Bøger af Natalia Ginzburg

Natalias jødiske far Giuseppe Levi er professor i biologi, manisk optaget af sit arbejde og besat af at vandre i bjergene. Derhjemme er han en ustyrlig tyran, konstant efter alle, især sin bedrøvede og letbevægelige kone Lydia. Sammen har de fem børn og en hverdag, der vrimler med gæster og lidenskabelige diskussioner. Levi-familiens stuer danner rammerne om det antifascistiske miljø i Torino, hvor racelove og verdenskrig bramfrit kritiseres, og i Mussolinis Italien er det ikke ufarligt.Familieleksikon er en vidunderligt sprudlende roman, smukt og stilsikkert nyoversat af forfatter Majse Aymo-Boot, om en families rutiner og ritualer, fornærmelser og indforståede vittigheder, og om de sproglige udtryk, der binder familien sammen. Natalia Ginzburg er en af Elena Ferrantes yndlingsforfattere, og en af de mest afgørende stemmer i moderne italiensk litteratur.

The Dry Heart begins and ends with the matter-of-fact pronouncement: "I shot him between the eyes." As the tale-a plunge into the chilly waters of loneliness, desperation, and bitterness-proceeds, the narrator's murder of her flighty husband takes on a certain logical inevitability. Stripped of any preciousness or sentimentality, Natalia Ginzburg's writing here is white-hot, tempered by rage. She transforms the unhappy tale of an ordinary dull marriage into a rich psychological thriller that seems to beg the question: why don't more wives kill their husbands?

La mejor novela de Natalia Ginzburg, traducida por Carmen Martín Gaite y prologada por Sally Rooney «Perfecta [...]. Todos nuestros ayeres es una de las grandes novelas de su siglo y Ginzburg es, sin duda, una de sus mejores novelistas. En calidad de lectora, escritora y ser humano, su obra me ha conmovido y me ha cambiado la vida». Sally Rooney > La que muchos han calificado como la mejor novela de Natalia Ginzburg nos devuelve página a página los gestos de una época y los años que cambiaron para siempre el destino de Europa. ENGLISH DESCRIPTION From "one of the most distinguished writers of modern Italy" (New York Review of Books), a classic novel of society in the midst of a war.> During the period described in the novel, Natalia Ginzburg was married to the writer Leone Ginzburg. Because of his underground activities, he was interned under Mussolini's reign, along with his family, in a restricted area in the Abruzzi. When the Ginzburgs later moved to Rome, Leone was arrested and tortured by the fascists, and killed, leaving Natalia alone to raise her three children. Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction--novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

An almost unbearably intimate novella, The Road to the City concentrates on a young woman barely awake to life, who fumbles through her days: she is fickle yet kind, greedy yet abashed, stupidly ambitious yet loving too-she is a mass of confusion. She's in a bleak space, lit with the hard clarity of a Pasolini film. Her family is no help: her father is largely absent; her mother is miserable; her sister's unhappily promiscuous; her brothers are in a separate masculine world. Only her cousin Nini seems to see her. She falls into disgrace and then "marries up," but without any joy, blind to what was beautiful right before her own eyes. The Road to the City was Ginzburg's very first work, originally published under a pseudonym. "I think it might be her best book," her translator Gini Alhadeff remarked: "And apparently she thought so, too, at the end of her life, when assembling a complete anthology of her work for Mondadori.

A sophisticated new package and layout for Natalia Ginzburg's essential essay collection.

'I took the revolver out of his desk drawer and shot him between the eyes.'Four years before she shoots her husband and walks to a cafe for a coffee, a lonely young woman living in a boarding house meets an older man called Alberto. They go for long walks along the river and on the outskirts of the city; they look like lovers, although they're not.Alberto doesn't tell her anything about himself and she asks few questions. Still, with little else to distract her, she lets her imagination run wild and convinces herself to fall in love. Though he doesn't feel the same, Alberto asks her to marry him and they have a baby. But Alberto is a man who tires quickly of everything.The Dry Heart is a short, dark and psychologically rich novel that forensically examines how an unhappy marriage comes to end in murder.

Delia is one of five children, growing up in a poor Italian village. She is 17, and dreams of marrying a rich man, living in a grand apartment in the city and wearing silk stockings. To escape her father's neglect and her mother's sadness, she begins to take the dusty road to the city every day, accompanied by Nini,her sweet and mysterious cousin.When Nini takes a job in a factory and moves in with a city woman, Delia sees another way of being. But when she discovers she's pregnant, she agrees to marry the father, seduced by the promise of wealth and comfort.Nothing, not even Nini's desperate declaration of love, can stop her - but her rejection will be his undoing. The Road to the City is a short, poignant novel about the dreamsof youth, and the cruelty it takes to make them come true.

As featured in The New Yorker! "As far as the education of children is concerned," states Natalia Ginzburg in this collection of her finest and best-known short essays, "I think they should be taught not the little virtues but the great ones. Not thrift but generosity and an indifference to money; not caution but courage and a contempt for danger; not shrewdness but frankness and a love of truth; not tact but a love of one's neighbor and self-denial; not a desire for success but a desire to be and to know." Whether she writes of the loss of a friend, Cesare Pavese; or what is inexpugnable of World War II; or the Abruzzi, where she and her first husband lived in forced residence under Fascist rule; or the importance of silence in our society; or her vocation as a writer; or even a pair of worn-out shoes, Ginzburg brings to her reflections the wisdom of a survivor and the spare, wry, and poetically resonant style her readers have come to recognize. "A glowing light of modern Italian literature . . . Ginzburg's magic is the utter simplicity of her prose, suddenly illuminated by one word that makes a lightning streak of a plain phrase. . . . As direct and clean as if it were carved in stone, it yet speaks thoughts of the heart." --The New York Times Book Review

The city is Rome, the hub of Italian life and culture. The house is Le Margherite, a home where the sprawling cast of The City and the House is welcome. At the center of this lush epistolary novel is Lucrezia, mother of five and lover of many. Among her loversand perhaps the father of one of her childrenis Giuseppe. After the sale of Le Margherite, the characters wander aimlessly as if in search of a lost paradise.What was once rooted, local, and specific has become general and common, a matter of strangers and of pointless arrivals and departures. And at the edge of the novel are people no longer able to form any sustained or sustaining relationships. Here, once again, Ginzburg pulls us through a thrilling and true exploration of the disintegration of family in modern society. She handles a host of characters with a deft touch and her typical impressionist hand, and offers a story full of humanity, passion, and keen perception.

Two novellas about family life and fraudsters by one of the twentieth century's best Italian novelists.Valentino and Sagittarius are two of Natalia Ginzburg's most celebrated works: tales of love, hope, and delusion that are full of her characteristic mordant humor, keen psychological insight, and unflinching moral realism. Valentino is the spoiled child of doting parents, who have no doubt that their handsome young son will prove to be a man of consequence. Nothing that Valentino does--his nights out on the town, his failed or incomplete classes--suggests there is any ground for that confidence, and Valentino's sisters view their parents and brother with a mixture of bitterness, stoicism, and bemusement. Everything becomes that much more confused when, out of the blue, Valentino finds an enterprising, wealthy, and strikingly ugly wife, who undertakes to support not just him but the whole family. Sagittarius is another story of misplaced confidence recounted by a wary daughter, whose mother, a grass widow with time on her hands, moves to the suburbs, eager to find new friends. Brassy, bossy, and perpetually dissatisfied, especially when it comes to her children, she strikes up a friendship with the mysterious Scilla, and soon the two women are planning to open an art gallery. It turns out, however, that knowing better than everyone can hide a truly desperate naïveté.

At the heart of Happiness, as Such is an absence-an abyss that pulls everyone to its brink-created by a family's only son, Michele, who has fled from Italy to England to escape the dangers and threats of his radical political ties. This novel is part epistolary: his mother writes letters to him, nagging him; his sister Angelica writes, missing him; so does Mara, his former lover, telling him about the birth of her son who may be his own. Left to clean up Michele's mess, his family and friends complain, commiserate, tease, and grieve, struggling valiantly with the small and large calamities of their interconnected lives.Natalia Ginzburg's most beloved book in Italy and one of her finest achievements, Happiness, as Such is an original, wise, raw, comic novel that cuts to the bone.

The Complete Short Stories of Natalia Ginzburg encourages a deeper understanding of Ginzburg's life's work and compliments those other collections and individual works which are already widely available in English.

La commedia ci introduce nel piccolo mondo della gente comune: la giovane Giuliana, che è  venuta a Roma per diventare attrice, incontra dopo diverse disavventure Pietro, un giovane e ricco avvocato. Questi la sposa per «allegria», come lui dice, e non per «pietà», come invece suggerisce Giuliana. una fortuna per una ragazza povera e senza istruzione sposare un uomo ricco e giovane! Ma Giuliana non è sicura di esserne contenta. Vorrebbe ribellarsi alle tradizioni della borghesia, ma esse le fanno troppo comodo. Arriva la madre di Pietro per nulla contenta della scelta del figlio. le sue chiacchiere maliziose  ottengono però risultati inaspettati. Easy Readers er bearbejdede og forkortede udgaver af romaner og noveller. De findes på niveau A, B, C og D, hvor A er lettest. Niveauerne relaterer til Common European Framework of Reference for Languages (level A2 til B2).