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Explores the representation of gender in popular Hollywood melodramas of the 1950s, the last decade in which film enjoyed a pivotal cultural position. Both a work of feminist film criticism and theory and an analysis of popular culture, this provocative book examines from a cultural studies perspective the top-grossing film melodramas of that decade.
Both a work of feminist film criticism and an analysis of popular culture, this provocative book examines from a cultural studies perspective top film melodramas such as From Here to Eternity, A Streetcar Named Desire and East of Eden.
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