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Offers a clearly written introduction to the study of postcolonial cultures, and broadens the reach of postcolonial theory and criticism. The book covers current topics in the field, such as nationhood, hybridity and identity, globalism and regionalism, diasporas, the politics of gender, and cultural diversity and difference.
This book examines the conflicts, dilemmas and contradictions that marked Englishness as the nation changed from an imperial power to a postcolonial state. The chapters deal with travel writing, popular song, music hall and variety theatre, dances, elocution lessons, cricket and football, and national festivals, as well as literature and film. 'High' and 'popular' cultures are brought together in dialogue, and the diversity as well as the problematic nature of English identity is emphasised. The case studies are linked by their interests in different kinds of performances of being English, and by a particular focus upon the voice and the body as key sites for the struggles of modern England. The book is a lively contribution to current interdisciplinary debates about Englishness, national cultures and postcolonial identities. It is relevant to undergraduate students of literature, drama, film, politics and sociology, and will also appeal to a general readership.
This is a clearly-written introduction to the study of postcolonial cultures which broadens the reach of postcolonial theory and criticism.
A comprehensive anthology of war poetry including seven invaluable introductory chapters, this text provides a wide range of material, from both well- and lesser-known poets. The poems, culture and wider theories of the genre are discussed.
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