil gå for at skaffepengene ...

Unsettling traditional understandings of housing reform as focused on the nuclear family with dependent children, Single People and Mass Housing in Germany, 1850-1930 is the first complete study of single-person mass housing in Germany and the pivotal role this class- and gender-specific building type played for over 80 years-in German architectural culture and society, the transnational Progressive reform movement, Feminist discourse, and International Modernism-and its continued relevance.Homes for unmarried men and women, or Ledigenheime, were built for nearly every powerful interest group in Germany-progressive, reactionary, and radical alike-from the mid-nineteenth century into the 1920s. Designed by both unknown craftsmen and renowned architects ranging from Peter Behrens to Bruno Taut, these homes fought unregimented lodging in overcrowded working-class dwellings while functioning as apparatuses of moral and social control. A means to societal reintegration, Ledigenheime effectively bridged the public-private divide and rewrote the rules of who was deserving of quality housing-pointing forward to the building programs of Weimar Berlin and Red Vienna, experimental housing in Soviet Russia, Feminist collectives, accommodations for postwar "guestworkers," and even housing for the elderly today.