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In Tom Sawyer and Huckleberry Finn, Mark Twain presented for the first time the vernacular of the Mississippi River region, explored the myths and fables of the nation's past, and looked to the choices facing a rapidly changing society. Moving from a discussion of the novels' early receptions, this Columbia Critical Guide explores nineteenth- and twentieth-century criticism by William Dean Howells, T. S. Eliot, Leslie Fiedler, Ralph Ellison, Norman Mailer, and Toni Morrison. In its final section, the book provides students with important material on the contemporary debates about race and gender in these novels so that new perspectives on Twain's place in American literature may be fully understood
It should have been me,' cries Chief Inspector David Warne, over his wife's broken, dead body, the price for putting a London crime boss inside. Now, in the Garden of England, he searches for the killer of the gay heir of a prominent local family, headed by an industrialist from his Lancashire home town. North/South, past/present, white/black, gay/straight, justice/injustice are the themes. The 2003 invasion of Iraq is imminent, and Warne has just been on the big London demo against it. Who is the killer he seeks? What's the connection between the industrialist and the crime boss? What horror will the past reveal? Will Warne ever again find love?
The American Scene considers major texts of nineteenth century American literature: The Leatherstocking Tales, Poe's fiction, The Scarlet Letter, Moby-Dick, Leaves of Grass, Dickinson's poetry, Huckleberry Finn, James's The American Scene.
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