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Structured in three parts, "On the Material" is a meditation on how language holds the materiality of the physical world.
Phyllis Webb is a poet around whom archetypes tend to cluster: the reclusive artist; the distraught, borderline suicidal Sapphic woman poet. While on the surface she seems supremely disinterested in the public sphere, argues Stephen Collis in this celebration of her work, Webb is no domestic, as a creator or a critic. Her work sweeps across politics, philosophy, and economics.
Fiction. Latino/Latina Studies. In the tradition of Borges, Nabakov, and Bolano, THE RED ALBUM is a work of fiction that questions historical authenticity and authority. Divided into two parts, the book begins with an edited and footnoted narrative of dubious origins. In the second part, a section of "documents" (including essays, memoirs, a short play and a filmography) shed light on the first narrative. Familiar characters are revealed to be writers, and the writer and editors of the initial narrative are revealed to be characters. As the ghosts of social revolutions of the past are lifted from the soil in Catalonia, and a new revolution unfolds in South America, the number of mysteriously missing author/characters grows almost as fast as new author/characters emerge and complicate and scatter the threads of the story.
Origin of the Species left in five ecosystems for a year: a gorgeous photographic and poetic document of Nature's force.
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