Bøger af Ford Madox Ford

2020 Reprint of the 1915 Edition. Ford's 1915 novel is set just before World War I and chronicles the tragedy of Edward Ashburnham, the soldier to whom the title refers, and his seemingly perfect marriage plus that of his two American friends. The novel is told using a series of flashbacks in non-chronological order, a literary technique that formed part of Ford's pioneering view of literary impressionism. Ford employs the device of the unreliable narrator to great effect as the main character gradually reveals a version of events that is quite different from what the introduction leads the reader to believe. The novel was loosely based on two incidents of adultery and on Ford's messy personal life. Using pre-First World War Europe as its stage, The Good Soldier is the story of Edward Ashburnham, his wife Leonora, and their friends, John and Florence Dowell. The eponymous Good Soldier, Edward embodies upper-class English values but behind closed doors carries on a long-running affair with Florence. When Florence's husband, John, discovers the affair, he sets in motion a series of events both tragic and unavoidable.

The Good Soldier opens with the famous line: "This is the saddest story I have ever heard." John Dowell, half of one of the couples whose dissolving relationships form the subject of the novel, chronicles the tragedy of Edward Ashburnham, the soldier to whom the title refers. Dowell tells a winding tale of passion and deceit in a rambling, non-chronological fashion-a literary technique that formed part of Ford's pioneering view of literary impressionism. Ford's masterful use of the unreliable narrator leaves the reader to consider the true nature of the events that unfold. This Warbler Classics edition includes The Affair Perfected by Paul Wiley, a key critical essay that situates The Good Soldier in relation to Ford's other work and artistic aims, as well as a detailed biographical timeline. "One of the finest novels of our century." -Graham Greene

This early work by Ford Madox Ford was originally published in 1925 and we are now republishing it with a brand new introduction. This is part two of Ford's hugely successful Parade's End tetralogy that has now been adapted into a BBC television drama. Ford Madox Ford was born Ford Madox Hueffer in Merton, Surrey, England on 17th December 1873. The creative arts ran in his family - Hueffer's grandfather, Ford Madox Brown, was a well-known painter, and his German émigré father was music critic of The Times - and after a brief dalliance with music composition, the young Hueffer began to write. Although Hueffer never attended university, during his early twenties he moved through many intellectual circles, and would later talk of the influence that the "Middle Victorian, tumultuously bearded Great" - men such as John Ruskin and Thomas Carlyle - exerted on him. In 1908, Hueffer founded the English Review, and over the next 15 months published Thomas Hardy, H. G. Wells, Joseph Conrad, Henry James, John Galsworthy and W. B. Yeats, and gave débuts to many authors, including D. H. Lawrence and Norman Douglas. Hueffer's editorship consolidated the classic canon of early modernist literature, and saw him earn a reputation as of one of the century's greatest literary editors. Ford continued to write through the thirties, producing fiction, non-fiction, and two volumes of autobiography: Return to Yesterday (1931) and It was the Nightingale (1933). In his last years, he taught literature at the Olivet College in Michigan. Ford died on 26th June 1939 in Deauville, France, at the age of 65.

This early work by Ford Madox Ford was originally published in 1926 and we are now republishing it with a brand new introduction. This is part three of Ford's hugely successful Parade's End tetralogy that has now been adapted into a BBC television drama. Ford Madox Ford was born Ford Madox Hueffer in Merton, Surrey, England on 17th December 1873. The creative arts ran in his family - Hueffer's grandfather, Ford Madox Brown, was a well-known painter, and his German émigré father was music critic of The Times - and after a brief dalliance with music composition, the young Hueffer began to write. Although Hueffer never attended university, during his early twenties he moved through many intellectual circles, and would later talk of the influence that the "Middle Victorian, tumultuously bearded Great" - men such as John Ruskin and Thomas Carlyle - exerted on him. In 1908, Hueffer founded the English Review, and over the next 15 months published Thomas Hardy, H. G. Wells, Joseph Conrad, Henry James, John Galsworthy and W. B. Yeats, and gave débuts to many authors, including D. H. Lawrence and Norman Douglas. Hueffer's editorship consolidated the classic canon of early modernist literature, and saw him earn a reputation as of one of the century's greatest literary editors. Ford continued to write through the thirties, producing fiction, non-fiction, and two volumes of autobiography: Return to Yesterday (1931) and It was the Nightingale (1933). In his last years, he taught literature at the Olivet College in Michigan. Ford died on 26th June 1939 in Deauville, France, at the age of 65.

This early work by Ford Madox Ford was originally published in 1928 and we are now republishing it with a brand new introduction. This is part four of Ford's hugely successful Parade's End tetralogy that has now been adapted into a BBC television drama. Ford Madox Ford was born Ford Madox Hueffer in Merton, Surrey, England on 17th December 1873. The creative arts ran in his family - Hueffer's grandfather, Ford Madox Brown, was a well-known painter, and his German émigré father was music critic of The Times - and after a brief dalliance with music composition, the young Hueffer began to write. Although Hueffer never attended university, during his early twenties he moved through many intellectual circles, and would later talk of the influence that the "Middle Victorian, tumultuously bearded Great" - men such as John Ruskin and Thomas Carlyle - exerted on him. In 1908, Hueffer founded the English Review, and over the next 15 months published Thomas Hardy, H. G. Wells, Joseph Conrad, Henry James, John Galsworthy and W. B. Yeats, and gave débuts to many authors, including D. H. Lawrence and Norman Douglas. Hueffer's editorship consolidated the classic canon of early modernist literature, and saw him earn a reputation as of one of the century's greatest literary editors. Ford continued to write through the thirties, producing fiction, non-fiction, and two volumes of autobiography: Return to Yesterday (1931) and It was the Nightingale (1933). In his last years, he taught literature at the Olivet College in Michigan. Ford died on 26th June 1939 in Deauville, France, at the age of 65.

he Good Soldier is narrated by the character John Dowell, half of one of the couples whose dissolving relationships form the subject of the novel. Dowell tells the story of those dissolutions, plus the deaths of three characters and the madness of a fourth, in a rambling, non-chronological fashion. As an unreliable narrator the reader can consider whether they believe Dowell and his description of how the events unfolded including his own role in the "saddest story ever told".

Ford's accounts of his literary collaboration with Joseph Conrad, of Stephen Crane's last years in England, and of Henry James at home in Rye are fascinating. A most valuable, long out of print book by the author of The Good Soldier, No More Parades, A Man Could Stand Up, and Last Post.