Bøger af Mario Vargas Llosa

Maleren Paul Gauguin møder aldrig sin mormor Flora Tristán, fordi hun dør, før han bliver født. Han bliver som hun, men på hver deres måde, optaget af drømmen om det ideelle og frie samfund. Flora forlader sin voldelige ægtemand – fra hvem hun ikke tager meget andet med end en dyb afsmag for sex – og begiver sig af sted til Peru for at kræve sin retmæssige fædrene arv, som hendes magtfulde onkel har sat sig tungt på. Undervejs skriver hun dagbog og bliver engageret i kvindernes kamp for lige vilkår, og hun får øje på sammenhængen mellem den kamp og forholdene for de undertrykte klasser i Peru, England og Frankrig. Paul bor i Paris og er gift med en dansk kvinde, han er aktiehandler og børsspekulant, men forlader den vestlige civilisation og sin kone og børn. Han vil forfølge sin drøm om at male og udforske det vilde og simple liv og rejser til Fransk Polynesien. I denne enestående dobbeltroman viser Mario Vargas Llosa barnebarnet og mormorens livsforløb som tæt forbundne i kampen for at bryde fri af et konventionelt, borgerligt liv og finde et fælles paradis på jord.

The War of the End of the World is one of the great modern historical novels. Inspired by a real episode in Brazilian history, Mario Vargas Llosa tells the story of an apocalyptic movement, led by a mysterious prophet, in which prostitutes, beggars and bandits establish Canudos, a new republic, a libertarian paradise.

Ricardo Somocurcio is in love with a bad girl. He loves her as a teenager known as 'Lily' in Lima in 1950, where she claims to be from Chile but vanishes the moment her claim is exposed as fiction. He loves her next in Paris as 'Comrade Arlette', an activist en route to Cuba, an icy, remote lover who denies knowing anything about the Lily of years gone by. Whoever the bad girl turns up as and however poorly she treats him, Ricardo is doomed to worship her. Gifted liar and irresistible, maddening muse - does Ricardo ever know who she really is?

Urania Cabral, a New York lawyer, returns to the Dominican Republic after a lifelong self-imposed exile. Once she is back in her homeland, the elusive feeling of terror that has overshadowed her whole life suddenly takes shape. Urania's own story alternates with the powerful climax of dictator Rafael Trujillo's reign.In 1961, Trujillo's decadent inner circle (which includes Urania's soon-to-be disgraced father) enjoys the luxuries of privilege while the rest of the nation lives in fear and deprivation. As Trujillo clings to power, a plot to push the Dominican Republic into the future is being formed. But after the murder of its hated dictator, the Goat, is carried out, the Dominican Republic is plunged into the nightmare of a bloody and uncertain aftermath. Now, thirty years later, Urania reveals how her own family was fatally wounded by the forces of history. In The Feast of the Goat Mario Vargas Llosa eloquently explores the effects of power and violence on the lives of both the oppressors and those they victimized.'The Feast of the Goat will stand out as the great emblematic novel of Latin America's twentieth century and removes One Hundred Years of Solitude of that title.' Times Literary Supplement

"Velgøreren". Sådan blev han kaldt, Rafael Leonidas Trujillo, som i 1930 ved et kup tog magten i Den Dominikanske Republik og fastholdt den i et brutalt jerngreb, indtil han blev myrdet af højtstående officerer i 1961. Romanen foregår i tiden omkring hans død - suppleret med erindringsglimt fra årene forud."Mario Vargas Llosas roman om den dominikanske diktator Trujillos død er en eksemplarisk fortælling om, hvad rettidig ondskab kan udrette."Lars Bonnevie, Weekendavisen

Behind this violent act is a lie passed off as truth, which forever changed the development of Latin America: that those in power encouraged the spread of Soviet communism in the Americas. Mario Vargas Llosa has written a drama on a world stage, in which some persecutors end up as victims of the very plot they helped construct.

Set in an isolated, run down community in the Peruvian Andes, Vargas Llosa's riveting novel tells the story of a series of mysterious disappearances involving the Shining Path guerrillas and a local couple performing cannibalistic sacrifices with strange similarities to the Dionysian rituals of ancient Greece. Part-detective novel and part-political allegory, it offers a panoramic view of Peruvian society; not only of the current political violence and social upheaval, but also of the country's past, and its connection to Indian culture and to pre-Hispanic mysticism. As in his other novels, Vargas Llosa breathes into this work a magical assemblage of narrators, time frames and subplots. We meet Senderista guerrillas, disenfranchised Indians, jaded army officers, eccentric townspeople and cult worshippers, among many unforgettable characters. The result is a work of broad sweep, powerful narrative drive, and keen insight into one of Latin America's most fascinating and complex countries.

'A comic novel on the grand scale written with tremendous confidence and verve. Mario, 18-year-old law student and radio news-editor, falls scandalously for his Aunt Julia, the 32-year-old divorced wife of a cousin, and the progressively lunatic story of this affair is interwoven with episodes from a series of radio soap-operas written by his friend Pedro Comacho. Vargas Llosa's huge energy and inventiveness is extravagant and fabulously funny.' New Statesman

A New York Times Notable Book of 2007From Nobel Prize-winning author Mario Vargas Llosa comes The Bad Girl, a "...splendid, suspenseful, and irresistible [novel]. . . A contemporary love story that explores the mores of the urban 1960s--and 70s and 80s."--The New York Times Book ReviewRicardo Somocurcio is in love with a bad girl. He loves her as a teenager known as "Lily" in Lima in 1950, when she flits into his life one summer and disappears again without explanation. He loves her still when she reappears as a revolutionary in 1960s Paris, then later as Mrs. Richardson, the wife of a wealthy Englishman, and again as the mistress of a sinister Japanese businessman in Tokyo. However poorly she treats him, he is doomed to worship her. Charting Ricardo's expatriate life through his romances with this shape-shifting woman, Vargas Llosa has created a beguiling, epic romance about the life-altering power of obsession.

«Mi interés por Arguedas no se debe sólo a sus libros; también a su caso, privilegiado y patético. Privilegiado porque en un país escindido en dos mundos, dos lenguas, dos culturas, dos tradiciones históricas, a él le fue dado conocer ambas realidades íntimamente, en sus miserias y grandezas. Patético porque el arraigo en esos dos mundos antagónicos hizo de él un desarraigado.» Mario Vargas Llosa En La utopía arcaica, Mario Vargas Llosa nos acerca a la figura del novelista peruano José María Arguedas, una de las más importantes del movimiento indigenista latinoamericano, un escritor conocido por su compromiso revolucionario. Cruce entre la biografía, la historia y la crítica literaria, La utopía arcaica dibuja un fresco del contexto histórico del país, reseña la vida de Arguedas, matiza sus libros y trata de describir la inmolación de un talento literario por razones éticas y políticas. ENGLISH DESCRIPTION Vargas Llosa brings us closer to the life of Peruvian novelist José María Arguedas, a writer known for his revolutionary commitment and one of the most important figures in the Latin-American Indigenous Movement. A cross between the biographical, historical, and literary critic genres, The Archaic Utopia is a fresco that illustrates Peru's historic context and Arguedas life, examines his works and attempts to describe a talent sacrificed for ethical and political reasons.

La ciudad y los perros no solamente es un ataque contra la crueldad ejercida a un grupo de jóvenes alumnos del Colegio Militar Leoncio Prado, sino también una crítica frontal al concepto erróneo de la virilidad, de sus funciones y de las consecuencias de una educación castrense malentendida. Aunada a la brutalidad propia de la vida militar, a lo largo de las páginas de esta extraordinaria novela, la vehemencia y la pasión de la juventud se desbocan hasta llegar a una furia, una rabia y un fanatismo que anulan toda sensibilidad. ENGLISH DESCRIPTION Translated to over 30 languages, this is perhaps Vargas Llosa's most violent book. Set in a military school in Lima, where an unwritten code of survival of the fittest is imposed. Here, he focuses on the brutality of military life and the strong pyramidal hierarchy that mirrors Peruvian society, where violence, exploitation and human degradation guarantee that each layer of the social pyramid maintains its place. All the conflicts of Peruvian society arise with rage and impotence in this testimonial novel in which Vargas Llosa paints a social and political picture.

Una pieza teatral inédita de Mario Vargas Llosa que recrea de forma magistral los relatos del Decamerón de Boccaccio «Desde la primera vez que leí el Decamerón, en mi juventud, pensé que la situación inicial que presenta el libro, antes de que comiencen los cuentos, es esencialmente teatral: atrapados en una ciudad atacada por la peste de la que no pueden huir, un grupo de jóvenes se las arregla sin embargo para fugar hacia lo imaginario, recluyéndose en una quinta a contar cuentos. Enfrentados a una realidad intolerable, siete muchachas y tres varones consiguen escapar de ella mediante la fantasía, transportándose a un mundo hecho de historias que se cuentan unos a otros y que los llevan de esa lastimosa realidad a otra, de palabras y sueños, donde quedan inmunizados contra la pestilencia.» Mario Vargas Llosa Los cuentos de la peste es una pieza teatral inédita de Mario Vargas Llosa inspirada en el texto de Boccaccio. El amor, el deseo, el poder de la imaginación y las relaciones entre las clases sociales son las claves de esta obra que recoge la esencia del espíritu del Decamerón: la lujuria y la sensualidad exacerbadas por la sensación de crisis, de abismo abierto, de fin del mundo. Una recreación magistral de un clásico de la literatura europea. ENGLISH DESCRIPTION In Mario Vargas Llosa's adaptation of Boccaccio's The Decameron, young people tell stories at a country villa as they try to escape the plague.

Edición definitiva y revisada por el autor de una de las mejores novelas en español del siglo XX. Preparada por la Real Academia Española y por la Asociación de Academias de la Lengua Española.En 1962, La ciudad y los perros recibía el Premio Biblioteca Breve y unos meses más tarde era publicada tras sortear la censura franquista. Así comenzaba la andadura literaria de esta obra considerada una de las mejores novelas en español del siglo xx. La Real Academia Española y la Asociación de Academias de la Lengua Española rinden homenaje al académico y premio nobel Mario Vargas Llosa con una nueva edición del libro que marcó el inicio de su trayectoria literaria.La ciudad y los perros, traducida a más de treinta lenguas, está ambientada en el Colegio Militar Leoncio Prado. Los protagonistas de la novela, un grupo de jóvenes que se «educan» en una disciplina militar implacable y violenta, aprenden a sobrevivir en un ambiente en el que están muy arraigados los prejuicios raciales y las diferencias entre clases sociales y económicas; donde todos se muestran como no son en realidad y la transgresión de las normas establecidas parece ser la única salida.La edición se completa con los estudios críticos de Marco Martos, José Miguel Oviedo, Víctor García de la Concha, Darío Villanueva, Javier Cercas, Carlos Garayar, John King y Efraín Kristal.ENGLISH DESCRIPTIONDefinitive revised edition by the author of one of the 20th century's best novels in Spanish.Prepared by the Royal Spanish Academy (Real Academia Española) and the Association of Academies of the Spanish Language.In 1962, The Time of the Hero (La ciudad y los perros) received the Biblioteca Breve Prize and a few months later, was published after avoiding Franco's censors. Thus began the literary journey of this work, considered one of the best novels in Spanish of the 20th century. The Royal Spanish Academy and the Association of Academies of the Spanish Language pay homage to the academic and Nobel Prize-winner Mario Vargas Llosa with a new edition of the book that marked the beginning of his literary trajectory.The Time of the Hero, translated to more than thirty languages, is set in the Leoncio Prado Military School. The protagonists of the novel, a group of young people who are "educated" in a ruthless, violent military discipline, learn to survive in an atmosphere in which racial, social, and economic prejudice is deeply rooted; where everyone shows a false façade, and the transgression of established norms seems to be the only out. The edition is completed with the critical studies of Marco Martos, José Miguel Oviedo, Víctor García de la Concha, Darío Villanueva, Javier Cercas, Carlos Garayar, John King, and Efraín Kristal.

I sin ungdom i forelsker Ricardo sig i den slemme pige, som slet ikke virker så slem endda. Da han senere møder hende i Paris, brænder hans kærlighed fortsat med samme altfortærende styrke, og som den pæne dreng han er, tøver han ikke med at kaste sig hovedkulds ind i kærligheden – heller ikke selvom den slemme pige virker mere og mere slem.Denne roman er Nobelpristageren Mario Vargas Llosas litterære jagt på kærlighedens komplekse, lidenskabelige og mystiske natur og samtidig et overdådigt kulturelt tidsbillede.Den slemme pige udfordrer den pæne dreng, hans konformitet og begrænsede ambitionsniveau, og de to mødes igen og igen med hele verden som scene for deres tragikomiske forestilling. Fra hjemlandet Peru til Paris over London, Tokyo og Madrid.

En ny og revideret udgave af Vargas Llosas storslåede fortælling om den latinamerikanske revolution. En uforglemmelig fortælling om den lidenskab, vold og de ødelæggelser, som fanatisme indebærer.Dybt inde i baglandet ad det nittende århundredes Brasilien ligger Canudos, der er hjemsted for alle fordømte på jorden: prostituerede, banditter, tiggere og udstødte. Et sted, hvor historie og civilisation er udslettet. Der findes ingen penge, ingen beskatning, intet ægteskab, ingen folketælling. Canudos er arnestedet for den revolutionære ånd i sin reneste form, en tilstand med det fulde potentiale til at blive et sandt libertariansk paradis – og et sted, som den brasilianske regering er fast besluttet på at knuse for enhver pris.I sin måske mest ambitiøse og tragiske roman fortæller Mario Vargas Llosa sin egen version af den virkelige historie om Canudos, beboet af folk, som endte på hver sin side af den katastrofale konflikt mellem lokalsamfundet og regeringstropperne. Resultatet er en storslået fortælling om latinamerikansk revolutionær historie, en uforglemmelig fortælling om den lidenskab, vold og de ødelæggelser, som fanatisme indebærer.

A series of conversations held at Princeton University between the Nobel laureate Mario Vargas Llosa and Rubén Gallo.Princeton University, 2015. For one semester, Mario Vargas Llosa taught a course on literature and politics with Rubén Gallo. Over several classes, the two writers spoke to students about the theory of the novel and the relationship between journalism, politics, and literature through five beloved books by the Nobel laureate: Conversation in The Cathedral, The Real Life of Alejandro Mayta, Who Killed Palomino Molero?, A Fish in the Water, and The Feast of the Goat. Conversation at Princeton records these exhilarating discussions and captures the three complementary perspectives that converged in the classroom: that of Vargas Llosa, who reveals the creative process behind his novels; that of Rubén Gallo, who analyzes the different meanings the works took on after their publication; and that of the students, whose reflections and questions give voice to the responses of millions of Vargas Llosa's readers. During these talks, Vargas Llosa not only speaks with intelligence and lucidity about the craft of writing, but also offers an absorbing, inquisitive analysis of today's political and cultural landscape. Conversation at Princeton is a singular opportunity to attend a unique master class on literature and society taught by one of our greatest writers and thinkers.

The intellectual autobiography of Mario Vargas Llosa, winner of the Nobel Prize in Literature.From its origins, the liberal doctrine has represented the most advanced forms of democratic culture, and it is what has most defended us from the inextinguishable "call of the tribe." This book hopes to make a modest contribution to that indispensable project.In The Call of the Tribe, Mario Vargas Llosa surveys the readings that have shaped the way he thinks and has viewed the world over the past fifty years. The Nobel laureate, "tireless in his quest to probe the nature of the human animal" (Marie Arana, The Washington Post), maps out the liberal thinkers who helped him develop a new body of ideas after the great ideological traumas of his disenchantment with the Cuban Revolution and his alienation from the ideas of Jean-Paul Sartre, the author who most inspired Vargas Llosa in his youth.The works of Adam Smith, José Ortega y Gasset, Friedrich A. Hayek, Karl Popper, Raymond Aron, Isaiah Berlin, and Jean-François Revel helped the author enormously during those uneasy years. They showed him another school of thought, one that placed the individual before the tribe, nation, class, or party and defended freedom of expression as a fundamental value for the exercise of democracy. The Call of the Tribe documents Vargas Llosa's engagement with their work and charts the evolution of his personal ideology.

WINNER OF THE NOBEL PRIZE IN LITERATUREA painstakingly researched and lively novel about a neglected human rights pioneer by the Nobel Laureate Mario Vargas LlosaIn 1916, the Irish nationalist Roger Casement was hanged by the British government for treason. Casement had dedicated his life to improving the plight of oppressed peoples around the world. But when he dared to draw a parallel between the injustices he witnessed in African and American colonies and those committed by the British in Northern Ireland, he became involved in a cause that led to his imprisonment and execution. Ultimately, the scandals surrounding Casement's trial and eventual hanging marred his image to such a degree that his pioneering human rights work wasn't fully reexamined until the 1960s. Dream of the Celt is a fascinating fictional account of an extraordinary man in the original and dynamic style of Nobel Laureate Mario Vargas Llosa. Translated from the Spanish by Edith Grossman

WINNER OF THE NOBEL PRIZE IN LITERATUREOn December 7, 2010, Mario Vargas Llosa was awarded the Nobel Prize in Literature. His Nobel lecture is a resounding tribute to fiction's power to inspire readers to greater ambition, to dissent, and to political action. "We would be worse than we are without the good books we have read, more conformist, not as restless, more submissive, and the critical spirit, the engine of progress, would not even exist," Vargas Llosa writes. "Like writing, reading is a protest against the insufficiencies of life. When we look in fiction for what is missing in life, we are saying, with no need to say it or even to know it, that life as it is does not satisfy our thirst for the absolute-the foundation of the human condition-and should be better." Vargas Llosa's lecture is a powerful argument for the necessity of literature in our lives today. For, as he eloquently writes, "literature not only submerges us in the dream of beauty and happiness but alerts us to every kind of oppression."

Liberties, a Journal of Culture and Politics, is essential reading for those engaged in the cultural and political issues of our time.In this issue of Liberties: Katherine C. Epstein — Scholarship and the Future of Society; Mario Vargas Llosa — A Forgotten Giant; Cass R. Sunstein — A Constitutional Manifesto; Mark Edmundson — The Trouble with Good People; James Wolcott — Billionaires on Parada; Elliot Ackerman — The American Strategic Imagination; Moshe Halbertal — Two Concepts of God in Judaism and Beyond; Noga Arikha — Why Brain Science does not Have the Last Word; Carlos Fraenkel — Astronomy and Magic; Daphne Merkin — What You Never Knew About Sigmund Freud’s Wife; James R. Russell — The Poet Misak Medzarents, and Two Poems;  Robert Alter — What Flaubert Taught Agnon; Rachel Connolly — The Unfunny Fate of Humor in Our Time; Helen Vendler — The Excitement of Discovering a New Poet; Celeste Marcus — Israel and The Struggle for Liberal Nationalism; Leon Wieseltier — How To Think Unhysterically About Change; and, poetry by Leslie Williams and Misak Medzarents.Liberties features serious, independent, stylish, and controversial essays by significant writers and introduces the next generation of writers and poets to inspire and impact the intellectual and creative lifeblood of today’s culture and politics. Nobel Prize winners, leading op-ed writers, well-known non-fiction writers, rising talents, and poets from around the world. A new issue is published every quarter.There’s a reason why engaged citizens, cultural warriors, political leaders, opinion makers, and activists from across the cultural and political spectrum read and cherish Liberties.

In the past, culture was a kind of vital consciousness that constantly rejuvenated and revivified everyday reality. Now it is largely a mechanism of distraction and entertainment. Notes on the Death of Culture is an examination and indictment of this transformation - penned by none other than the Nobel winner Mario Vargas Llosa, who is not only one of our finest novelists but one of the keenest social critics at work today.Taking his cues from T. S. Eliot - whose treatise Notes Towards the Definition of Culture is a touchstone precisely because the culture Eliot aimed to describe has since vanished - Vargas Llosa traces a decline whose ill effects have only just begun to be felt. He mourns, in particular, the figure of the intellectual: for most of the twentieth century, men and women of letters drove political, aesthetic, and moral conversations; today they have all but disappeared from public debate.But Vargas Llosa stubbornly refuses to fade into the background. He is not content to merely sign a petition; he will not bite his tongue. A necessary provocateur, here vividly translated by John King, provides an impassioned and essential critique of our time and culture.

The intellectual autobiography of Mario Vargas Llosa, winner of the Nobel Prize in Literature.From its origins, the liberal doctrine has represented the most advanced forms of democratic culture, and it is what has most defended us from the inextinguishable "call of the tribe." This book hopes to make a modest contribution to that indispensable project.In The Call of the Tribe, Mario Vargas Llosa surveys the readings that have shaped the way he thinks and has viewed the world over the past fifty years. The Nobel laureate, "tireless in his quest to probe the nature of the human animal" (Marie Arana, The Washington Post), maps out the liberal thinkers who helped him develop a new body of ideas after the great ideological traumas of his disenchantment with the Cuban Revolution and his alienation from the ideas of Jean-Paul Sartre, the author who most inspired Vargas Llosa in his youth.The works of Adam Smith, José Ortega y Gasset, Friedrich A. Hayek, Karl Popper, Raymond Aron, Isaiah Berlin, and Jean-François Revel helped the author enormously during those uneasy years. They showed him another school of thought, one that placed the individual before the tribe, nation, class, or party and defended freedom of expression as a fundamental value for the exercise of democracy. The Call of the Tribe documents Vargas Llosa's engagement with their work and charts the evolution of his personal ideology.

The true story of Guatemala's political turmoil of the 1950s as only a master of fiction can tell itGuatemala, 1954. The military coup perpetrated by Carlos Castillo Armas and supported by the CIA topples the democratic government of Jacobo Árbenz. Behind this violent act is a lie that will have drastic consequences for the entire region: the accusation by the Eisenhower administration, determined to protect American commercial interests in Central America, that Árbenz encouraged the spread of Soviet Communism in the Americas.Harsh Times is a story of international conspiracies and conflicting interests in the time of the Cold War, echoes of which still reverberate today. In this thrilling novel, the Nobel laureate Mario Vargas Llosa invents vivid characters who go to the heart of the dilemmas of Guatemala's history in a deeply textured blending of fact and fiction that is his alone. Not since The Feast of the Goat, his classic novel about the downfall of the Trujillo regime in the Dominican Republic, has Vargas Llosa combined political intrigue and suspense so compellingly.

WINNER OF THE NOBEL PRIZE IN LITERATUREA landmark collection of essays on the Nobel laureate's conception of Latin America, past, present, and futureThroughout his career, the Nobel Prize winner Mario Vargas Llosa has grappled with the concept of Latin America on a global stage. Examining liberal claims and searching for cohesion, he continuously weighs the reality of the continent against the image it projects, and considers the political dangers and possibilities that face this diverse set of countries.Now this illuminating and versatile collection assembles these never-before-translated criticisms and meditations. Reflecting the intellectual development of the writer himself, these essays distill the great events of Latin America's recent history, analyze political groups like FARC and Sendero Luminoso, and evaluate the legacies of infamous leaders such as Papa Doc Duvalier and Fidel Castro. Arranged by theme, they trace Vargas Llosa's unwavering demand for freedom, his embrace of and disenchantment with revolutions, and his critique of nationalism, populism, indigenism, and corruption.From the discovery of liberal ideas to a defense of democracy, buoyed by a passionate invocation of Latin American literature and art, Sabers and Utopias is a monumental collection from one of our most important writers. Uncompromising and adamantly optimistic, these social and political essays are a paean to thoughtful engagement and a brave indictment of the discrimination and fear that can divide a society.

WINNER OF THE NOBEL PRIZE IN LITERATUREA thrilling tale of desire and Peruvian corruption swirls around a scandalous exposé that leads to murderFrom the Nobel Laureate comes a politically charged detective novel weaving through the underbelly of Peruvian privilege. In the 1990s, during the turbulent and deeply corrupt years of Alberto Fujimori's presidency, two wealthy couples of Lima's high society become embroiled in a disturbing vortex of erotic adventures and politically driven blackmail. One day Enrique, a high-profile businessman, receives a visit from Rolando Garro, the editor of a notorious magazine that specializes in salacious exposés. Garro presents Enrique with lewd pictures from an old business trip and demands that he invest in the magazine. Enrique refuses, and the next day the pictures are on the front page. Meanwhile, Enrique's wife is in the midst of a passionate and secret affair with the wife of Enrique's lawyer and best friend. When Garro shows up murdered, the two couples are thrown into a whirlwind of navigating Peru's unspoken laws and customs, while the staff of the magazine embark on their greatest exposé yet.Ironic and sensual, provocative and redemptive, the novel swirls into the kind of restless realism that has become Mario Vargas Llosa's signature style. A twisting, unpredictable tale, The Neighborhood is at once a scathing indictment of Fujimori's regime and a crime thriller that evokes the vulgarity of freedom in a corrupt system.