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Beat Film, Beat Writers is the first monograph to analyze the fims of Christopher Maclaine, Lawrence Jordan, ruth weiss, Ron Rice, Robert Frank, Barbara Rubin, Shirley Clarke, William S. Burroughs, and Joanne Kyger. It emphasizes women filmmakers and traces the interrelationships between Beat film and Beat literature.
The first book-length study of why the Beats were so fascinated by Mexico and how they represented its landscape, history, and mystical practices in their work, this volume examines such canonical figures as Kerouac, Burroughs, Ginsberg, Lamantia, McClure, and Ferlinghetti, as well as lesser-known female Beat writers like Margaret Randall, Bonnie Bremser, and Joanne Kyger.
Charts Robert Crumb's intellectual trajectory and explores the recurring philosophical themes that permeate his depictions of literary and biographical works and the ways he responds to them through innovative, dazzling compositional techniques.
Examines Bukowski's writings, colourful life and the desperate conditions of his lifestyle. This book explores the effect the writer's hybrid identity had on the themes and content of his work. It catalogues and dissects the many versions of Bukowski created by the writer and his followers.
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