Bøger af Arthur Machen

Fantastic and Horrific Stories is a collection of short fiction by Arthur Machen. Condemned as decadent and obscene upon publication, Machen's writing earned praise from Oscar Wilde and H. P. Lovecraft. Throughout the years, Machen's work has been referenced and adapted by such figures as Stephen King, Guillermo del Toro, and Josh Malerman for its masterfully unsettling blend of science, myth, and magic. The Great God Pan, perhaps Machen's most celebrated work, is the story of an occult experiment gone horribly wrong. Clarke has always taken an interest in occult matters, so when a friend offers him a chance to witness an experimental procedure intended to access the spirit realm, he cannot refuse. When the young patient Mary awakens, she shows signs of terror and soon falls into a catatonic state. Convinced of their success in discovering the world of "the great god Pan," Clarke and Raymond agree to keep their discovery a secret. Years later, a nearby town begins reporting the mysterious disappearances of young children, all of whom have been seen in the forest with a young woman named Helen Vaughn.In ?The White People,? originally published in Horlick's Magazine in 1904, a Welshman receives the diary of a young girl introduced to witchcraft. Surprisingly well-kept for its age, the green book accompanies Cotgrave on a journey through the lush countryside. Its pages contain the diary of a young girl who, encouraged by her nurse, immerses herself in the world of magic. As she grows adept in the ways of witchcraft, the girl begins referring to strange beings and unknown places, all while doing her best to conceal her secret life from friends and family.The Hill of Dreams is a semi-autobiographical novel about a young man who begins having strange visions after visiting an ancient Roman fort near his rural Welsh home. Published alongside ?The Inmost Light,? ?The Shining Pyramid,? The Terror, ?Out of the Earth,? and Ornaments in Jade, these tales by Arthur Machen showcase his gift for illuminating the presence of the supernatural in everyday life.With a beautifully designed cover and professionally typeset manuscript, this edition of Arthur Machen's Fantastic and Horrific Stories is a classic of British horror fiction reimagined for modern readers.

Arthur Machen is a significant figure in supernatural and horror literature, in the genre of 'weird fiction'. This collection brings together his best horror tales with a full contextual introduction and which helps to illuminate Machen's place in the literary and cultural milieu of 1890s Britain.

''I will not read it; I should never sleep again'' A doctor performs an experiment on a young woman that goes horribly wrong, and a series of increasingly strange events follow: sinister woodland rituals, disappearances, suicides... Viewed as immoral and decadent on first publication in 1894, Machen''s weird tale has since established itself as a classic of its genre and has been described by Stephen King as ''one of the best horror stories ever written. Maybe the best in the English language''. The Penguin English Library - collectable general readers'' editions of the best fiction in English, from the eighteenth century to the end of the Second World War.

"Far Off Things," penned through Arthur Machen, immerses readers in a charming exploration of reminiscence, mysticism, and the transcendent nature of human revel in. A Welsh writer known for his esoteric and supernatural tales, Machen crafts a narrative that transcends the everyday and delves into the realms of surprise. The book serves as a memoir, inviting readers into Machen's reminiscences of his formative years and early adulthood in past due 19th and early 20th century England. Through a blend of autobiography and philosophical musings, Machen reflects at the transformative strength of creativeness and the appeal observed in seemingly mundane moments. "Far Off Things" is imbued with Machen's distinct prose, which weaves together the everyday and the extremely good, inviting readers to perceive the magical in the ordinary. Machen's deep connection to the landscapes and reports of his adolescents will become a lens through which he explores the interconnectedness of reality and the airy. This literary paintings, characterised by using its introspective and contemplative tone, offers readers a unique glimpse into the thoughts of a visionary creator. Machen's capability to infuse the ordinary with an experience of the fabulous makes "Far Off Things" a concept-frightening journey into the mysteries of existence.

Presented for your enjoyment in easy-to-read 16 point type is the Arthur Machen classic horror novella, The Great God Pan. This tale influenced writers from H.P. Lovecraft to Stephen King. Grab it, read it, but keep the lights on.

This collection of literature attempts to compile many of the classic works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

This is a new release of the original 1932 edition.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Complete and unabridged paperback edition.

Arthur Machen (3 March 1863 - 15 December 1947) was a Welsh author and mystic of the 1890s and early 20th century. He is best known for his influential supernatural, fantasy, and horror fiction. His novella The Great God Pan (1890; 1894) has garnered a reputation as a classic of horror, with Stephen King describing it as "Maybe the best [horror story] in the English language." He is also well known for his leading role in creating the legend of the Angels of Mons. Early years: Machen was born Arthur Llewelyn Jones in Caerleon, Monmouthshire, though he usually referred to the area by the name of the medieval Welsh kingdom, Gwent. The house of his birth, opposite the Olde Bull Inn in The Square at Caerleon, is adjacent to the Priory Hotel and is today marked with a commemorative blue plaque. The beautiful landscape of Monmouthshire, with its associations of Celtic, Roman, and medieval history, made a powerful impression on him, and his love of it is at the heart of many of his works. Machen was descended from a long line of clergymen, the family having originated in Carmarthenshire. In 1864, when Machen was two, his father John Edward Jones, became vicar of the parish of Llanddewi Fach with Llandegveth, about five miles north of Caerleon, and Machen was brought up at the rectory there. Jones had adopted his wife's maiden name, Machen, to inherit a legacy, legally becoming "Jones-Machen"; his son was baptised under that name and later used a shortened version of his full name, Arthur Machen, as a pen name. Local historian and folklorist Fred Hando traces Machen's interest in the occult to a volume of Household Words in his father's Rectory library, in which he read, at the age of eight, an entrancing article on alchemy. Hando recounts Machen's other early reading: He bought De Quincey's Confessions of an English Opium Eater at Pontypool Road Railway Station, The Arabian Nights at Hereford Railway Station, and borrowed Don Quixote from Mrs. Gwyn, of Llanfrechfa Rectory. In his father's library he found also the Waverley Novels, a three-volume edition of the Glossary of Gothic Architecture, and an early volume of Tennyson At the age of eleven, Machen boarded at Hereford Cathedral School, where he received an excellent classical education. Family poverty ruled out attendance at university, and Machen was sent to London, where he sat exams to attend medical school but failed to get in. Machen, however, showed literary promise, publishing in 1881 a long poem "Eleusinia" on the subject of the Eleusinian Mysteries. Returning to London, he lived in relative poverty, attempting to work as a journalist, as a publisher's clerk, and as a children's tutor while writing in the evening and going on long rambling walks across London.......................................

This is a new release of the original 1923 edition.

Arthur Machen (3 March 1863 - 15 December 1947) was a Welsh author and mystic of the 1890s and early 20th century. He is best known for his influential supernatural, fantasy, and horror fiction. His novella The Great God Pan (1890; 1894) has garnered a reputation as a classic of horror, with Stephen King describing it as "Maybe the best [horror story] in the English language." He is also well known for his leading role in creating the legend of the Angels of Mons. Early years: Machen was born Arthur Llewelyn Jones in Caerleon, Monmouthshire, though he usually referred to the area by the name of the medieval Welsh kingdom, Gwent. The house of his birth, opposite the Olde Bull Inn in The Square at Caerleon, is adjacent to the Priory Hotel and is today marked with a commemorative blue plaque. The beautiful landscape of Monmouthshire, with its associations of Celtic, Roman, and medieval history, made a powerful impression on him, and his love of it is at the heart of many of his works. Machen was descended from a long line of clergymen, the family having originated in Carmarthenshire. In 1864, when Machen was two, his father John Edward Jones, became vicar of the parish of Llanddewi Fach with Llandegveth, about five miles north of Caerleon, and Machen was brought up at the rectory there. Jones had adopted his wife's maiden name, Machen, to inherit a legacy, legally becoming "Jones-Machen"; his son was baptised under that name and later used a shortened version of his full name, Arthur Machen, as a pen name. Local historian and folklorist Fred Hando traces Machen's interest in the occult to a volume of Household Words in his father's Rectory library, in which he read, at the age of eight, an entrancing article on alchemy. Hando recounts Machen's other early reading: He bought De Quincey's Confessions of an English Opium Eater at Pontypool Road Railway Station, The Arabian Nights at Hereford Railway Station, and borrowed Don Quixote from Mrs. Gwyn, of Llanfrechfa Rectory. In his father's library he found also the Waverley Novels, a three-volume edition of the Glossary of Gothic Architecture, and an early volume of Tennyson At the age of eleven, Machen boarded at Hereford Cathedral School, where he received an excellent classical education. Family poverty ruled out attendance at university, and Machen was sent to London, where he sat exams to attend medical school but failed to get in. Machen, however, showed literary promise, publishing in 1881 a long poem "Eleusinia" on the subject of the Eleusinian Mysteries. Returning to London, he lived in relative poverty, attempting to work as a journalist, as a publisher's clerk, and as a children's tutor while writing in the evening and going on long rambling walks across London..................

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

It was otherwise, however, when within three weeks, three more gentlemen, one of them a nobleman, and the two others men of good position and ample means, perished miserably in the almost precisely the same manner. Lord Swanleigh was found one morning in his dressing-room, hanging from a peg affixed to the wall, and Mr. Collier-Stuart and Mr. Herries had chosen to die as Lord Argentine.

One night a year or so ago I was the guest of a famous literary society. This society, or club, it is well known, believes in celebrating literature-and all sorts of other things-in a thoroughly agreeable and human fashion. It meets not in any gloomy hall or lecture room, it has no gritty apparatus of blackboard, chalk, and bleared water-bottle. It summons its members and its guests to a well-known restaurant of the West End, it gives them red and white roses for their button-holes, and sets them down to an excellent dinner and good red wine at a gaily decked table, flower garlanded, luminous with many starry lamps. Well, as I say, I found myself on a certain night a partaker of all this cheerfulness. I was one guest among many; there were explorers and ambassadors and great scientific personages and judges, and the author who has given the world the best laughter that it has enjoyed since Dickens died: in a word, I was in much more distinguished company than that to which I am accustomed. And after dinner the Persians (as I will call them) have a kindly and courteous custom of praising their guests; and to my astonishment and delight the speaker brought me into his oration and said the kindest and most glowing things imaginable about a translation I once made of the "Heptameron" of Margaret of Navarre. I was heartily pleased; I hold with Foker in "Pendennis" that every fellow likes a hand. Praise is grateful, especially when there has not been too much of it; but it is not to record my self-complacence that I have told this incident of the Persian banquet. As I sat at the board and heard the speaker's kindly compliments, I was visited for a twinkling part of a moment by a vision; by such a vision as they say comes to the spiritual eyes of drowning men as they sink through the green water.

This is a new release of the original 1932 edition.

The Terror (1917) - Short novel. In wartime Britain, a series of unexplained murders occur with no sign of who or what is responsible.

The Great God Pan is a novella by Welsh writer Arthur Machen. A version of the story was published in the magazine The Whirlwind in 1890, and Machen revised and extended it for its book publication (together with another story, "The Inmost Light") in 1894. On publication it was widely denounced by the press as degenerate and horrific because of its decadent style and sexual content, but it has since garnered a reputation as a classic of horror.[1] Machen's story was only one of many at the time to focus on the Greek God Pan as a useful symbol for the power of nature and paganism. The title was possibly inspired by the poem "A Musical Instrument" published in 1862 by Elizabeth Barrett Browning, in which the first line of every stanza ends "... the great god Pan".Synopsis[edit] Clarke agrees, somewhat unwillingly, to bear witness to a strange experiment performed by his friend, Dr. Raymond. The ultimate goal of the doctor is to open the mind of man so that he may experience the spiritual world, an experience he calls "seeing the great god Pan". He performs the experiment, which involves minor brain surgery, on a young woman named Mary. She awakens from the operation awed and terrified but quickly becomes "a hopeless idiot". Years later, Clarke learns of a beautiful but sinister girl named Helen Vaughan, who is reported to have caused a series of mysterious happenings in her town. She spends much of her time in the woods near her house, and takes other children on prolonged twilight rambles in the countryside that disturb the parents of the town. One day, a young boy stumbles across her "playing on the grass with a 'strange naked man, '"; the boy becomes hysterical and later, after seeing a Roman statue of a satyr's head, becomes permanently feeble-minded. Helen also forms an unusually close friendship with a neighbour girl, Rachel, whom she leads several times into the woods. On one occasion Rachel returns home distraught, half-naked and rambling. Shortly after explaining what happened to her mother (never revealed in the story), she returns to the woods and disappears forever. Years later, Villiers happens across his old friend Herbert, who has become a vagrant since they last met. When asked how he has fallen so low, Herbert replies that he has been "corrupted body and soul" by his wife. After some investigation with Clarke and another character, Austin, it is revealed that Helen was Herbert's wife, and that the two had been involved rather suspiciously in the death of a well-to-do man. Herbert is later found dead. Helen disappears for some time, supposedly taking part in disturbing orgies somewhere in the Americas. She eventually returns to London under the pseudonym Mrs. Beaumont, her appearance followed by a series of suicides. Villiers and Clarke, each learning of Mrs. Beaumont's true identity, band together and confront Helen in her house. They persuade her to hang herself, and Helen has a very abnormal death, transforming between human and beast before finally dying. It is finally revealed that Helen is the child of Mary and the great god Pan, who was let in when Dr. Raymond opened her mind up to him....... Arthur Machen (3 March 1863 - 15 December 1947) was a Welsh author and mystic of the 1890s and early 20th century. ...............

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

A discussion between two men on the nature of evil leads one of them to reveal a mysterious Green Book he possesses. It is a young girl's diary, in which she describes in ingenuous, evocative prose her strange impressions of the countryside in which she lives as well as conversations with her nurse, who initiates her into a secret world of folklore and black magic. Throughout, the girl makes cryptic allusions to such topics as "nymphs", "Dôls", "voolas," "white, green, and scarlet ceremonies", "Aklo letters", the "Xu" and "Chian" languages, "Mao games", and a game called "Troy Town" (the last of which is a reference to actual practices involving labyrinths or labyrinthine dances)

Arthur Machen (March 3, 1863 - December 15, 1947) was a leading Welsh author of the 1890s. He is best known for his influential supernatural, fantasy, and horror fiction. He also is well known for his leading role in creating the legend of the Angels of Mons. His surname rhymes with blacken.

Thank you for checking out this book by Theophania Publishing. We appreciate your business and look forward to serving you soon. We have thousands of titles available, and we invite you to search for us by name, contact us via our website, or download our most recent catalogues. All these Dreads and Drolls appeared in The Graphic . They were gathered from all sorts of sources. Most of them are strictly veridical, but it may be confessed that here and there imagination plays a small part. My favourite in the collection is, decidedly, the story of Grimaldi the Clown and his long-lost brother. It is an enigma of a tale. On the one hand, there is nothing improbable in the bare plot. Many lads, I have no doubt, went to sea in the adventurous times of the Napoleonic Wars, and were unheard of by their families for long years, often enough they were never heard of again. They were killed in one fight or another, they perished in African swamps, they became Archimandrites in Russia, or confidential advisers to the Dey of Algiers or to Prester John. And again there is nothing improbable in the adventurer's return with a heavy bag of gold, nothing improbable in the final disappearance of a young man who flourishes this bag of gold in the purlieus of Drury Lane as the chimes are ringing midnight. That is the bare plot of the tale, and as I say, it is all probable enough; and yet I defy anybody to read Grimaldi's story without lifting an incredulous eyebrow. And I have come to the conclusion that this impression is due to Grimaldi's unconscious art, I have no doubt that the Clown spoke the truth; but he had within him that love of mystery and wonder which (as I have said till people are sick of hearing me say it) is the sure foundation, the only foundation of Art. Again and again in his odd book this note of mysteriousness occurs. Take, for example, the incident, of the man with the silver staff. Grimaldi always declared that he never knew who this personage was. He didn't want to know. If he had made enquiries, I suppose he would have found that the mysterious stranger was Chief Bow Street Runner, or, as we should say, something big at Scotland Yard. And so, I daresay that the affair of Mr. Mackintosh and his twelve friends - a tale absolutely Arabian, as Grimaldi tells it - would have seemed tiresome enough to a man without his admirable capacity for mystery and capacity of creating it. And thus in the business of the long-lost brother. It all happened, and there is nothing very remarkable in it - save for the wonderful though unconscious art which has made a plain tale of plain facts read like a subtle study in mysterious suggestion, a ghost story of the rarest kind. This is a great gift: to be able so to tell the bare truth that it seems a magnificent lie. To many of us, it is rather given to invent elaborate fictions which are plainer (and duller) than the plainest facts.