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"I took my road with no little pride of fear; one morning I feared very sharply, as I saw what looked like a rising shroud over a wooden cross in the clustering mist. Horror! But on a closer study I realized that the apparition was only a flannel gas helmet. . . . What an age since 1914!" In Undertones of War, one of the finest autobiographies to come out of World War I, the acclaimed poet Edmund Blunden records his devastating experiences in combat. After enlisting at the age of twenty, he took part in the disastrous battles at the Somme, Ypres, and Passchendaele, describing them as "murder, not only to the troops but to their singing faiths and hopes." All the horrors of trench warfare, all the absurdity and feeble attempts to make sense of the fighting, all the strangeness of observing war as a writer-of being simultaneously soldier and poet-pervade Blunden's memoir. In steely-eyed prose as richly allusive as any poetry, he tells of the endurance and despair found among the men of his battalion, including the harrowing acts of bravery that won him the Military Cross. Now back in print for American readers, the volume includes a selection of Blunden's war poems that unflinchingly juxtapose death in the trenches with the beauty of Flanders's fields. Undertones of War deserves a place on anyone's bookshelf between Siegfried Sassoon's poetry and Robert Graves's Goodbye to All That.
A beautifully illustrated edition of Edmund Blunden's rich prose memoir, John Greening couples the original and unrevised version of the text with the best of Blunden's own annotations, commentaries, and illustrations.
This selection of Blunden's prose about the First World War includes the complete text of De bello germanico, his first, lively sketch of the war as he lived it in 1916.
Originally published in 1933, Charles Lamb and his Contemporaries by Edmund Blunden was included in the Cambridge Miscellany series in 1937. The volume was based on the Clark Lectures delivered by the author in Cambridge in 1932 and offers a critical sketch of the English essayist Charles Lamb.
In what is one of the finest autobiographies to come out of the First World War, the distinguished poet Edmund Blunden records his experiences as an infantry subaltern in France and Flanders. Blunden took part in the disastrous battles of the Somme, Ypres and Passchendaele, describing the latter as 'murder, not only to the troops, but to their singing faiths and hopes'. In his compassionate yet unsentimental prose, he tells of the heroism and despair found among the officers. Blunden's poems show how he found hope in the natural landscape; the only thing that survives the terrible betrayal enacted in the Flanders fields.
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