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The letters of Anton Chekhov, like those of Flaubert, are astonishing in their immense range and in their literary quality. Beginning in 1885, when he was twenty-five, and ending with his death less than twenty years later, the correspondence testifies to an extraordinary career. Chekhov was not only a writer but a critic, a doctor, a traveler, a devoted lover and brother. He brings his passions and his immense talent to every subject. As witty and observant as his great plays and stories, Chekhov's letters exemplify his artistry and humanity.In 1890, though already suffering from tuberculosis, he traveled to the prison colonies of Siberia and Sakhalin Island. His descriptions of that arduous journey are sharp, humorous, vividly detailed. Sympathy and a quick dramatic eye characterize his portraits of the people of the Russian countryside.Chekhov speaks with eloquence and determination in his defense of Emile Zola during the Dreyfus affair (a stand which cost him one of his closest friendships), in his vigorous criticisms of the various productions of his plays -- especially the famous stagings by Konstantin Stanislavski --and in all his dealings with the other writers and critics of the Russian literary and theatrical world. In these letters this public and private man reveals his compassion and vulnerability as he records the vicissitudes of his family life, his love for the actress Olga Knipper (whom he eventually married), and the tragic breakdown of his health.
From the introduction to The Unknown Chekhov:At least a dozen years were to pass [after Anton Chekhov's first short story published in English] before his tales began to gain some attention in the English-speaking world. ... [And yet] when work on the present collection was begun, scores of stories were still inaccessible in English, some of them comparable to those that have become a part of the literary heritage of the west. ... At the start of his career [Chekhov] turned out a great deal of copy for the comic papers [that] evidenced a genuine sense of fun, a satiric verve, an eye for revealing details of appearance and behavior, an ear for living speech, signs of that "talent for humanity," compacted of understanding and compassion, which is Chekhov's signature. ...From the first, the youthful humorist tried his hand at journalism... These breezy, gossipy, often biting paragraphs-he did not flinch from muckraking-touched on everything, from the unsanitary condition of the tenements to women's fashions. ... Wholly unknown [in English] were Chekhov's journalistic writings, as well as his book on the island of Sakhalin and its penal colony. The reader is offered here a selection from all of this material.
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Drama / Characters: 9 male, 6 femaleScenery 2 Interiors / 1 ExteriorThis poignant story of three provincial sisters who long with all their hearts to go to Moscow is classic theatre which has featured many of the world's great actresses and actors in the roles of Olga, Masha, Irina and Vershinin.
The Cherry Orchard is the story of a mortgage, with the grounds and beautiful trees of the proud landowners going for sale at a public auction to pay off their debts to the boorish son of a peasant who has risen in the world. Mme Ranyevskayas family departs to take up their lives anew, leaving the old and forgotten Firs to die alone as the woodsmens axes thud ironically against the cherished trees.
A loosely structured family are facing breakdown under mounting pressures of the world around them, none more than the eponymous Uncle Vanya. A middle-aged man in a crisis of values, he is further threatened by dispossession at the hands of his brother-in-law, the caustic Professor Serebryakov.
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For Madame Ranevskaya, her cherry orchard is more than just land. Returning for the first time since her son drowned there, she must come to terms with the fact that in order to free her family of debt the cherry orchard must be sold, the trees must be cleared and she and her family must prepare for life beyond the orchard.
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