Bøger af Will Eno

The Flu SeasonNo one in the middle of being in love ever sat down to write a love story. It's only after the belongings are sorted and the shirts returned that the pencils are sharpened and the notebooks opened. So, in a serious way, love stories are never love stories. Love is their inspiration, yes, but the end of love is the reason for their existence. This is a problem. It proposes anti-journeys where we saw only journeys, directs things toward a new negative we hadn't intended. The Flu Season tries to be a love story, anyway. It has a strategy. The play revels in ambivalence, lives in fits and starts, and derives a flailing energy from its doubts about itself. But these come at a price, which is paid by the characters in the play. A kind of clarity finally comes. In the end, is the end.Intermission"Two couples chat with one another at a play's intermission. From what we have heard, it sounds dreadful, which the cocky Jack points out. But his quibbles give way before Mr. Murray's torrent of memory and invective. He doesn't want to hear stylistic complaints, he wants the boy to recognize the play's attempts at truth. And while Mr. Murray's curmudgeon sneers at audiences' yen for weeping at shows, Mr. Eno then makes us - practically by brute force - cry for him. Mr. Eno's triumph is both canny and deeply touching, a vital look into a theater that actually reminds us what it's for." The New York SunThe Flu Season was the winner of the 2004 Oppenheimer Award for best debut production.

A moving, mysterious, at times hilarious story of a tiny plot of land and some people with grand and incompatible designs on it.

The Underlying Chris is a life-affirming and high-spirited look at how a person comes into their identity, and how sometimes it's life's tiniest moments that most profoundly change our lives. In these divided times, The Underlying Chris serves as a celebration of our differences, our individuality and the many mysterious, difficult and beautiful things we share simply by being alive.

"Is it now? I thought I had more time."These first words in Will Eno's play are spoken by Guy, a man who knows, like all of us, on some level, that he is about to die. The play questions why we are here and the journeys that everyone takes to eventually get to the same place. Eno challenges what is worth celebrating in life and what is worth treasuring in this moving and funny play.

"Behold the newest nobody of the funniest century yet. He's almost Christ-like, from a distance, in terms of height and weight. Listen closely or drift off uncontrollably, as he speaks to you directly about the notion of home, about the notion of the world. All of it delivered with the authority that is the special province of the unsure and the un-homed, which is a word he made up accidentally. The running time, if he doesn't die or think of anything else, is roughly one hour. Title and Deed

"First produced by the Signature Theatre at the Romulus Linney Courtyard Theatre in New York City on February 11, 2014"--Page 4.

WINNER! of the inaugural Horton Foote Award for Most Promising New Play of 2010Middletown is a deeply moving and funny new play exploring the universe of a small American town. As a friendship develops between longtime resident John Dodge and new arrival Mary Swanson, the lives of the inhabitants of Middletown intersect in strange and poignant ways in a journey that takes them from the local library to outer space and points between.

"Dramatic comedy / 3m, 3f / multiple settings"--Back cover.

'In 'The Realistic Joneses,' we meet Bob and Jennifer and their new neighbors, John and Pony, two suburban couples who have even more in common than their identical homes and their shared last names. As their relationships begin to irrevocably intertwine, the Joneses must decide between their idyllic fantasies and their imperfect realities"-- Page 4 of cove