Bøger af Donald E Westlake

This is the third novel Donald E. Westlake and I did in collaboration, SIN HELLCAT, and I think it may have been the best of the three-but we didn't get to put a joint byline on it. Well, we did-but someone at Nightstand felt free to change it, dropping Alan Marshall from the "by Alan Marshall and Andrew Shaw" byline we'd supplied. Much the same thing happened to CIRCLE OF SINNERS, my collaboration for Nightstand with Hal Dresner; "By Andrew Shaw and Don Holliday" is what we tagged it, and this time it was Andrew Shaw who got bumped.Well, it's corrected now. SIN HELLCAT, like its fellows, has both names on the cover. And our names, not the ones we donned for our work in the world of paperback erotica.When the two of us were starting out as writers, we both served an apprenticeship writing erotic novels for Harry Shorten at Midwood Books and Bill Hamling at Nightstand. (I was Sheldon Lord for Midwood and Andrew Shaw for Nightstand, while Don was Alan Marshall for both publishers. Note though that the presence of either name upon a book is no guarantee that one of us wrote it. Both of us made arrangements whereby lesser writers would submit works under our names-and I know it's hard to believe that any writers were less than we were back then, but it's true.)Well. We'd become friends in the summer of 1959, while we were living a few blocks away from each other in midtown Manhattan. I was at the Hotel Rio, on West 47th between Sixth and Seventh Avenues, and Don was a block south and several blocks west of me. Then I moved back to my parents' house in Buffalo, and Don and his wife and kid moved to Canarsie, and we wrote letters back and forth.And at one point we decided it might be fun to do a novel together. Not by thinking it out and talking through it and, you know, collaborating in a serious artistic manner. Our method was simpler. One of us would write a chapter, and then the other would write a chapter to come after it, and back and forth, like that, until we had a book.It worked, and by God it was fun. The first of our efforts was A GIRL CALLED HONEY, and it started when I wrote a chapter and sent it to Don. And so on, and we stopped when we had a book and sent it to Henry Morrison who sent it to Harry Shorten. We put both our names on the book, our pen names that is to say, and that's how Harry published it: by Sheldon Lord and Alan Marshall. And he included our dedication: "To Don Westlake and Larry Block, who introduced us."It was so much fun that we did it again. This time Don wrote the first chapter, and I wrote the second. Was I still in Buffalo, and did we still send the chapters through the mail? Damned if I can remember. I think I may have been in New York by then, living with my first wife on West 69th Street. But maybe not, and what does it matter? We finished the book, we sent it in, Midwood published it, and we shared the advance, which was probably $600 for A GIRL CALLED HONEY, but may have escalated to $750 by the time we did SO WILLING. So each of us wound up with either $300 or $375 for our trouble, and that's not a lot of money nowadays, and it wasn't a lot of money in 1960 either, but neither was it a lot of trouble.Damn, those were good days.Never mind. Here's SIN HELLCAT-and if reading it brings you a small fraction of the fun we had writing it, you'll be back right away to scoop up A GIRL CALLED HONEY and SO WILLING.

Here you go-the first collaborative effort for Sheldon Lord and Alan Marshall...with cover art by the great Paul Rader!When Don Westlake and I were starting out as writers, we both served an apprenticeship writing erotic novels for Harry Shorten at Midwood Books and Bill Hamling at Nightstand. (I was Sheldon Lord for Midwood and Andrew Shaw for Nightstand, while Don was Alan Marshall for both publishers. Note though that the presence of either name upon a book is no guarantee that one of us wrote it. Both of us made arrangements whereby lesser writers would submit works under our names-and I know it's hard to believe that any writers were less than we were back then, but it's true.)Well. We'd become friends in the summer of 1959, while we were living a few blocks away from each other in midtown Manhattan. I was at the Hotel Rio, on West 47th between Sixth and Seventh Avenues, and Don was a block south and several blocks west of me. Then I moved back to my parents' house in Buffalo, and Don and his wife and kid moved to Canarsie, and we wrote letters back and forth.And at one point we decided it might be fun to do a novel together. Not by thinking it out and talking through it and, you know, collaborating in a serious artistic manner. Our method was simpler. One of us would write a chapter, and then the other would write a chapter to come after it, and back and forth, like that, until we had a book.It worked, and by God it was fun. The first of our efforts was A GIRL CALLED HONEY, and it started when I wrote a chapter and sent it to Don. And so on, and we left each other cliffhangers and threw each other's characters off those cliffs, and we stopped when we had a book, and sent it to Henry Morrison who sent it to Harry Shorten. We put both our names on the book, our pen names that is to say, and that's how Harry published it: by Sheldon Lord and Alan Marshall. And he included our dedication: "To Don Westlake and Larry Block, who introduced us."It was so much fun that we did it again. This time Don wrote the first chapter, and I wrote the second. Was I still in Buffalo, and did we still send the chapters through the mail? Damned if I can remember. I think I may have been in New York by then, living with my first wife on West 69th Street. But maybe not, and what does it matter? We finished the book, we sent it in, Midwood published it, and we shared the advance, which was probably $600 for A GIRL CALLED HONEY, but may have escalated to $750 by the time we did SO WILLING. So each of us wound up with either $300 or $375 for our trouble, and that's not a lot of money nowadays, and it wasn't a lot of money in 1960 either, but neither was it a lot of trouble.Damn, those were good days.We did a third novel in collaboration, SIN HELLCAT, and I think it may have been the best of the three-but we didn't get to put a joint byline on it. Well, we did-but someone at Nightstand felt free to change it, dropping Alan Marshall from the "by Alan Marshall and Andrew Shaw" byline we'd supplied. Much the same thing happened to CIRCLE OF SINNERS, my collaboration for Nightstand with Hal Dresner; "By Andrew Shaw and Don Holliday" is what we tagged it, and this time it was Andrew Shaw who got bumped.Never mind. Here's the book that started it all, A GIRL CALLED HONEY-and if reading the saga of Honor Mercy Bane brings you a small fraction of the fun we had writing it, you'll be back right away to scoop up SO WILLING and SIN HELLCAT.

When Don Westlake and I were starting out as writers, we both served an apprenticeship writing erotic novels for Harry Shorten at Midwood Books and Bill Hamling at Nightstand. (I was Sheldon Lord for Midwood and Andrew Shaw for Nightstand, while Don was Alan Marshall for both publishers. Note though that the presence of either name upon a book is no guarantee that one of us wrote it. Both of us made arrangements whereby lesser writers would submit works under our names-and I know it's hard to believe that any writers were less than we were back then, but it's true.)Well. We'd become friends in the summer of 1959, while we were living a few blocks away from each other in midtown Manhattan. I was at the Hotel Rio, on West 47th between Sixth and Seventh Avenues, and Don was a block south and several blocks west of me. Then I moved back to my parents' house in Buffalo, and Don and his wife and kid moved to Canarsie, and we wrote letters back and forth.And at one point we decided it might be fun to do a novel together. Not by thinking it out and talking through it and, you know, collaborating in a serious artistic manner. Our method was simpler. One of us would write a chapter, and then the other would write a chapter to come after it, and back and forth, like that, until we had a book.It worked, and by God it was fun. The first of our efforts was A GIRL CALLED HONEY, and it started when I wrote a chapter and sent it to Don. And so on, and we stopped when we had a book and sent it to Henry Morrison who sent it to Harry Shorten. We put both our names on the book, our pen names that is to say, and that's how Harry published it: by Sheldon Lord and Alan Marshall. And he included our dedication: "To Don Westlake and Larry Block, who introduced us."It was so much fun that we did it again. This time Don wrote the first chapter, and I wrote the second. Was I still in Buffalo, and did we still send the chapters through the mail? Damned if I can remember. I think I may have been in New York by then, living with my first wife on West 69th Street. But maybe not, and what does it matter? We finished the book, we sent it in, Midwood published it, and we shared the advance, which was probably $600 for A GIRL CALLED HONEY, but may have escalated to $750 by the time we did SO WILLING. So each of us wound up with either $300 or $375 for our trouble, and that's not a lot of money nowadays, and it wasn't a lot of money in 1960 either, but neither was it a lot of trouble.Damn, those were good days.We did a third novel in collaboration, SIN HELLCAT, and I think it may have been the best of the three-but we didn't get to put a joint byline on it. Well, we did-but someone at Nightstand felt free to change it, dropping Alan Marshall from the "by Alan Marshall and Andrew Shaw" byline we'd supplied. Much the same thing happened to CIRCLE OF SINNERS, my collaboration for Nightstand with Hal Dresner; "By Andrew Shaw and Don Holliday" is what we tagged it, and this time it was Andrew Shaw who got bumped.Never mind. Here's SO WILLING-and if reading it brings you a small fraction of the fun we had writing it, you'll be back right away to scoop up A GIRL CALLED HONEY and SIN HELLCAT.

He led the way into his quarters, motioned Ebor to a perch, and rang for his orderly. "It was just a little remote-controlled apparatus, of course," he said. "The fledgling attempt, you know. But it circled this Moon here, busily taking pictures, and went right back to the planet again, giving us all a terrible fright. There hadn't been the slightest indication they were planning anything that spectacular." "None?" asked Ebor. "Not a hint?"

Dortmunder has a job offer. He's been hired by third parties to pull off heists in the past, but never to lay his hands on anything this peculiar. Frankly, it's a bone. Not just any bone. A femur. Well, not just any femur, either. A femur which, 800 years ago, was part of a 16-year-old girl who, having been killed and eaten by her own family, was made a saint by the Church. The femur, her only relic, is all that's left. Now two small eastern European countries - Tsergovia and Votskojek - are fighting like dogs over...well, the bone. There's only room for one of them in the United Nations General Assembly, and the choice is in the hands of a powerful Catholic prelate. The country that tosses him the bone is sure to be in like Flynn. Dortmunder's first reaction to the Tsergovian ambassador's offer is to ask for more front money. His second is to round up his gang - light-fingered Kelp, master driver Murch, and man-mountain Tiny Bulcher - and case the Votskojekian mission, a former tramp steamer parked in the East River. The current repository of the bone, it will be the target of a heist carried out by land and sea, with the team displaying the finesse and split-second timing for which they're famous. It should only be that easy. Before the gang can say "Saint Ferghana's knee", they've got a major fiasco on their hands, one that will reach from the snow-capped mountains of Votskojek to a billionaire's art-crammed estate in New Hampshire. But it will show, once and for all, that when it comes to getting revenge, Dortmunder can cut to the bone.

A crew of thieves hopes to hijack a mobile home full of money in this crime caper from "the funniest man in the world" (The Washington Post). John Dortmunder has been working an encyclopedia-selling scam while waiting for his next big heist. Unfortunately, his latest mark seems to be wise to the con, and he has to cut his sales pitch short and make a quick escape. But opportunity awaits: Main Street bank has temporarily relocated to a mobile home. All Dortmunder has to do is get past seven security guards, put the bank-on-wheels in gear, and drive away. It's a simple plan, until it all goes wrong . . . Perfect for fans of Carl Hiaasen or Lawrence Block's Bernie Rhodenbarr series, the Dortmunder novels by New York Times-bestselling and multiple Edgar Award-winning author Donald E. Westlake are a rollicking treat that combine fast-moving suspense with laugh-out-loud wit. Bank Shot is a "hilarious" standout in the series (The New York Times).

"Merriment, mayhem and a plot that really keeps you guessing" from the Grand Master of Mystery and author of the John Dortmunder novels (Kirkus Reviews). The corpse isn't anybody special--a low-level drug courier--but it has been so long since the organization's last grand funeral that Nick Rovito decides to give the departed a big send-off. He pays for a huge church, a procession of Cadillacs, and an ocean of flowers, and enjoys the affair until he learns the dead man is going to his grave wearing the blue suit. Rovito summons Engel, his right-hand man, and tells him to get a shovel. Inside the lining of the blue suit jacket is $250,000 worth of uncut heroin, smuggled back from Baltimore the day the courier died. When Engel's shovel strikes coffin, he braces himself for the encounter with the dead man. But the coffin is empty, the heroin gone, and Engel has no choice but to track down the missing body or face his boss's wrath.

"A book by this guy is cause for happiness." - Stephen King

A South American dictator conceals millions of dollars worth of valuables in a dismantled castle being flown to Paris and a quickly assembled, international gang of thieves--each with national eccentricities--set out to steal the entire castle.

THE MOVIE STAR AND THE MOVIE CRITIC - HOW FAR WOULD THEY GO TO KEEP THEIR SECRETS BURIED? DOUBLE FEATURE contains two CLASSIC Donald E. Westlake novellas, A Travesty and Ordo