Bøger af Eduard Devrient

Das Nationaltheater des Neuen Deutschlands by Eduard Devrient. This book is a reproduction of the original book published in 1849 and may have some imperfections such as marks or hand-written notes.

Meine Erinnerungen an Felix Mendelssohn-Bartholdy und seine Briefe an mich (1872) von Eduard Devrient ist eine autobiografische Erz�����hlung �����ber die Freundschaft zwischen Devrient und dem ber�����hmten Komponisten Felix Mendelssohn-Bartholdy. Das Buch enth�����lt auch viele Briefe, die Mendelssohn-Bartholdy an Devrient geschrieben hat. Die beiden M�����nner trafen sich zum ersten Mal in ihrer Jugendzeit und blieben bis zum Tod von Mendelssohn-Bartholdy eng befreundet. Devrient beschreibt in dem Buch ihre gemeinsamen Erlebnisse, darunter auch viele musikalische Auff�����hrungen, an denen sie teilgenommen haben. Das Buch gibt einen Einblick in das Leben und die Pers������nlichkeit von Mendelssohn-Bartholdy und zeigt, wie sehr er von seinen Freunden und Kollegen gesch�����tzt wurde. Es ist ein wichtiges Werk f�����r alle, die sich f�����r die Geschichte der klassischen Musik interessieren.This Book Is In German.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Bd. Das Nationaltheater. Das Hoftheater. Das Virticosenthum; Volume 2 Of Geschichte Der Deutschen Schauspielkunst; Eduard Devrient Eduard Devrient O. Elsner, 1905 Theater

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Geschichte Der Deutschen Schauspielkunst: Bd. Das Virtuosenthum. 1874; Volume 5 Of Geschichte Der Deutschen Schauspielkunst; Eduard Devrient Eduard Devrient I. I. Weber, 1874 Theater

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

""Dramatische und Dramaturgische Schriften V4: Briefe aus Paris, 1839, �����ber Theaterschule (1846)"" von Eduard Devrient ist eine Sammlung von Briefen und Aufs�����tzen des deutschen Schauspielers und Theaterdirektors Eduard Devrient. Der Band enth�����lt Briefe, die Devrient w�����hrend seines Aufenthalts in Paris im Jahr 1839 geschrieben hat, sowie seinen Aufsatz ""�����ber Theaterschule"", der erstmals 1846 ver������ffentlicht wurde. In diesen Schriften diskutiert Devrient verschiedene Aspekte des Theaters, darunter Schauspieltechniken, Inszenierungsmethoden und die Ausbildung von Schauspielern. Er gibt Einblicke in seine eigene Erfahrung als Schauspieler und Theaterdirektor und bietet auch kritische Reflexionen �����ber die zeitgen������ssische Theaterlandschaft. Die Schriften sind von historischem Interesse f�����r Theaterwissenschaftler und bieten auch einen Einblick in die Perspektive eines wichtigen Akteurs der deutschen Theatergeschichte.This Book Is In German.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Noch in keinem Momente des Völkerlebens ist die höhere Sendung der Künste zur Veredlung des Menschengeschlechtes so leuchtend hervorgetreten, hat sich noch nie zu so kräftiger, tiefgreifender Wirkung angeboten, als in der großen Wendung unserer Tage. Schule und Kirche, die bisher allein anerkannten Erziehungsstätten, sind einem Streite verfallen, der noch langehin ein heftiges Sträuben des mündig gewordenen Volkes gegen jeden fühlbaren Zwang erhalten wird. Was kann daher willkommener sein, als die sanfte Gewalt der Künste, die es allein vermag, die Gemüther zu beschwichtigen, in rein menschlichem Antheil die Herzen aller Parteien zu vereinigen, durch unmerklichen Zwang wieder Achtung vor Sitte, Friede und stillem Glück zu verbreiten, auf diesem heitren Wege die Geister wieder den strengen Erziehungsstätten zuzuführen und der großen, gemeinsamen Begeisterung für eine neue, edle Freiheit des Völkerlebens den höchsten Schwung und den schönsten Ausdruck zu verleihen! Ueberall muß es daher als ein Zeugniß sorgsamer Staatsweisheit anerkannt werden, wo die Organisation des Kunsteinflusses auf das Volksleben von der Landesregierung in thätigen Angriff genommen wird.

Actor and baritone Eduard Devrient (1801-77) first met Felix Mendelssohn (1809-47) in 1822, and they remained close friends thereafter. During his lifetime, Mendelssohn achieved celebrity status as a composer, virtuoso pianist and conductor, and it was Devrient who secured in 1829 the famous performance in Berlin, under Mendelssohn's direction, of the St Matthew Passion, which began the Bach revival. First published in German in 1869, this work is reissued here in the English translation of the same year by Natalia Macfarren (1827-1913), singer and wife of the composer Sir George Macfarren. Her work as a translator included the first English versions of Wagner's Lohengrin and Verdi's Rigoletto. Although Devrient does not always exactly reproduce the correspondence, particularly where Mendelssohn is critical of others, the letters and commentary here serve to illuminate the development of a great composer.