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In this book, faith leaders, scholars and activists from around the globe provide their perspective on faith and abortion. They reflect on examples of faith organisations which have provided leadership on the issue as well as examining religious approaches from Buddhist, Christian, Jewish, Muslim and interfaith perspectives. Challenging the assumption that all people of faith are anti-abortion, this book provides a counterpoint to right-wing faith perspectives and outlines how faith communities reimagine abortion as an issue of social, pastoral and theological concern. Providing perspectives from the global North and South, it includes settings where abortion is legal, and where it is restricted, and settings where abortion stigma is ever-present to settings where abortion is normalised. It also demonstrates the complex connections between faith and abortion, how women and pregnant people are positioned in society and how morality is claimed and challenged.
I am sitting in a concrete cell, stranded on Texas death row, waiting to be murdered by the state. I was convicted of murdering a convenience store clerk while attempting to rob him, if you let the state tell it. But none of that matters now. I am here, captured by four walls that have defeated some of the strongest men. The fight is not only for my life but for the preservation of my sanity. Sitting on a steel makeshift bed, I look in retrospect at the long journey that has brought me to this situation.
Told through the lives of the American Century’s most talented and stubborn dissidents, Flights is the archetypal hero’s journey of a group of progressives whose struggle for truth, and for freedom from persecution, sent them into exile, both literal and metaphorical.Wanted for a crime she did not commit, Professor Angela Davis went on the run in 1970, describing the struggle against panic in her nightly safehouse transfers: “Living as a fugitive means resisting hysteria, distinguishing between the creations of a frightened imagination and the real signs that the enemy is near.” In her quest “to elude him, outsmart him,” she recalled, “Thousands of my ancestors had waited, as I had…for nightfall to cover their steps…”Davis is just one of a rich array of refugees portrayed here by Joel Whitney, all forced to flee homes and/or friends because of their progressive stance. In these pages are compelling profiles of Seymour Hersh, Lorraine Hansberry, Graham Greene, Paul Robeson, Gabriel García Márquez, George & Mary Oppen, Frances Stonor Saunders, Malcolm X, Octavio Paz, Diego Rivera, Angela Davis, Leonard Peltier, N. Scott Momaday, Miguel Ángel Asturias, Guatemalan guerrilla fighter Everado and his American wife Jennifer Harbury, Nobel Peace laureate Rigoberta Menchú, deposed Honduran President Manuel "Mel" Zelaya and murdered Lenca environmentalist Berta Cáceres.At once a group portrait of these geniuses of creative escape, Flights is also a prehistory (and indictment) of American mass surveillance, culminating in Edward Snowden’s revelations, of torture, culminating in Abu Ghraib, of censorship, culminating in the incarceration of journalist Julian Assange, of fascism, culminating in January 6, and of political murder, culminating in the Bush-Obama-Trump air assassination program.
A bold, groundbreaking argument by a world-renowned expert that unless we treat free speech as the fundamental human right, there can be no others.What are human rights? Are they laid out definitively in the UN’s Universal Declaration of Human Rights or the US Bill of Rights? Are they items on a checklist—dignity, justice, progress, standard of living, health care, housing? In The Most Human Right, Eric Heinze explains why global human rights systems have failed. International organizations constantly report on how governments manage human goods, such as fair trials, humane conditions of detention, healthcare, or housing. But to appease autocratic regimes, experts have ignored the primacy of free speech. Heinze argues that goods become rights only when citizens can claim them publicly and fearlessly: free speech is the fundamental right, without which the very concept of a “right” makes no sense. Heinze argues that throughout history countless systems of justice have promised human goods. What, then, makes human rights different? What must human rights have that other systems have lacked? Heinze revisits the origins of the concept, exploring what it means for a nation to protect human rights, and what a citizen needs in order to pursue them. He explains how free speech distinguishes human rights from other ideas about justice, past and present.
"Datafication threatens human rights, including privacy and the right to self-determination. This book argues not that we should own but that we are our data; and it proposes an expansion of international human rights to recognize and protect our data selves along with our physical ones"--
Those who ask how social entities relate to the past, enter a field defined by competing interpretations and contested practices of a collectively shared heritage. Dissent and conflict among heritage communities represent productive moments in the negotiation of these varying constructs of the past, identities, and heritage. At the same time, they lead to omissions, the overwriting and amendment of existing constructs. A closer look at all that is suppressed, excluded or rejected opens up new perspectives: It reveals how social groups are formed through public disputes upon the material foundations of heritage constructs.Taking the concept of censorship, the volume engages with the exclusionary and inclusionary mechanisms that underlie the construction of heritage and thus social identities. Censorship is understood here as a discursive strategy in public debates. In current debates, allegations of censorship surface primarily in cases where the handling of a certain heritage constructs is subjected to critical evaluation, or on the contrary, needs to be protected from criticism or even destruction. The authors trace the connection between heritage and identity and show that identity constructs are not only manifested within heritage but are actively negotiated through it.
Mange elever kæmper stadig med manglende motivation, og alt for mange mistrives. Elevernes motivation er ikke kun et spørgsmål om, hvordan den påvirker deres læring og faglige resultater − og omvendt − det handler også om at være nysgerrig, ville lære nyt (også når det er vanskeligt) og have mod på livet − nu og i fremtiden. Som lærere kan vi ikke vente på, at eleverne ikke (længere) er motiverede, før vi gør noget. Det skal tænkes ind i den daglige undervisning, og der skal skabes et læringsmiljø, hvor eleverne er aktive, undervisningen er varieret, og elevernes behov for selvbestemmelse imødekommes. Denne praksisnære bog er bygget op omkring tre psykologiske behov, som er afgørende for motivationen − autonomi og selvbestemmelse, kompetence og mestring, tilhørsforhold og samhørighed. Bogen tilbyder konkrete redskaber og tips til, hvordan man som lærer og pædagog i grundskolen kan sikre støtte til de tre psykologiske behov og herigennem arbejde med elevernes motivation. Redskaberne kan bruges på forskellige klassetrin og tilpasses efter behov og er udviklet, så de nemt kan kombineres med den almindelige undervisning.
'How better to honour the women who have fought for abortion rights, those who are still fighting around the world, those who have suffered from its illegality, those who still suffer from its limitations, than to continue to talk about it?'In this timely essay, Pauline Harmange provides an intimate, detailed account of her abortion. Reminiscent of Annie Ernaux's Happening, Abortion is nuanced, complex, honest, and precise. Harmange gives voice to the emotions, reflections, and contradictions that someone could experience when they choose to terminate a pregnancy. At a time in which women's reproductive rights are being called into question around the world, Abortion is a clarion call, a powerful personal testimony, and a resolutely political vision: to restore power to our experiences, all our experiences, by sharing them, and to transform society for the better.
Definition: Ethical responsibility is the ability to recognize, interpret and act upon multiple principles and values according to the standards within a given field and/or context.
"Do numbers have a life of their own or do we give them meaning? How do data play a role in constructing people's perceptions of the world around them? How far can we trust numbers to speak truth to power? The COVID-19 pandemic offers a unique moment to answer these questions. This book examines how politicians, experts and journalists gave meaning to data through the story of seven iconic numbers from the pandemic. Shedding light on a new dawn of data, this book makes a valuable contribution to our understanding of the relationship between numbers, meaning and society."--
"This first book-length discussion of the "gray area" in ethics challenges the assumption that rightness and wrongness are binary properties. Including discussions of white lies and the permissibility of abortion, it introduces gradualist notions of right and wrong designed to answer practical questions about the gray area in ethics"--
In this edited collection, contributors analyze how the media is navigating Nigeria and its mediated democracy. Scholars of journalism, political communication, and media studies will find this book of particular interest.
A wide-ranging, first-of-its-kind anthology of art and writing exploring how surveillance impacts contemporary motherhood.The tracking of our personal information, activities, and medical data through our digital devices is an increasingly recognizable field in which the lines between caretaking and control have blurred. In this age of surveillance, mothers' behaviors and bodies are observed, made public, exposed, scrutinized, and policed like never before. Supervision: On Motherhood and Surveillance gathers together the work of fifty contributors from diverse disciplines that include the visual arts, legal scholarship, ethnic studies, sociology, gender studies, poetry, and activism to ask what the relationship is between how we watch and how we are watched, and how the attention that mothers pay to their children might foster a kind of counterattention to the many ways in which mothers are scrutinized.A groundbreaking collection, Supervision is a project about vision (and supervision), and all the ways in which vision intersects with surveillance and politics, through motherhood and personal history as well as through the histories and relations of the societies in which we live.Contributors:Melina Abdullah, Jeny Amaya, Gemma, Anderson, Nurcan Atalan-Helicke, Sarah Blackwood, Lisa Cartwright, Cary Beth Cryor, Moyra Davey, Duae Collective, Sabba Elahi, Laura Fong Prosper, Regina José Galindo, Michele Goodwin, Alexis Pauline Gumbs, Lily Gurton-Wachter, Sophie Hamacher, Jessica Hankey, Keeonna Harris, Laëtitia Badaut Haussmann, Jennifer Hayashida, Kenyatta A.C. Hinkle, Lisbeth Kaiser, Magdalena Kallenberger, Caitlin Keliiaa, Anjuli Fatima Raza Kolb, Stephanie Lumsden, Irene Lusztig, Tala Madani, Jade Phoenix Martinez, Mónica Mayer, Iman Mersal, Jennifer C. Nash, Hương Ngô, Erika Niwa, Priscilla Ocen, Litia Perta, Claudia Rankine, Viva Ruiz, Ming Smith, Sable Elyse Smith, Sheida Soleimani, Stephanie Syjuco, Hồng-Ân Trương, Carrie Mae Weems, Lauren Whaley, Kandis Williams, Mai'a Williams, Carmen Winant, Kate Wolf, and Hannah Zeavin
Bent Isager-Nielsen svarer på danskernes mange spørgsmål om lov, orden og kriminalsager til foredrag og i ugebladet Ude og Hjemme. I denne bog har han samlet nogle af de bedste spørgsmål og sine svar under en række temaer, som han herefter uddyber. Bent Isager-Nielsen trækker på sine egne erfaringer som efterforsker, drabs- og Rejseholdschef samt politiinspektør og fortæller om sager, han har været med til at opklare, eller som han har fulgt fra sidelinjen helt op til i dag."Engang var det altid mig, der stillede spørgsmålene. Men jeg skal love for, at rollerne i dag er byttet rundt ... Jeg tror, det hænger sammen med det basalt menneskelige i, at vi alle både frygter og fascineres af det menneskelige mørke. Men grundlæggende hersker der bare en dyb interesse for faget."
This is a comprehensive study of the impact of censorship on theatre in twentieth-century Spain, analysing changes in censorship from the Second Republic to the post-Franco transition to democracy, and illuminating the ideological underpinnings, the effects on the industry and the responses of theatremakers.
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