Bøger af Guillaume Apollinaire

Pages d'histoire: chroniques des grands siècles de la France / par Guillaume Apollinaire, ...Date de l'édition originale: 1912Le présent ouvrage s'inscrit dans une politique de conservation patrimoniale des ouvrages de la littérature Française mise en place avec la BNF.HACHETTE LIVRE et la BNF proposent ainsi un catalogue de titres indisponibles, la BNF ayant numérisé ces oeuvres et HACHETTE LIVRE les imprimant à la demande.Certains de ces ouvrages reflètent des courants de pensée caractéristiques de leur époque, mais qui seraient aujourd'hui jugés condamnables.Ils n'en appartiennent pas moins à l'histoire des idées en France et sont susceptibles de présenter un intérêt scientifique ou historique.Le sens de notre démarche éditoriale consiste ainsi à permettre l'accès à ces oeuvres sans pour autant que nous en cautionnions en aucune façon le contenu.Pour plus d'informations, rendez-vous sur www.hachettebnf.fr

Le poète assassiné et puis ressuscité [épreuves d'imprimerie] / Guillaume ApollinaireDate de l'édition originale: 1916Collection: Bibliothèque des curieuxLe présent ouvrage s'inscrit dans une politique de conservation patrimoniale des ouvrages de la littérature Française mise en place avec la BNF.HACHETTE LIVRE et la BNF proposent ainsi un catalogue de titres indisponibles, la BNF ayant numérisé ces oeuvres et HACHETTE LIVRE les imprimant à la demande.Certains de ces ouvrages reflètent des courants de pensée caractéristiques de leur époque, mais qui seraient aujourd'hui jugés condamnables.Ils n'en appartiennent pas moins à l'histoire des idées en France et sont susceptibles de présenter un intérêt scientifique ou historique.Le sens de notre démarche éditoriale consiste ainsi à permettre l'accès à ces oeuvres sans pour autant que nous en cautionnions en aucune façon le contenu.Pour plus d'informations, rendez-vous sur www.hachettebnf.fr

Collects the remarkable letters and poems sent by French poet Guillaume Apollinaire to his fiancee, Madeleine Pages, during World War I.

Zone is the fruit of poet-translator Ron Padgett's fifty-year engagement with the work of France's greatest modern poet. This bilingual edition of Apollinaire's poetry represents the full range of his achievement from traditional lyric verse to the pathbreaking visual poems he called calligrams, from often-anthologized classics to hitherto-untranslated gems, from poems of cosmic breadth to a poem about his shoes. Including an introduction by the distinguished scholar Peter Read, helpful endnotes, a preface, and an annotated bibliography by Padgett, this new edition of Apollinaire stands out not only for its compact and judicious selection of the essential poems but also as the work of an important American poet. The Washington Post has said, "No praise can be too high for Ron Padgett's translations."

Apollinaire is the most significant French poet of early modernism and the only great First World War poet from France. He coined the word 'surrealism' and was at the forefront of literary and artistic experimentalism. This new selection covers the full range of his career in facing-page translations, with some pictorial calligrams.

This short introduction to the work of an essentially modern writer includes four curious poems apparently suppressed from the first edition and reprints of the Raoul Dufy woodcuts published in the 1911 edition.

When Guillaume Apollinaire died in 1918 at the age of thirty-eight, as the result of a war wound, he was already known as one of the most original and important poets of his time. He had led the migration of Bohemian Paris across the city from Montmartre to Montparnasse; he had helped formulate the principles of Cubism, having written one of the first books on the subject, and coined the word "Surrealist"; and he had demonstrated in his own work those innovations we have come to associate with the most vital investigations of the avant-garde. This bilingual, illustrated edition of The Selected Writings of Apollinaire, the only representative collection in English translation, begins with a comprehensive critical Introduction by the translator, Roger Shattuck. The next section is devoted to poetry. Included here are almost half of Apollinaire's two best-known volumes, Alcools and Calligrammes, as well as a selection from five other books, and the long love poem La Chanson du Mal-Aimé in its entirety. The prose section leads off with "L'Esprit Nouveau et les Poetes", a seminal discussion of modern poetry that anticipates such movements as Dada and Futurism. This is followed by Apollinaire's almost unobtainable "Introduction to Baudelaire and Oneirocriticism", an early experimental work composed in a style prophetic of Surrealist automatic writing. There are, in addition, two stories, a passage from Anecdotiques, and a section from the novel Le Poete Assassiné.

Padgett's translation of the long title story appeared in a large, formal edition in 1968 (with illustration by Jim Dine); now the rest of the shorter tales included in Apollinaire's 1916 collection also arrive in Padgett's strong translations. The book as a whole is neither the choicest of Apollinaire's short fiction (L'heresiarque et Cie is far superior) nor absolutely representative of the astounding leaps his prose could make (such as in the pornographic novels). Still, every paragraph here does at least suggest the vigorous Apollinarian mix of soft metaphors and outrageous cultural exaggeration. Moreover, like the title story, the shorter pieces are frequently grounded in autobiography. "Giovanni Moroni" recalls a Roman boyhood and a close maternal bond, both based on Apollinaire's own. "The Moon King," with its then-fantastic glimpses of inflatable furniture and love-making machines, presents Apollinaire in a ragged quest for a grid involving myth, progress, cosmopolitanism, and eroticism. And elsewhere there is vivid evidence of Apollinaire's linkage of the "miraculous" to personal optimism: in "The Deified Invalid," he sees himself as a one-eyed, one-legged, one-armed man who only knows eternity, having no perspective or balance with which to judge the temporal. Though almost everything here is slight and toy-like, any translation of Apollinaire's remarkable prose - especially considering its literary-historical influence - is welcome. (Kirkus Reviews)

Apollinaire - Roman by birth, Polish by name, Parisian by choice - died at thirty-eight in 1918. Nevertheless, he became one of the leading figures in twentieth-century poetry, a transitional figure whose work at once echoes the Symbolists and anticipates the work of the Surrealists. This title presents Apollinaire's poems.