Bøger af Michael Greaney

Jane Austen's richly textured worlds have enchanted readers for centuries and this neatly organised, playful book provides Austen enthusiasts and students alike with a unique insight into the much-loved writer's way with words. Using a lively A-Z structure, Greaney provides fresh angles on familiar Austen themes (D is for dance; M is for matchmaking), casts light on under-examined corners of her imagination (R is for risk; S is for servant), and shows how current social and cultural concerns are re-shaping our understanding of her work (Q is for queer; W is for West Indies). Through this approach, we learn how attention to the tiniest linguistic detail in Austen's work can yield rewarding new perspectives on the achievements of one of our most celebrated authors.Sharply focused on textual detail but broad in scope it broaches questions that, like Austen's work, will intrigue, delight and inspire: Why are children so marginal in her storylines? Who is the best exponent of matchmaking in her fiction? Why are many of her female characters - but none of her heroines - called Jane? Providing a new close-up encounter with one of our most celebrated writers, this book invites a renewed appreciation of the infinite subtlety and endless re-readability of a body of writing in which every word counts.

Jane Austen's richly textured worlds have enchanted readers for centuries and this neatly organised, playful book provides Austen enthusiasts and students alike with a unique insight into the much-loved writer's way with words. Using a lively A-Z structure, Greaney provides fresh angles on familiar Austen themes (D is for dance; M is for matchmaking), casts light on under-examined corners of her imagination (R is for risk; S is for servant), and shows how current social and cultural concerns are re-shaping our understanding of her work (Q is for queer; W is for West Indies). Through this approach, we learn how attention to the tiniest linguistic detail in Austen's work can yield rewarding new perspectives on the achievements of one of our most celebrated authors.Sharply focused on textual detail but broad in scope it broaches questions that, like Austen's work, will intrigue, delight and inspire: Why are children so marginal in her storylines? Who is the best exponent of matchmaking in her fiction? Why are many of her female characters - but none of her heroines - called Jane? Providing a new close-up encounter with one of our most celebrated writers, this book invites a renewed appreciation of the infinite subtlety and endless re-readability of a body of writing in which every word counts.

Sleep and the Novel is a study of representations of the sleeping body in fiction from 1800 to the present day which traces the ways in which novelists have engaged with this universal, indispensable -- but seemingly nondescript -- region of human experience. Covering the narrativization of sleep in Austen, the politicization of sleep in Dickens, the queering of sleep in Goncharov, the aestheticization of sleep in Proust, and the medicalization of sleep in contemporary fiction, it examines the ways in which novelists envision the figure of the sleeper, the meanings they discover in human sleep, and the values they attach to it. It argues that literary fiction harbours, on its margins, a "sleeping partner", one that we can nickname the Schlafroman or "sleep-novel", whose quiet absorption in the wordlessness and passivity of human slumber subtly complicates the imperatives of self-awareness and purposive action that traditionally govern the novel.

Sleep and the Novel is a study of representations of the sleeping body in fiction from 1800 to the present day which traces the ways in which novelists have engaged with this universal, indispensable -- but seemingly nondescript -- region of human experience. Covering the narrativization of sleep in Austen, the politicization of sleep in Dickens, the queering of sleep in Goncharov, the aestheticization of sleep in Proust, and the medicalization of sleep in contemporary fiction, it examines the ways in which novelists envision the figure of the sleeper, the meanings they discover in human sleep, and the values they attach to it. It argues that literary fiction harbours, on its margins, a ¿sleeping partner¿, one that we can nickname the Schlafroman or ¿sleep-novel¿, whose quiet absorption in the wordlessness and passivity of human slumber subtly complicates the imperatives of self-awareness and purposive action that traditionally govern the novel.