Bøger af Dustin Griffin

This book deals with changing conditions and conceptions of authorship in the long eighteenth century, a period often said to have witnessed the birth of the modern author. It focuses not on authorial self-presentation or self-revelation but on an author's interactions with booksellers, collaborators, rivals, correspondents, patrons, and audiences. Challenging older accounts of the development of authorship in the period as well as newer claims about the ';public sphere' and the ';professional writer,' it engages with recent work on print culture and the history of the book. Methodologically eclectic, it moves from close readings to strategic contextualization. The book is organized both chronologically and topically. Early chapters deal with writers notably Milton and Dryden at the beginning of the long eighteenth century, and later chapters focus more on writers -- among them Johnson, Gray, and Gibbon -- toward its end. Looking beyond the traditional canon, it considers a number of little-known or little-studied writers, including Richard Bentley, Thomas Birch, William Oldys, James Ralph, and Thomas Ruddiman. Some of the essays are organized around a single writer, but most deal with a broad topic literary collaboration, literary careers, the republic of letters, the alleged rise of the ';professional writer,' and the rather different figure of the ';author by profession.'

Nestled in the Berkshires of western Massachusetts, Williamstown is home to one of the most prestigious liberal arts colleges in America, Williams College. In this engrossing and entertaining book, Dustin Griffin offers fourteen vignettes that detail the local history of this ideal New England college town.

Here is the ideal introduction to satire for the student and, for the experienced scholar, an occasion to reconsider the uses, problems, and pleasures of satire in light of contemporary theory.

In this book, Dustin Griffin explores the lifelong conversation between two great eighteenth-century English writers. Reading the writings of Swift and Pope in tandem, he clarifies what drew together these two famed satirists, and also uncovers an under-recognized current of irritation and resentment in their relationship.

This book explores the way in which Milton's poems served as a rich and fruitful resource for the English poets of the eighteenth century.