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  • af Benjamin Wardhaugh
    177,95 - 247,95 kr.

  • af Benjamin Wardhaugh
    451,95 - 1.709,95 kr.

    John Wallis (1616-1703), was one of the foremost British mathematicians of the seventeenth century, and is also remembered for his important writings on grammar and logic. An interest in music theory led him to produce translations into Latin of three ancient Greek texts - those of Ptolemy.

  • af Benjamin Wardhaugh & Christopher D.S. Field
    596,95 - 1.709,95 kr.

    John Birchensha (c 1605-1681) is chiefly remembered for the impression that his theories about music made on the mathematicians, natural philosophers and virtuosi of the Royal Society in the 1660s and 1670s. This book allows scholars to see how Birchensha's rules and theories developed over a period of fifteen years.

  • af Benjamin Wardhaugh
    360,95 kr.

    Writings by early mathematicians feature language and notations that are quite different from what we're familiar with today. Sourcebooks on the history of mathematics provide some guidance, but what has been lacking is a guide tailored to the needs of readers approaching these writings for the first time. How to Read Historical Mathematics fills this gap by introducing readers to the analytical questions historians ask when deciphering historical texts. Sampling actual writings from the history of mathematics, Benjamin Wardhaugh reveals the questions that will unlock the meaning and significance of a given text--Who wrote it, why, and for whom? What was its author's intended meaning? How did it reach its present form? Is it original or a translation? Why is it important today? Wardhaugh teaches readers to think about what the original text might have looked like, to consider where and when it was written, and to formulate questions of their own. Readers pick up new skills with each chapter, and gain the confidence and analytical sophistication needed to tackle virtually any text in the history of mathematics. Introduces readers to the methods of textual analysis used by historians Uses actual source material as examples Features boxed summaries, discussion questions, and suggestions for further reading Supplements all major sourcebooks in mathematics history Designed for easy reference Ideal for students and teachers

  • af Benjamin Wardhaugh
    127,95 - 245,95 kr.

    Euclid's Elements of Geometry was a book that changed the world. In a sweeping history, Benjamin Wardhaugh traces how an ancient Greek text on mathematics - often hailed as the world's first textbook - shaped two thousand years of art, philosophy and literature, as well as science and maths.

  • af Benjamin Wardhaugh
    117,95 kr.

    August, 1755. Newcastle, on the north bank of the Tyne.

  • - Two volume set
    af Benjamin Wardhaugh
    1.403,95 kr.

    Thomas Salmon (1647-1706) is remembered today for the fury with which Matthew Locke greeted his first foray into musical writing, the Essay to the Advancement of Musick (1672), and the near-farcical level to which the subsequent pamphlet dispute quickly descended. Salmon proposed a radical reform of musical notation.

  • - Volume II: A Proposal to Perform Musick and Related Writings, 1685-1706
    af Benjamin Wardhaugh
    960,95 kr.

    Salmon (1647-1706) is remembered today for the fury with which Matthew Locke greeted his first foray into musical writing, the Essay to the Advancement of Musick (1672), and the near-farcical level to which the subsequent pamphlet dispute quickly descended. This is the second volume in a two-part set on the writings of Thomas Salmon.

  • - Volume I: An Essay to the Advancement of Musick and the Ensuing Controversy, 1672-3
    af Benjamin Wardhaugh
    567,95 kr.

    Thomas Salmon (1647-1706) is remembered today for the fury with which Matthew Locke greeted his first foray into musical writing, the "Essay to the Advancement of Musick" (1672), and the near-farcical level to which the subsequent pamphlet dispute quickly descended. This volume is a scholarly edition of Salmon's writings on notation.

  • af Benjamin Wardhaugh
    1.589,95 kr.

    How, in 1705, was Thomas Salmon, a parson from Bedfordshire, able to persuade the Royal Society that a musical performance could constitute a scientific experiment? Or that the judgement of a musical audience could provide evidence for a mathematically precise theory of musical tuning? This book presents answers to these questions.

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