Bøger af Jason Bailey

A deeply reported, perceptive, and celebratory biography of beloved actor James Gandolfini from a prominent critic and film historianMore than a decade after his sudden passing, James Gandolfini still exerts a powerful pull on television and film enthusiasts around the world. His charismatic portrayal of complex, flawed, but always human men illuminated the contradictions in all of us, as well as our potential for grace, and the power of love and family. In Gandolfini, critic and historian Jason Bailey traces the twinned stories of the man and the unforgettable roles he played. Gandolfini's roots were working class, raised in northern New Jersey as the son of Italian immigrants, and acting was something he loved for a long time before he could see it as a career. It wasn't until he was well into his bohemian twenties that he dedicated himself to a life on the stage and screen. Bailey traces his rise, from bit parts to character roles he enlivened with menace and vulnerability, to Tony Soprano, the breakout role that would make him a legend, and onto a post-Sopranos career in which he continued to challenge himself and his audience. Based on extensive research and original reporting, including interviews with friends and collaborators, Gandolfini is a detailed and nuanced appraisal of an enduring artist.

After a mysterious figure appears to him, a lonely cell phone salesmen is given magical powers and is tasked with a mission to destroy a giant tech monopoly that has imprisoned the world.

One of the cornerstones of the 1970s New Hollywood movement was the reinvention of genres from the studio era, with Westerns, musicals, and gangster movies getting the "revisionist" treatment by the so-called Film Brats who were raised on them. But few genres were revisited with as much vigor as the private eye movie - which found New Hollywood icons like Robert Altman, Roman Polanski, and Arthur Penn putting their distinctive spin on the timeworn conventions of the gumshoe film.So what was it about the private eye movie that was so compelling at that particular juncture, in both film history and American life? In It's Okay With Me, author Jason Bailey dives deep into the essential detective pictures of the era, breaking down how they bridged past and present, while examining how each film was not only representative of New Hollywood, but of the wider cultural moment.

A visual history of 100 years of filmmaking in New York City, featuring exclusive interviews with NYC filmmakersFun City Cinema gives readers an in-depth look at how the rise, fall, and resurrection of New York City was captured and chronicled in ten iconic Gotham films across ten decades: The Jazz Singer (1927), King Kong (1933), The Naked City (1948), Sweet Smell of Success (1957), Midnight Cowboy (1969), Taxi Driver (1976), Wall Street (1987), Kids (1995), 25th Hour (2002), and Frances Ha (2012). A visual history of a great American city in flux, Fun City Cinema reveals how these classic films and legendary filmmakers took their inspiration from New York City¿s grittiness and splendor, creating what we can now view as ¿accidental documentaries¿ of the city¿s modes and moods.In addition to the extensively researched and reported text, the book includes both historical photographs and ephemera, as well as still-frames, behind-the-scenes photos, production materials from each film and original interviews with Noah Baumbach, Larry Clark, Greta Gerwig, Walter Hill, Jerry Schatzberg, Martin Scorsese, Susan Seidelman, Oliver Stone, and Jennifer Westfeldt. Extensive "Now Playing" sidebars spotlight a handful of each decade¿s additional films of note.