Bøger af Frank O'Hara

An edition of the "Collected Poems" of Frank O'Hara, who is a leading light of the 'New York School' and one of the most significant poets of the twentieth-century.

The famed New York School bard's ruminations and deep ponderings, written during random Manhattan lunch hours.

Reflects the poet's growth as an artist from the earliest dazzling, experimental verses that he began writing in the late 1940s to the years before his accidental death at forty, when his poems became increasingly individual and reflective.

Frank O'Hara (1926-66). Udgjorde sammen med Kenneth Koch og John Ashbery det der er blevet kaldt New York-skolen. Bogen rummer et udvalg af digte fra hele hans produktion.

Collected poems from one of the twentieth century's most influential voices.

Part Of The Great American Artists Series Of Books.

This book features recent works by some of the members of the Abstract Art movement, from 1954 to 1966. Also included, is a chronology, and a bibliography.

About the Contributor(s):Frank O''Hara studied theology at the Gregorian University in Rome from 1951 to 1954 and obtained a baccalaureate there. He obtained a PhD in theology at King''s College London under the supervision of the late Professor E. L. Mascall.

A reissue of this classic, essential companion to Frank O'Hara's Collected Poems, with a new introduction by Bill Berkson.

The first new selection of O'Hara's work to come along in several decades. In this "marvellous compilation” (The New Yorker), editor Mark Ford reacquaints us with one of the most joyous and innovative poets of the postwar period.

Frank O'Hara composed poems "any time, any place", collaborating with artists, dancers, musicians and poets. The city was a place of endless possibility, and he captured the pace and rhythms, the quandaries and exhilarations of city life. This selection of his work is edited by Mark Ford.

Frank O Hara was one of the great poets of the twentieth century and, along with such widely acclaimed writers as Denise Levertov, Allen Ginsberg, Robert Creeley, and Gary Snyder, a crucial contributor to what Donald Allen termed the New American Poetry, which, by its vitality alone, became the dominant force in the American poetic tradition. Frank