Bøger af Oscar Levy

The Complete Works of Friedrich Nietzsche: Human All-To-Human, A Book For Free Spirits, Part II

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This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Renaissance: Savonarola Arthur Gobineau (comte de), Oscar Levy, Paul Victor Cohn Heinemann, 1913 Renaissance

MAXIMS AND MISSILES, THE PROBLEM OF SOCRATES, "REASON" IN PHILOSOPHY, HOW THE "TRUE WORLD" ULTIMATELY BECAME A FABLE, MORALITY AS THE ENEMY OF NATURE, THE FOUR GREAT ERRORS, THE "IMPROVERS" OF MANKIND, THINGS THE GERMANS LACK, SKIRMISHES IN A WAR WITH THE ACT, THINGS I OWE TO THE ANCIENTS, THE ANTICHRIST, ETERNAL RECURRENCE, NOTES TO ZARATHUSTRA

A compelling argument for the necessity for art in life, Nietzsche's first book is fuelled by his enthusiasms for Greek tragedy, for the philosophy of Schopenhauer and for the music of Wagner, to whom this work was dedicated. Nietzsche outlined a distinction between its two central forces: the Apolline, representing beauty and order, and the Dionysiac, a primal or ecstatic reaction to the sublime. He believed the combination of these states produced the highest forms of music and tragic drama, which not only reveal the truth about suffering in life, but also provide a consolation for it. Impassioned and exhilarating in its conviction, The Birth of Tragedy has become a key text in European culture and in literary criticism.