Gør som tusindvis af andre bogelskere
Tilmeld dig nyhedsbrevet og få gode tilbud og inspiration til din næste læsning.
Ved tilmelding accepterer du vores persondatapolitik.Du kan altid afmelde dig igen.
Born during the Great Depression, Jean-Claude Morel is an Everyman, an ordinary Montreal construction worker who has built the city with his own hands, digging its metro, creating islands, and weaving expressways through the downtown core. But the progress has come at a cost: neighbourhoods have been razed, streets wiped off the map, and the Morel family expropriated. Teeming with life, Morel uncovers a story of Montreal that has been buried under years of glitzy urban renewal and modernization. This intricately constructed literary novel is a profoundly human portrait of one man and his time, a monument to a city, and a toast to days gone by.
"e;Bock's language crackles with the energy of a Qubcois folk song, impassioned and celebratory but also melancholy and cheekily ironic."e; The New Yorker, on AtavismsA young, floundering author meets Robert "e;Baloney"e; Lacerte, an older, marginal poet who seems to own nothing beyond his unwavering certainty. Over the course of one summer evening, Lacerte recounts his unrelenting quest for poetry, which has taken him from Quebec's Boreal forests to South America to East Montreal, where he seems poised to disappear without a trace. But as the blocked writer discovers, Lacerte might just be full of it.Maxime Raymond Bock lives in Montreal, Quebec. Atavisms, his first book, won the Prix Adrienne-Choquette.Pablo Strauss, who translated Atavisms, lives in Quebec City, Quebec.
Tilmeld dig nyhedsbrevet og få gode tilbud og inspiration til din næste læsning.
Ved tilmelding accepterer du vores persondatapolitik.