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Written for students, specialists, and a general audience, Claudia Moscovici's Holocaust Memories offers a series of more than sixty brief and informative reviews of Holocaust memoirs, fiction, histories and films.
The Painful Poignancy of Desire is an introduction to Romantic and Postromantic poetry. Professor Moscovici''s exegesis places an emphasis on passion, which is more than merely a romantic theme; passion is the Romantic ethos. Students of literature often wonder why writings from centuries ago are given seemingly permanent places in the canon, and are studied extensively in an undergraduate setting. The Painful Poignancy of Desire addresses contemporary students'' desire to know why older works are relevant, and indeed necessary to their lives and study. By presenting aspects of the Romantic and Postromantic movements in poetry, including her own poetry, Professor Moscovici illustrates that these cultural movements are a significant part of history because they illuminate the origins of an individual''s pleasures, sense of beauty, and ultimately, our hope. These movements continue to awaken our emotions, imaginations, sensibilities, and creativity. They offer a wealth of riches in literary and human history.
Claudia Moscovici asserts in Romanticism and Postromanticism that the Romantic heritage, far from being important only in a historical sense, has philosophical relevance and value for contemporary art and culture. With an emphasis on artistic tradition as a continuing source of inspiration and innovation, she touches upon each main branch of philosophy: aesthetics, epistemology, and ethics. The book begins by describing some of the most interesting features of the Romantic movement that still fuel our culture. It then addresses the question: How did an artistic movement whose focus was emotive expression change into a quest for formal experimentation? And finally, Moscovici considers the aesthetic philosophy of postromanticism by thinking through how the Romantic emphasis upon beauty and passion can be combined with the modern and postmodern emphasis on originality and experimentation.
Claudia Moscovici is a Romanian-American fiction writer and art/literary critic. She is the author of the critically acclaimed novel Velvet Totalitarianism (2009), as well as Dangerous Liaisons (2011), a nonfiction book on psychopathic social predators. She has also written several scholarly books on Romantic art and literature, including Romanticism and Postromanticism (2007).
Moscovici explains clearly what psychopaths are, why they act the way they do, how they attract us and whom they tend to target. This book will help victims find the strength to end their toxic relationships with psychopaths and move on, stronger and wiser, with the rest of their lives.
This text traces some of the ruptures and continuities between the 18th-century masculinist formulations of subjectivity elaborated by Rousseau, Diderot and Kant and the postmodern and feminist critiques of the subject developed by Irigaray, Lyotard, Derrida, Habermas and Foucault.
This text proposes a different understanding of how gender relations were reformulated by both male and female writers in 19th-century France. It analyzes the different versions of gendered citizenship revealing a shift from single definition of citizenship to a double dialectical one.
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