Bøger af Robert Graves

Features the labours of Hercules, the voyage of the Argonauts, Theseus and the minotaur, Midas and his golden touch, the Trojan War and Odysseus' journey home. This title draws on the entire canon of ancient literature, bringing together all the elements of every myth into one epic. It deals with the masterful work of literature.

'Suetonius, in holding up a mirror to those Caesars of diverting legend, reflects not only them but ourselves: half-tempted creatures, whose great moral task is to hold in balance the angel and the monster within' GORE VIDALAs private secretary to the Emperor Hadrian, the scholar Suetonius had access to the imperial archives and used them (along with eyewitness accounts) to produce one of the most colourful biographical works in history. The Twelve Caesars chronicles the public careers and private lives of the men who wielded absolute power over Rome, from the foundation of the empire under Julius Caesar and Augustus to the decline into depravity under Nero and the recovery that came with his successors. This masterpiece of observation, immortalized in Robert Graves's classic translation, presents us with a gallery of vividly drawn - and all too human - individuals.Translated by ROBERT GRAVESRevised with an Introduction and notes by JAMES B. RIVES

'Still an acknowledged masterpiece and a model for historical fiction ... sympathetic and intensely involving: a great feat of imagination' Hilary Mantel Bringing to life the intrigue of ancient Rome, Robert Graves's I, Claudius is one of the most celebrated, gripping historical novels ever writtenDespised for his weakness and regarded by his family as little more than a stammering fool, the nobleman Claudius quietly survives the bloody purges and mounting cruelty of the imperial Roman dynasties. In I, Claudius he watches from the sidelines to record the reigns of its emperors: from the wise Augustus and his villainous wife Livia to the sadistic Tiberius and the insane excesses of Caligula. Written in the form of Claudius' autobiography, this is the first part of Robert Graves's brilliant account of the madness and debauchery of ancient Rome.With an introduction by Barry Unsworth'An imaginative and hugely readable account of the early decades of the Roman Empire ... racy, inventive, often comic' Daily Telegraph

This labyrinthine and extraordinary book, first published more than fifty years ago, was the outcome of Graves's vast reading and curious research into strange territories of folklore, mythology, religion and magic. Erudite and impassioned, it is a scholar-poet's quest for the meaning of European myths, a polemic about the relations between man and woman, and also an intensely personal document in which Graves explored the sources of his own inspiration and, as he believed, all true poetry.This new edition has been prepared by Grevel Lindop, who has written an illuminating introduction. The text of the book incorporates all Graves's final revisions, as well as his replies totwo of the original reviewers, and a long essay in which he describes the months of inspiration in which The White Goddess was written.

Robert von Ranke Graves (24 July 1895 ¿7 December 1985), also known as Robert Ranke Graves and most commonly Robert Graves, was an English poet, historical novelist, critic, and classicist. Graves produced more than 140 works. His poems¿together with his translations and innovative analysis and interpretations of the Greek myths; his memoir of his early life, including his role in World War I, Good-Bye to All That; and his speculative study of poetic inspiration, The White Goddess¿have never been out of print.He earned his living from writing, particularly popular historical novels such as I, Claudius, King Jesus, The Golden Fleece and Count Belisarius.

The fourth title published as part of the "Robert Graves Programme". This text is the first of a three-volume collection of Graves's poems. It restores hundreds of poems that Graves omitted from the canon or overlooked in his continual refinements.

Robert Graves first came across the name of Roger Lamb in 1914, when Graves was an English officer instructing his platoon in regimental history. Lamb was a British soldier who had served his king during the American War of Independence, and whose claim to a footnote in history is that he managed to escape twice from American prison camps. When Graves went to America in the 1930s, he remembered Sergeant Lamb, investigated his story and created this fictionalized memoir telling Lamb's story from his Irish childhood to war and revolution, weaving a mesmerizing tale of courage and adventure.

Edward Venn-Thomas lives in the twentieth century but has been mysteriously transported to the future, and the apparently idyllic society of New Create, where there is no hunger, no war and no dissatisfaction. However Venn-Thomas is starting to find life among the New Cretans rather dull. He comes to realize that their perfect existence, inspired by the poets and magicians of their strange occultic religion, lacks one fundamental thing - evil. So Venn-Thomas sees it as nothing less than his duty to introduce them to the darker side of life. First published in 1949 and also known as Watch the North Wind Rise, Graves's novel is a thrilling blend of utopian fantasy, science fiction and mythology.

In Homer's Daughter Robert Graves recreates the Odyssey. This bold retelling of the ancient epic imagines that its author was not the blind and bearded Homer of legend, but a young woman in Western Sicily who calls herself Nausica . In Robert Graves's words, Homer's Daughter is 'the story of a high-spirited and religious-minded Sicilian girl who saves her father's throne from usurpation, herself from a distasteful marriage, and her two younger brothers from butchery by boldly making things happen, instead of sitting still and hoping for the best.'

Robert Graves's controversial historical novel is a bold reworking of the story of Christ. Here Jesus is not the son of God, but the result of a secret marriage - the descendant of Herod and true King of the Jews. Written from the perspective of a lowly official at the end of the first century AD, King Jesus recounts Jesus's birth, youth, life as a charismatic 'wonder worker' and the unorthodox, bitter nature of his death and resurrection. Portraying Jesus not as divine but as a flawed human bent upon his own doom, this retelling of the gospels is a compelling blend of research, imagination and narrative power.

In order to reclaim his father's kingdom, Jason has been sent on an impossible mission - to take the golden ram's fleece that lies far away, guarded by a dragon. Jason, who is so attractive that women fall instantly in love with him, sets sail in the Argo, along with the greatest heroes of ancient Greece, including the surly (and often drunk) Hercules, the enchanting musician Orpheus and the battling twins Castor and Pollux. As they battle clashing rocks, monsters and seductresses, watched over by pitiless gods, they will learn that victory comes at a price. In The Golden Fleece Robert Graves transforms Greek myth into a thrilling and richly imagined story, bringing the ancient world vividly alive.

Marie Powell is sixteen when her father marries her to the poet John Milton in payment of a debt. They move to a pretty garden-house in London, but she struggles to adjust to her new life. Her husband is high-minded and unyielding, and only makes Marie long for the man she really loves. As Civil War sweeps across England and the King is killed, a battle starts to rage between husband and wife - one that only the powerful can win. Told through the fictional journals of Milton's wife, Robert Graves's sympathetic and sensitive reconstruction of her tragic life is also a convincing, linguistically rich portrait of seventeenth-century England as it is ravaged by war.

The ever-popular novelist and story-teller Robert Graves wrote fascinating and durable stories, here collected together in a single volume for the first time by the poet's daughter Lucia Graves.

In 1929 Robert Graves went to live abroad permanently, vowing 'never to make England my home again'. This is his superb account of his life up until that 'bitter leave-taking': from his childhood and desperately unhappy school days at Charterhouse, to his time serving as a young officer in the First World War that was to haunt him throughout his life. It also contains memorable encounters with fellow writers and poets, including Siegfried Sassoon and Thomas Hardy, and covers his increasingly unhappy marriage to Nancy Nicholson. Goodbye to All That, with its vivid, harrowing descriptions of the Western Front, is a classic war document, and also has immense value as one of the most candid self-portraits of an artist ever written.Includes illustrations and explanatory footnotes.

The sixth century was not a peaceful time for the Roman empire. Invaders threatened on all fronties, but they grew to respect and fear the name of Belisarius, the Emperor Justinian's greatest general. With this book Robert Graves again demonstrates his command of a vast historical subject, creating a startling and vivid picture of a decadent era.

Claudius has survived the murderous intrigues of his predecessors to become, reluctantly, Emperor of Rome. Here he recounts his surprisingly successful reign: how he cultivates the loyalty of the army and the common people to repair the damage caused by Caligula; his relations with the Jewish King Herod Agrippa; and his invasion of Britain. But the growing paranoia of absolute power and the infidelity of his promiscuous young wife Messalina mean that his good fortune will not last forever. In this second part of Robert Graves's fictionalized autobiography, Claudius - wry, rueful, always inquisitive - brings to life some of the most scandalous and violent times in history.Includes an introduction by Barry Unsworth, as well as explanatory footnotes.

"e;There was no patriotism in the trenches. It was too remote a sentiment, and rejected as fit only for civilians. A new arrival who talked patriotism would soon be told to cut it out. As Blighty, Great Britain was a quiet, easy place to get back to out of the present foreign misery, but as a nation it was nothing."e;This is the original version of Robert Graves's intense memoir of the First World War, restoring this raw, emotionally truthful, darkly comic work to the way it was first written, by a young man still reeling from the trenches. 'We see the dark heart of the book even more clearly, and hear it beating even more loudly, in this original edition than we do in the comparatively careful and considered terms of the later one' Andrew Motion'One of the most candid self-portraits, warts and all, ever painted' TLS

Graves described poetry as his ruling passion, and for him love was 'the main theme and origin of true poems'. He created a rich mythology where love, fear, fantasy and the supernatural play an essential role. Intimate yet universal, passionate yet precise, their brilliant alchemy of realism and magic made Graves's poems some of the finest of the last century. In this edition the poems appear without critical apparatus or commentary. The volume represents in its purest form the achievement of Graves's seventy productive years.

A new and essential selection from the range and bulk of Robert Graves's poetry, edited by Ulster poet Michael Longley. This edition will restore Graves to view as a major twentieth century poet, and demonstrate his manifold achievement as war poet, as love poet, and as - in the round - a secular visionary whose poems are 'inimitable, eccentric marvels - some of which are extraordinary, many are masterly, all are like nothing else ever written' (Randall Jarrell).

Explores the haunted aftermath of an alleged serial killer who is suspected of murdering eleven or more men in a northern suburb of Indianapolis, Indiana

A sanctioned biography of T. E. Lawrence, known popularly as "Lawrence of Arabia," this work by the eminent Robert Graves attempts to provide a fair and balanced treatment of the man. Based on interviews with Lawrence and his close associates, this account clearly displays its authenticity.