Bøger af Raymond Queneau

The Blue Flowers follows two unlikely characters: Cidrolin, who alternates between drinking and napping on a barge parked along the Seine in the 1960s, and the Duke d'Auge as he rages through history-about 700 years of it-refusing to crusade, clobbering his king with a cannon, and dabbling in alchemy. But is it just a coincidence that the Duke appears only when Cidrolin is dozing? And vice versa? As Raymond Queneau explains: "There is an old Chinese saying: 'I dream that I am a butterfly and pray there is a butterfly dreaming he is me.' The same can be said of the characters in this novel-those who live in the past dream of those who live in the modern era-and those who live in the modern era dream of those who live in the past." Channeling Villon and Céline, Queneau attempts to bring the language of the French streets into common literary usage, and his mad wordplays, puns, bawdy jokes, and anachronistic wackiness have been kept amazingly and glitteringly intact by the incomparable translator Barbara Wright.

'A pointless anecdote told in 99 different ways, or a work of genius in a brilliant translation by Barbara Wright. In fact it's both. Endlessly fascinating and very funny.' Philip Pullman This special edition contains a foreword by Umberto Eco with an essay by Italo Calvino.

The plot of Exercises in Style is simple: a man gets into an argument with another passenger on a bus. However, this anecdote is told 99 more times, each in a radically different style, as a sonnet, an opera, in slang, and with many more permutations. This virtuoso set of variations is a linguistic rust-remover, and a guide to literary forms.

Réussissez votre bac de français 2024 grâce à notre fiche de lecture de l'ouvrage Exercices de style de Raymond Queneau !Validée par une équipe de professeurs, cette analyse littéraire est une référence pour tous les lycéens.Grâce à notre travail éditorial, les points suivants n'auront plus aucun secret pour vous : la biographie de l'écrivain, le résumé du livre, l'étude de l'oeuvre, l'analyse des thèmes principaux à connaître et le mouvement littéraire auquel est rattaché l'auteur.

Réussissez votre bac de français 2024 grâce à notre fiche de lecture des Fleurs bleues de Raymond Queneau !Validée par une équipe de professeurs, cette analyse littéraire est une référence pour tous les lycéens.Grâce à notre travail éditorial, les points suivants n'auront plus aucun secret pour vous : la biographie de l'écrivain, le résumé du livre, l'étude de l'oeuvre, l'analyse des thèmes principaux à connaître et le mouvement littéraire auquel est rattaché l'auteur.

Sally Mara’s Intimate Diary, dating from 1950, is exceptional; a salacious, black humorous andmeaningful story by the influential and erudite French novelist, Raymond Queneau. When ‘Sally Mara’begins her diary in January 1934, she is 17 years old and lives with her mother, older brother andyounger sister in south central Dublin. The everyday language is, of course, English, but she is writingin ‘newly-learned’ French to impress her beloved and just departed French tutor, a professional polyglotlinguist. To impress him even more, she decides to learn Irish in order to write a novel of some kind inIrish. However, the action throughout is determined by Sally’s resolution to overcome her ignorance ofthe mysteries of sex and reproduction. The often sensual and dark humour of Sally Mara’s Journal intime is founded on language andlanguages, so this translation, while prioritizing clarity, aims to maintain ‘Frenchness’, tinged of coursewith Dublinese. Surprisingly, for a French author, Irish words and phrases occur throughout; these arenot translated but, like some challenging French phrases, are supported by footnotes.In 1949, when Raymond Queneau wrote Journal intime, published anonymously under thepseudonym Sally Mara, he was, as always, greatly influenced by James Joyce and fascinated by thelimitations of language. He was also in need of the ready money provided by Éditions du Scorpion,publishers of erotic and violent pulp fiction, and of Journal intime.

On a crowded bus at midday, Raymond Queneau observes one man accusing another of jostling him deliberately. When a seat is vacated, the first man appropriates it. Later, in another part of town, Queneau sees the man being advised by a friend to sew a new button on his overcoat.Exercises in Style - Queneau's experimental masterpiece and a hallmark book of the Oulipo literary group - retells this unexceptional tale ninety-nine times, employing the sonnet and the alexandrine, onomatopoeia and Cockney. An "Abusive" chapter heartily deplores the events; "Opera English" lends them grandeur. Queneau once said that of all his books, this was the one he most wished to see translated. He offered Barbara Wright his "heartiest congratulations," adding: "I have always thought that nothing is untranslatable.Here is new proof."To celebrate the 65th anniversary of the 1947 French publication of Exercises de Style, New Directions has asked several writers to contribute new exercises as a tribute. Tantalizing examples include Jonathan Lethem's "Cyberpunk," Harry Mathew's "Phonetic Eros," and Frederic Tuten's "Beatnik" exercises. This edition also retains Barbara Wright's original introduction and reminiscence of working on this book - a translation that in 2008 was ranked first on the Author's Society's list of "The 50 Outstanding Translations of the Last 50 Years."

Called by some the French Borges, by others the creator of le nouveau roman a generation ahead of its time, Raymond Queneau's work in fiction continues to defy strict categorization. The Flight of Icarus (Le Vol d'lcare) is his only novel written in the form of a play: seventy-four short scenes, complete with stage directions. Consciously parodying Pirandello and Robbe-Grillet, it begins with a novelist's discovery that his principal character, Icarus by name, has vanished. This, in turn, sets off a rash of other such disappearances. Before long, a number of desperate authors are found in search of their fugitive characters, who wander through the Paris of the 1890s, occasionally meeting one another, and even straying into new novels. Icarus himself--perhaps following the destiny his name suggests--develops a passion for horseless carriages, kites, and machines that fly. And throughout the almost vaudevillian turns of the plot, we are aware, as always, of Queneau's evident delight at holding the thin line between farce and philosophy.

Venez découvrir l'¿uvre de Raymond Queneau grâce à une analyse littéraire de référence !Écrite par un spécialiste universitaire, cette fiche de lecture est recommandée par de nombreux enseignants. Cet ouvrage contient la biographie de l'écrivain, le résumé détaillé, le mouvement littéraire, le contexte de publication de l'¿uvre et l'analyse complète.Retrouvez tous nos titres au format PDF sur : www.fichedelecture.fr.

La collection « Connaître une oeuvre » vous offre la possibilité de tout savoir de l'ouvrage Exercices de style, de Raymond Queneau, grâce à une fiche de lecture aussi complète que détaillée. La rédaction, claire et accessible, a été confiée à un spécialiste universitaire. Cette fiche de lecture répond à une charte qualité mise en place par une équipe d¿enseignants. Ce livre contient la biographie de Raymond Queneau, la présentation de l¿¿uvre, le résumé détaillé (chapitre par chapitre), les raisons du succès, les thèmes principaux et l¿étude du mouvement littéraire de l¿auteur.

With a cast of eccentric characters, amusing incidents and an uplifting tone, The Sunday of Life - its title playfully alluding to Hegel's theory of history - is a scintillating novel which showcases Queneau's trademark punning, sly wit and delight in the absurdity of people and situations.

The Last Days is Raymond Queneau's autobiographical novel of Parisian student life in the 1920s: Vincent Tuquedenne tries to reconcile his love for reading with the sterility of studying as he hopes to study his way out of the petite bourgeoisie to which he belongs. Vincent and his generation are contrasted with an older generation of retired teachers and petty crooks, and both generations come under the bemused gaze of the waiter Alfred, whose infallible method of predicting the future mocks prevailing scientific models. Similarly, Queneau's literary universe operates under its own laws, joining rigorous artistry with a warm evocation of the last days of a bygone world.

A story of the siege of a small post office by a group of rebels, who discover to their embarrassment that a female postal clerk, Gertie Girdle, is still in the lavatory some time after they have shot or expelled the rest of the staff.

These hilarious adventures make Queneau's novel, presented in the form of a script and parodying various genres, one of the best literary jeux d'esprit in modern literature.

Mary Campbell-Sposito, CANIS MAJOR: Introducing Raymond Queneau/Gilbert Sorrentino, Variations for Raymond Queneau/* Raymond Queneau, Interviews with Georges Charbonnier -- No. 5?/Raymond Queneau, Technique of the Novel/Raymond Queneau, From Children of Clay/Harry Mathews, Charity Begins at Home/Gilbert Pestureau, The Art of the Novel in Saint Glinglin/Jacques Jouet, 'Interludes' from Raymond Queneau/Claude Debon, Queneau and Poetic Illusion/Barbara Wright, Translating Queneau/Andre Blavier, Droles de Drames/Jacques Roubaud The Birth of a Form: Elementary Morality/Selected Bibliography/Selected Translations of Queneau's Works into English/Victoria Frenkel Harris, Carole Maso: An Introduction and an Interpellated Interview/Carole Maso, Except Joy: on Aureole/Carole Maso, Traveling Light from The Bay of Angels/Louise DeSalvo, 'We Will Speak and Bear Witness': Storytelling as Testimony and Healing in Ghost Dance/Charles B.Harris, The Dead Fathers: The Rejection of Modernist Distance in The Art Lover/Victoria Frenkel Harris, Emancipating the Proclamation: Gender and Genre in AVA/Nicole Cooley, 'There's Not One Story That Will Change This': The American Woman in the Chinese Hat/Jeffrey DeShell, Between the Winding Sheets: The American Woman in the Chinese Hat/Steven Moore, A New Language for Desire: Aureole/A Carole Maso Checklist

The Sunday of Life (Le Dimanche de la vie), the late Raymond Queneau's tenth novel, was first published in French by Gallimard in 1951 and is now appearing for the first time in this country, in a translation by Barbara Wright. Critics are universally agreed that it and the later Zazie dans le métro (1959) show Queneau at his zaniest and most cheerful, and it is not surprising that both these novels have been made into popular and successful films. But as always with Queneau, beneath the apparent absurdities of plot and the bumbling of his rather ordinary characters, there is a precision of structure and purpose that, ironically enough, places the work of this earliest of new-wave novelists squarely in the tradition of the eighteenth-century roman philosophique. In the ingenuous ex-Private Valentin Bru, the central figure in The Sunday of Life, Queneau has created that oddity in modern fiction, the Hegelian naif. Highly self-conscious yet reasonably satisfied with his lot, imbued with the good humor inherent in the naturally wise, Valentin meets the painful nonsense of life's adventures with a slightly bewildered detachment. As Barbara Wright so aptly writes: "Though The Sunday of Life is set in one of the most traumatic of recent periods--1936-40, the dark years leading up to the Second World War and including the fall of France... it nevertheless does indeed manage to be one of Queneau's happiest, sunniest, and most undated novels: it far transcends anything like a mere chronicle of times."

First published in France in 1937, this brilliant, moving novel is about the devastating psychological effects of war, about falling in love, about politics subverting human relationships, and about life in Paris during the early 1930s amid intellecturals and artists whose activities range from writing for radical magazines to conjuring the ghost of Lenin in seances. Raymond Queneau (1903-1976) has been one of the most powerful forces in shaping the direction of French fiction in the past fifty years. His other novels includes The Last Days, Pierrot Mon Ami, and Saint Glinglin.

Collects the best of the author's shorter prose that span his career and include short stories, an uncompleted novel, melancholic and absurd essays, occasionally baffling 'Texticles', a pastiche of "Alice in Wonderland", and his only play.