Bøger af Susan Sontag

Susan Sontag's On Photography is a seminal and groundbreaking work on the subject.Susan Sontag's groundbreaking critique of photography asks forceful questions about the moral and aesthetic issues surrounding this art form. Photographs are everywhere, and the 'insatiability of the photographing eye' has profoundly altered our relationship with the world. Photographs have the power to shock, idealize or seduce, they create a sense of nostalgia and act as a memorial, and they can be used as evidence against us or to identify us. In these six incisive essays, Sontag examines the ways in which we use these omnipresent images to manufacture a sense of reality and authority in our lives.'Sontag offers enough food for thought to satisfy the most intellectual of appetites'The Times'A brilliant analysis of the profound changes photographic images have made in our way of looking at the world, and at ourselves'Washington Post'The most original and illuminating study of the subject'New YorkerOne of America's best-known and most admired writers, Susan Sontag was also a leading commentator on contemporary culture until her death in December 2004. Her books include four novels and numerous works of non-fiction, among them Regarding the Pain of Others, On Photography, Illness as Metaphor, At the Same Time, Against Interpretation and Other Essays and Reborn: Early Diaries 1947-1963, all of which are published by Penguin. A further eight books, including the collections of essays Under the Sign of Saturn and Where the Stress Falls, and the novels The Volcano Lover and The Benefactor, are available from Penguin Modern Classics.

Regarding the Pain of Others is Susan Sontag's searing analysis of our numbed response to images of horror. From Goya's Disasters of War to news footage and photographs of the conflicts in Vietnam, Rwanda and Bosnia, pictures have been charged with inspiring dissent, fostering violence or instilling apathy in us, the viewer. Regarding the Pain of Others will alter our thinking not only about the uses and meanings of images, but about the nature of war, the limits of sympathy, and the obligations of conscience.'Powerful, fascinating. Sontag is our outstanding contemporary writer in the moralist tradition'Sunday Times'A coruscating sermon on how we picture suffering'The New York Times'A far-reaching set of ruminations on human suffering, the nature of goodness, the lures, deceptions and truth of images . . . in short, a summary of what it means to be alive and alert in the twentieth century'Independent'Sontag is on top form: firing devastating questions'Los Angeles Times'Simple, elegant, fiercely persuasive'MetroOne of America's best-known and most admired writers, Susan Sontag was also a leading commentator on contemporary culture until her death in December 2004. Her books include four novels and numerous works of non-fiction, among them Regarding the Pain of Others, On Photography, Illness as Metaphor, At the Same Time, Against Interpretation and Other Essays and Reborn: Early Diaries 1947-1963, all of which are published by Penguin. A further eight books, including the collections of essays Under the Sign of Saturn and Where the Stress Falls, and the novels The Volcano Lover and The Benefactor, are available from Penguin Modern Classics.

A series of provocative discussions on everything from individual authors to contemporary religious thinking, Against Interpretation and Other Essays is the definitive collection of Susan Sontag's best known and important works published in Penguin Modern Classics.Against Interpretation was Susan Sontag's first collection of essays and made her name as one of the most incisive thinkers of our time. Sontag was among the first critics to write about the intersection between 'high' and 'low' art forms, and to give them equal value as valid topics, shown here in her epoch-making pieces 'Notes on Camp' and 'Against Interpretation'. Here too are impassioned discussions of Sartre, Camus, Simone Weil, Godard, Beckett, L vi-Strauss, science-fiction movies, psychoanalysis and contemporary religious thought. Originally published in 1966, this collection has never gone out of print and has been a major influence on generations of readers, and the field of cultural criticism, ever since. Susan Sontag (1933-2004) was born in Manhattan and studied at the universities of Chicago, Harvard and Oxford. She is the author of four novels - The Benefactor, Death Kit, The Volcano Lover and In America, which won the 2000 US National Book Award for fiction - a collection of stories, several plays, and six books of essays, among them Illness as Metaphor and AIDS and Its Metaphors. Her books are translated into thirty-two languages. In 2001 she was awarded the Jerusalem Prize for the body of her work, and in 2003 she received the Prince of Asturias Prize for Literature and the Peace Prize of the German Book Trade. If you enjoyed Against Interpretation and Other Essays, you might like Sontag's On Photography, also available in Penguin Modern Classics.'A dazzling intellectual performance' Vogue'Sontag offers enough food for thought to satisfy the most intellectual of appetites' The Times

In l978 Sontag wrote Illness As Metaphor. A cancer patient herself at the time, she shows how the metaphors and myths surrounding certain illnesses, especially cancer, add greatly to the suffering of the patients and often inhibit them from seeking proper treatment. By demystifying the fantasies surrounding cancer, Sontag shows cancer for what it is - just a disease. Cancer is not a curse, not a punishment, certainly not an embarrassment, and highly curable, if good treatment is found early enough. Almost a decade later, with the outbreak of a new, stigmatised disease replete with mystifications and punitive metaphors, Sontag wrote Aids and its Metaphors, extending the argument of the earlier book to the AIDS pandemic.

A historical romance, Sontag's book is based on the lives of Sir William Hamilton, his wife, Emma, and Lord Nelson in the final decades of the eighteenth century. Passionately examining the shape of Western civilization since the Age of Enlightenment, Sontag's novel is an exquisitely detailed picture of revolution, the fate of nature, art and love.

Min film fødes først i mit hoved, dør på papiret, genoplives afde levende personer og de virkelige objekter, som jeg bruger,og som dør på filmstrimlen, men som, arrangeret i en særligorden og projiceret på lærredet, vækkes til live igen somblomster i vand. * Model. Hans permanens: altid den samme måde at væreanderledes på. * Grav dybt i din sansning. Se hvad der er på indersiden.Analyser den ikke med ord. Oversæt den til søsterbilleder,til ækvivalente lyde. Desto klarere den er, desto tydeligereviser din stil sig. (Stil: alt hvad der ikke er teknik.)

Året er 1876. Den polske skuespillerinde Maryna, og hendes lille gruppe af familie og venner, slår sig ned i Californien, i nærheden af byen Anaheim, i den hensigt at dyrke landbrug og leve det gode liv i den franske utopist Charles Fouriers ånd. Stort set alle deres drømme havarerer og flertallet af de polske immigranter vender tilbage til Polen – men ikke Maryna, som det lykkes at skabe sig en ny karriere som skuespiller og lægge det dannede amerikanske publikum for sine fødder. Hun er og bliver en diva, en Sarah Bernhardt med en gådefuld magt over omgivelserne – og ikke mindst mændene i hendes liv, som Susan Sontag tegner en stribe virkelig fængende portrætter af.Pressen skrev:""I Amerika" er mere disciplineret og mindre ekstravagant end hendes sidste, "Manden der elskede vulkaner," men lige så stor en læseoplevelse.""Sontag færdes hjemmevant i postmodernismens metafiktive univers"-  Jyllandsposten"Essayisten Susan Sontag har skrevet endnu en bemærkelsesværdig og begavet historisk roman, der ligesom Manden der elskede vulkaner har potentiale til en filmatisering."  -  Lektørudtalelse"Det er fascinerende at læse om en kvinde, der sætter det kunstneriske og profesionelle liv først. Biologi og kærlighed kommer i anden række for hende. Det er ofte noget, mænd (og nogen kvinder) selv i den moderne verden har svært ved at tro, kan gøre kvinder tilfredse."  -  B.T."Det er intet mindre end "drømmen om Amerika", Susan Sontag giver krop og sjæl i sin seneste roman". "Skriveteknisk er Susan Sontag suveræn".  Nordjyske Stifttidende"Det er krævende og underholdende læsning. Formens kompleksitet forlener den lidt banale og bittersøde historie om Maryna med vægt og styrke. Man ender med at holde af hende - og føle tragedien i at et liv kan blive til ingenting, fordi Maryna alligevel ikke tør vælge det, hun egentlig har lyst til."  -  Tidsskriftet Graf

On Women brings together Susan Sontag's most fearless and incisive writing on women, a crucial aspect of her work that has not until now received the attention it deserves.For the most part written in the 1970s during the height of second-wave feminism, Sontag's essays are strikingly relevant to our contemporary conversations. At times powerfully in sync and at others powerfully at odds with them, they are always characteristically original in their examinations of the 'biological division of labour', the double-standard for ageing and the dynamics of women's powerlessness and women's power.As Merve Emre writes in her introduction, 'They offer us the spectacle of a ferocious intellect setting itself to the task at hand: to articulate the politics and aesthetics of being a woman in the United States, the Americas and the world.''One of America's greatest public intellectuals' Observer'Susan Sontag offers enough food for thought to satisfy the most intellectual of appetites' The Times'At the time she died, she was America's best-known public intellectual. To my mind, she was also the most exemplary' John Gray, New StatesmanWITH A PREFACE BY MERVE EMRE

The story of In America is inspired by the emigration to America in 1876 of Helena Modrzejewska, Poland's most celebrated actress, accompanied by her husband, Count Karol Chlapowski, her fifteen-year-old son, Rudolf, the young journalist and future author of Quo Vadis, Henryk Sienkiewicz, and a few friends; their brief sojourn in Anaheim, California; and Modrzejewska's subsequent triumphant career on the American stage under the name Helena Modjeska.

Reborn is the compelling and frank early diary of Susan Sontag.'Vivid, exhilarating, often moving . . . charts the development of a good writer and an important critic'Sunday Telegraph'I intend to do everything . . . I shall anticipate pleasure everywhere and find it too, for it is everywhere! I shall involve myself wholly . . .everything matters!'This first selection from Susan Sontag's diaries (from 1947-1963) takes us from early adolescence though to when Sontag was in her early thirties. It is an astonishingly affecting, honest self-portrait which is also a fascinating, revealing account of an artist and critic being born. We see Sontag honing her skills and fashioning herself, by a supreme act of will, into an intellectual force.'Fascinating. One can feel Sontag's mind beginning to ripen and bloom, and the full force of the intellectual originality that would be her hallmark emerging' Guardian'Inspirational. Sontag shows us not just the importance, but the exhilaration of being earnest' New Statesman'A fascinating document of her apprenticeship, charting her earnest quest for education, identity, and voice. Reborn is overwhelmingly a record of an inner landscape' New York Review of Books'One of the finest American writers, thinkers, and political activists of the past four decades . . . an intimate portrait of her early life' Independent on SundayOne of America's best-known and most admired writers, Susan Sontag was also a leading commentator on contemporary culture until her death in December 2004. Her books include four novels and numerous works of non-fiction, among them Regarding the Pain of Others, On Photography, Illness as Metaphor, At the Same Time, Against Interpretation and Other Essays and Reborn: Early Diaries 1947-1963, all of which are published by Penguin. A further eight books, including the collections of essays Under the Sign of Saturn and Where the Stress Falls, and the novels The Volcano Lover and The Benefactor, are available from Penguin Modern Classics.

'A brilliant, glittering intelligence' Sunday TimesOn Women brings together Susan Sontag's most fearless and incisive writing on women, a crucial aspect of her work that has not until now received the attention it deservesWritten during the height of second-wave feminism, Sontag's essays remain strikingly relevant to our contemporary conversations. At times powerfully in sync and at others powerfully at odds with them, they are always characteristically original in their examinations of the 'biological division of labour', the double-standard for ageing and the dynamics of women's power and powerlessness.As Merve Emre writes in her introduction, On Women offers us 'the spectacle of a ferocious intellect setting itself to the task at hand: to articulate the politics and aesthetics of being a woman in the United States, the Americas and the world.''Boldly provocative' iNews'On Women demonstrates a powerful mind and equally forceful personality' The Herald

Susan Sontag occupies a special place in Modern American letters. She has become our most important critic, while her brilliant novels and short fiction are, at long last, getting the recognition they deserve. Sontag is above all a writer, which is only to say that, though the form may differ, there is an essential unity in all her work. The truth of this is perhaps more evident in A Susan Sontag Reader than in any of Sontag's individual books. The writer selected a sampling of her work, meaning the choice both to reflect accurately a career and also to guide the reader toward those qualities and concerns which she prizes in her own writing. A Susan Sontag Reader is arranged chronologically and draws on most of Sontag's books. There are selections from her two novels, The Benefactor and Death Kit, and from her collections of short stories, I, etcetera. The famous essays from the 1960s--"Against Interpretation," "Notes on Camp," and "On Style"--which established Sontag's reputation and can be fairly said to have shaped the cultural views of a generation are included, as are selctions from her two subsequent volumes of essays, Styles of Radical Will and Under the Sign of Satury.A part of Sontag's best-selling On Photography is also included. It is astonishing to read these works when they are detached from the books they appeared in and offered instead in the order in which Sontag wrote them. The connections between various literary forms, the progression of themes, are revealed in often startling ways. Moreover, Sontag has included a long interview in which she moves mroe informally over the whole range of her concerns and of her work. The volume ends with "Writing Itself," a previously uncollected essay on Roland Barthes which, in the eyes of many, is one of Sontag's finest achievements.This collection is, in a sense, both a self-potrait and a key for a reader to understand the work of one of the most imporant writers of our time.

A Financial Times Best Book of 2012 From the turbulent years of her trip to Hanoi at the peak of the Vietnam War to her time making films in Sweden and up to the eve of the 1980 election, As Consciousness Is Harnessed to Flesh documents the evolution of an extraordinary mind. The 1966 publication of Against Interpretation propelled Susan Sontag from the periphery of New York City's artistic and intellectual milieu into the international spotlight, solidifying her place as a dominant force in the world of ideas. These entries are an invaluable record of the inner workings of one of the most inquisitive and analytical thinkers of the twentieth century.

A pithy and brilliant introduction to Susan Sontag's writing on women, gathering early essays on aging, equality, beauty, sexuality, and fascism Susan Sontag was one of the most formidable, original, and influential thinkers of the last century. "The most interesting ideas are heresies," she remarked, and indeed, her writing rejects the familiar and refuses party lines.On Women presents seven essays and exchanges, spanning a range of subjects: the challenges and humiliations women face as they age; the relationship between women's liberation and class struggle; beauty, which Sontag calls "that over-rich brew of so many familiar opposites"; feminism; fascism; and film. Taken together, these pieces-relentlessly curious, historically precise, politically robust, and allergic to easy categorization Sontag's inimitable mind at work.

Sontag's incisive intelligence, expressive brilliance, and deep curiosity about art, politics, and the writer's responsibility to bear witness have secured her place as one of the most important thinkers and writers of the twentieth century.At the Same Time gathers sixteen essays and speeches written in the last years of Sontag's life, when her work was being honored on the international stage. She writes of the freedom of literature, about courage and resistance, and fearlessly addresses the dilemmas of post-9/11 America, from the degradation of our political rhetoric to the appalling torture of prisoners in Abu Ghraib. David Rieff describes his mother's passion in his foreword: "She wanted to experience everything, taste everything, go everywhere, do everything. Indeed, if I had only one word with which to evoke her, it would be avidity. . . . I think that, for her, the joy of living and the joy of knowing really were one and the same."

Thirty-five years after her first collection, the now classic Against Interpretation, America's most important essayist has chosen more than forty longer and shorter pieces from the last twenty years. Divided into three sections, the first "Reading" includes ardent pieces on writers from her own private canon - Machado de Assis, Barthes, W. G. Sebald, Borges, Tsvetaeva, and Elizabeth Hardwick. In the second, "Seeing" she shares her passions for film, dance, photography, painting, opera, and theater. And in the final section, "There and Here" Sontag explores her own commitments to the work (and activism) of conscience and to the vocation of the writer.

This third essay collection by America's leading essayist brings together her most important critical writing from 1972 to 1980, in which she explores some of the most influential artists and thinkers of our time.

First published in 1967, Death Kit--Susan Sontag's second novel--is a classic of modern fiction. Blending realism and dream, it offers a passionate exploration of the recesses of the American conscience.

The Benefactor, Susan Sontag's first book and first novel, originally published in 1963, introduced a unique writer to the world. In the form of a memoir by a latter-day Candide named Hippolyte, The Benefactor leads us on a kind of psychic Grand Tour, in which Hippolyte's violently imaginative dream life becomes indistinguishable from his surprising experiences in the 'real world.' Sontag's novel supplies a fascinating, knowing, acerbic portrait of a certain bohemian demimonde that flourished in France until quite recently. More important, The Benefactor is a novel about ideas-especially religious ideas-unlike any other: funny, acrobatic, disturbing, profound.

In eight stories, this singular collection of short fiction written over the course of ten years explores the terrain of modern urban life. In reflective, telegraphic prose, Susan Sontag confronts the reader with exposed workings of an impassioned intellect in narratives seamed with many of the themes of her essays-the nature of knowing, our relationship with the past, and the future in an alienated present.

Alice in Bed is a free dramatic fantasy based on the life of Alice James (1848-92), the brilliant sister of William and Henry James. The waters of depression closed over Alice James when she was nineteen; she tried to summon the courage to commit suicide, she suffered from a variety of vague and debilitating ailments, she went abroad, she stayed in bed, she kept a diary, and she died... at age forty-three. In Susan Sontag's play, Alice James merges imaginatively with the other great Alice of her period, the heroine of Lewis Carroll's Alice's Adventures in Wonderland. A tea party is convened where Alice is counseled by Emily Dickinson and Margaret Fuller and by two exemplary angry women from the nineteenth-century stage: Myrtha, the Queen of the Wilis (from Giselle), and Kundry (from Wagner's Parsifal), the guilt-ridden woman who wants to sleep. Alice in Bed is a play about the anguish and grief and rage of women, about mental traveling, about the triumphs and limitations of the imagination. It is a powerful and memorable addition to Susan Sontag's achievement as a writer.

Un lúcido ensayo sobre la representación documental e iconográfica del dolor. Veinticinco años después de Sobre la fotografía, Susan Sontag regresó al estudio de la representación visual de la guerra y la violencia. ¿Cómo nos afecta el espectáculo del sufrimiento ajeno? ¿Nos hemos acostumbrado a la crueldad? Para ello, la autora examina la serie de Goya Los desastres de la guerra, las fotografías de la guerra civil estadounidense y de los campos de concentración nazis, y las horribles imágenes contemporáneas de Bosnia, Sierra Leona, Ruanda, Israel y Palestina, así como de la ciudad de Nueva York el 11 de septiembre de 2001. En Ante el dolor de los demás, Susan Sontag aporta una interesante reflexión sobre cómo la guerra se lleva a cabo (y se entiende) en nuestros días. ENGLISH DESCRIPTIONTwenty-five years after her classic On Photography, Susan Sontag returns to the subject of visual representations of war and violence in our culture today.How does the spectacle of the sufferings of others (via television or newsprint) affect us? Are viewers inured--or incited--to violence by the depiction of cruelty? In Regarding the Pain of Others, Susan Sontag takes a fresh look at the representation of atrocity--from Goya's The Disasters of War to photographs of the American Civil War, lynchings of blacks in the South, and the Nazi death camps, to contemporary horrific images of Bosnia, Sierra Leone, Rwanda, Israel and Palestine, and New York City on September 11, 2001.

Set in 18th century Naples, based on the lives of Sir William Hamilton, his celebrated wife Emma, and Lord Nelson, and peopled with many of the great figures of the day, this unconventional, bestselling historical romance from the National Book Award-winning author of In America touches on themes of sex and revolution, the fate of nature, art and the collector's obsessions, and, above all, love.