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Classics in Western Philosophy of Art - Prof. Nol Carroll - Bog

Bag om Classics in Western Philosophy of Art

In this synthetic introduction to the history of the philosophy of art, Noel Carroll elucidates and analyzes selected writings on art by Plato, Aristotle, Hutcheson, Hume, Kant, Hegel, Schopenhauer, Tolstoy, and Bell. Carroll's narrative tracks developments between major positions in philosophy of art, ranging from the idea that art is unavoidably embedded in society to the evolution of the notion that art is autonomous ("art for art's sake"), thereby setting the stage for continuing debates in the philosophy of art. Presupposing no prior background, and useful on its own or accompanying the reading of primary works, Classics in Western Philosophy of Art is ideal as a text for introductory undergraduate and graduate courses in philosophy of art and aesthetics, or for anyone interested in learning about the origin of some of our most fundamental conceptions of art in the Western tradition.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9781647920616
  • Indbinding:
  • Hardback
  • Sideantal:
  • 344
  • Udgivet:
  • 1. juni 2022
  • Størrelse:
  • 235x161x24 mm.
  • Vægt:
  • 592 g.
  • Ukendt - mangler pt..

Normalpris

  • BLACK NOVEMBER

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Prøv i 30 dage for 45 kr.
Herefter fra 79 kr./md. Ingen binding.

Beskrivelse af Classics in Western Philosophy of Art

In this synthetic introduction to the history of the philosophy of art, Noel Carroll elucidates and analyzes selected writings on art by Plato, Aristotle, Hutcheson, Hume, Kant, Hegel, Schopenhauer, Tolstoy, and Bell. Carroll's narrative tracks developments between major positions in philosophy of art, ranging from the idea that art is unavoidably embedded in society to the evolution of the notion that art is autonomous ("art for art's sake"), thereby setting the stage for continuing debates in the philosophy of art. Presupposing no prior background, and useful on its own or accompanying the reading of primary works, Classics in Western Philosophy of Art is ideal as a text for introductory undergraduate and graduate courses in philosophy of art and aesthetics, or for anyone interested in learning about the origin of some of our most fundamental conceptions of art in the Western tradition.

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