Australasiatisk historie og Stillehavshistorie

Nahona`ara-means 'facing the `ara', the place where the southeast winds meet the land just west of Point Cruz. Nahona`ara became Honiara, the capital city of Solomon Islands with a population of 160,000, the only significant urban centre in a nation of 721,000 people.

Objects have many stories to tell. The stories of their makers and their uses. Stories of exchange, acquisition, display and interpretation. This book is a collection of essays highlighting some of the collections, and their object biographies, that were displayed in the Uncovering Pacific Pasts: Histories of Archaeology in Oceania (UPP) exhibition. The exhibition, which opened on 1 March 2020, sought to bring together both notable and relatively unknown Pacific material culture and archival collections from around the globe, displaying them simultaneously in their home institutions and linked online at www.uncoveringpacificpasts.org. Thirty-eight collecting institutions participated in UPP, including major collecting institutions in the United Kingdom, continental Europe and the Americas, as well as collecting institutions from across the Pacific.

This study addresses the neglected history of the people of the Federated States of Micronesia's (FSM) engagement with the outside world.

The years 1921-57 marked a period of immense upheaval for Australia as the nation navigated economic crises, the threat of aggressive Japanese expansion and shifting power distributions with the world transitioning from British leadership to that of the US. This book offers a reassessment of Australia's foreign policy origins and maturation during these tumultuous years. Successive Australian governments carefully observed these global and regional forces. The policy that developed in response was an integrated one--that is, one that sought to balance Australia's particular geopolitical circumstances with great power relationships and, in assessing the value of these relationships, ensure that the nation's trade, security and diplomatic interests were served. Amid the economic and strategic uncertainty of the interwar years, the Australian government acknowledged the shifting power distributions in the global and Asia-Pacific orders and that neither the policies of Britain nor the US completely served the national interest. The nation, accordingly, sought to intervene within the policies of the great powers to ensure its particular interests were secured. This geopolitically informed, interventionist approach, which had its genesis in the 1930s, is traced throughout the 1940s and 1950s, highlighting Australia's gradual and uneven transition from the British world order to that of the US and the frank assessments made about which relationship best served Australia's interests. The Genesis of a Policy identifies a comprehensive and pragmatic approach--albeit not always effectively executed--in Australian foreign policy tradition that has not been previosuly examined.

Creative Frictions explores the relationship between visionary aspects of practice and policy. Despite over 30 years of arts and cultural policy attention, there remains a widespread view among the general public and artists alike that creative production does not reflect Australia's culturally diverse population. Australia's increasingly complex society can no longer be confined to 'essentialised' or traditional definitions of ethnic communities. While this diversity and its emerging complexity can be 'celebrated' as a source of creativity and innovation, it can also give rise to social, political and creative challenges. A key challenge that remains for the arts sector is its ability to support the creative expression of cultural difference. One measure of inclusive creative production is to look at the participation of artists of non-English speaking backgrounds (NESBs)--a problematic term discussed in the book. There are half as many NESB artists compared to those of other professions participating in the workforce, and while under-representation is an issue for management in the arts sector, the question of representation also benefits from being understood more broadly beyond the narrow sense of multiculturalism as a tool to manage cultural difference. This book explores the crucial role of creative leaders and how they work with the 'mainstream' while maintaining their creative integrity and independence to generate a 'virtuous' circle of change. Creative Frictions argues that it is the NESB artists who lead change in the arts sector and that creative and organisational leadership working in partnership make creative use of 'friction' and develop the necessary 'trust' to generate the 'traction' for a supportive multicultural arts milieu.--Publisher.

Like Fire chronicles an indigenous movement for radical change in Papua New Guinea from 1946 to the present. The movement's founder, Paliau Maloat, promoted a program for step-by-step social change in which many of his followers also found hope for a miraculous millenarian transformation. Drawing on data collected over several decades, Theodore Schwartz and Michael French Smith describe the movement's history, Paliau's transformation from secular reformer and politician to Melanesian Jesus, and the development of the current incarnation of the movement as Wind Nation, a fully millenarian endeavour. Their analysis casts doubt on common ways of understanding a characteristically Melanesian form of millenarianism, the cargo cult, and questions widely accepted ways of interpreting millenarianism in general. They show that to understand the human proclivity for millenarianism we must scrutinise more closely two near-universal human tendencies: difficulty accepting the role of chance or impersonal forces in shaping events (that is, the tendency to personify causation), and a tendency to imagine that one or one's group is the focus of the malign or benign attention of purposeful entities, from the local to the cosmic. Schwartz and Smith discuss the prevalence of millenarianism and warn against romanticising it, because the millenarian mind can subvert rationality and nourish rage and fear even as it seeks transcendence.--From publisher's website.

Professor Brij Lal's life is a remarkable journey of a scholar and an intellectual whose writings are truly transformative; a man of moral clarity and courage who also has deep pain at being cut off from his homeland.

This book examines the role of coercion in the unification of the Hawaiian Islands by Kamehameha I between 1782 and 1812 at a time of increasing European contact.

By rights, the island nation of Fiji should be thriving. It is easily the most developed country in the South Pacific; it is a hub for regional transportation and communication links, the home of international diplomatic, educational and aid organisations, with a talented multiethnic population.

The discovery in 1951 of a petrified female body in the raging floodwaters of the River Murray triggers a police investigation across three states but fails to prove her identity. Seven decades on, will DNA solve the case?

In May 2006 Fiji held its tenth general election since independence in 1970. In a country with an unenviable history of electoral trauma, the mood was apprehensive if not tense - not least because of controversial public statements against the incumbent Qarase government being made by the commander of Fiji's military forces.